The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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    But, fortunately, probably not as good as Kafka. Take the example of Casimir Adamowitz-Kostrowicki, born in Paris in... »
  • The Other MitteleuropeanThe Other Mitteleuropean

    The New York Review covers the latest book from the one many prefer to Stefan Zweig. Hitler was named Reich chancellor... »
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You Say

  • Gilly: Just finished it, it is an astonishing book.
  • Arielle: The title of the article has a typo!
  • Patrick O'Donnell: Irony abounds: when I clicked to take a quick look at this
  • Richard: That article is ridiculous. I can't even reply, except to sa
  • Andrija F.: And don't forget to add Elfriede Jelinek, my favorite among
  • Richard: If you search for this Chris Roberts, God being on Amazon (y
  • Seamus Duggan: READ MARILYNNE ROBINSON!!!!! No encouragement needed, althou

Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

Shop though these links = Support this site


Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


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  • Trieste by Daša Drndić September 15, 2014
    As Drndić reiterates throughout the novel, “Behind every name there is a story.” And Haya Tedeschi’s story is draped in death. Born to a Jewish family that converted to Catholicism and tacitly supported the Fascists in Italy, Haya was a bystander to the Holocaust. She attended movies while Jews and partisans were transported to concentration camps; she pored […]
  • The Tree With No Name by Drago Jančar September 15, 2014
    At the opening of chapter 87—the first chapter found in The Tree with No Name—Janez Lipnik finds himself up a tree, shoeless, and lost in the Slovenian countryside. He makes his way to a house where he is taken in by a woman teacher who is waiting for her lover, a soldier. It becomes clear we are at the height of World War II. Soon after, we follow Lipnik […]
  • Kjell Askildsen, Selected Stories September 15, 2014
    Here, at the midpoint of his narrative, Bernhard, the affectless and purposeless protagonist of "The Unseen," experiences existential near-emancipation at dusk. This retreat toward obscurity in terse, direct language—thematic and stylistic markers of each work in the collection—comes immediately after Bernhard’s sister mentions her plans to enterta […]
  • Berlin Now by Peter Schneider September 15, 2014
    In his new book of essays, Berlin Now, Peter Schneider reveals himself as a gnarled Cold Warrior who has been stricken with many of the maladies common to his generation. With the specter of Communism exorcized, his new enemy is Islam. The book is a collection of short interlocking pieces introducing Anglophone readers to Berlin; it is not being published in […]
  • Paris by Marcos Giralt Torrente September 15, 2014
    In 1999, Marcos Giralt Torrente’s debut novel, Paris, was awarded the XVII Premio Herralde de Novela prize. Despite his success, it took fourteen years for Giralt’s work to appear in English, with the story collection The End of Love arriving in 2013. Now, this year sees the publication of two more books by Giralt: Paris, translated by Margaret Jull Costa, a […]
  • 10:04 by Ben Lerner September 15, 2014
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  • Theories of Forgetting by Lance Olsen September 15, 2014
    Lance Olsen’s Theories of Forgetting is a masterful work structured around Robert Smithson’s earthwork “The Spiral Jetty.” Olsen’s novel is comprised of three narrations, written each by a separate member of a family. The husband’s and wife’s texts progress in opposite directions across the book, with each page divided among these two inverted texts; though […]
  • An Interview with Lance Olsen September 15, 2014
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  • The Ants by Sawako Nakayasu September 15, 2014
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Some Final Tunnel Responses

To round out our Tunnel Big Read summations, participants GRSJR and Neil offer some final thoughts on their experiences with the book. First up, GRSJR:

I took my slide rule, compass, protractor, and other tools of critical reading and wasn’t able to apply them very well to William Gass’s The Tunnel. Maybe new tools are needed in such a modern narrative.

Originally, and even still, I’d presumed Gass would reveal some novelistic intent; An intent explained as theme, style, narrative, or other. But that intent I didn’t find. Instead, I found a description of an individual’s, Professor William Kohler’s, consternations and embitterness. These flummoxations are representative; Extending beyond an individual to larger groups of society and culture.

The fictional application of these existential consternations, is through, rather poetic, interior monologue. One of my favorite of Kohler’s poeticisms is the alliterative simile, “myth murdering myth” [pg. 82] Within it is the recognition of differing political and governing attitudes. Theses differing concerns are, in Kohler’s opinion, each myths. Whether referring to a democracy, socialism, fascism, etc, they are each myths because each is at best only partly true and at worst full of deceptions and untruths. “I am weary of dinner tables and dinner table prattle, and the whole of life in chairs, in families, in national places. An oration. oration” [pg. 262] When war breaks out among societies full of differences in culture etc, the deaths involved amount to nothing more than “myth murdering myth”. Does this perception of Kohler’s become the foundation of some action by Kohler? No. Well, he can be forgiven for not being a savior if that’s what I mean; He’s only one individual, he’s probably not going to change the world. Yet he is a learned individual and when he doesn’t take some action as a result of belief, he has lied to himself and others. He is a hypocrite. It’s a punishing kind of self-criticism , one which seems to be the root of Kohler’s misery. This misery is evident in his personal relationships, i.e. his marriage, his work, his colleagues, his children, etc. as well as in his abstract relationships with learnedness and ideas; “Myth murdering myth”, being an example; An example with a disdainful, miseryous note. Or “I hoped to teach as he had the truth no matter what, namely that the truth was a snare.” [Pg. 278] The truth is the snare, not the man Magus Tabor, nor the teachings of the man but the ‘truth’ which is the snare and thus the so-called ‘truth’ which suffers Kohler’s contempt. Disdain pricks the ear when Kohler speaks. Well, we too might be disdainful and hypocritical if we ‘d had a dysfunctional childhood as Kohler seems to feel he’s had. That dysfunctionality is also a convenient excuse for his lack of conviction. Were Kohler not a hypocrite from lack of conviction he would probably be an extremist. “Dr. Kohler, Nazi, By Appointment” [pg.488] Better to be a hypocrite than an extremist.

Yet Kohler is just as aware of his misery and it’s animosities as any of us readers. He’s not only conflicted, he’s also conflicted about being conflicted; “And there I go again.” [pg.116] or, “. . . but oh boy there I go . . .” [pg.123] as, in both cases, he catches himself being sarcastic or contemptuous. It’s a self-conflict he never resolves. The tunnel he is digging becomes a metaphor for escaping these anathemas, conflicts, and dichotomies to normalcy or happiness. For me, this is what the book is about.

There are other aspects to the novel besides Kohler’s uncompromising bitterness:
* Herschel Grynszpan and Kohler’s colleague Walter Herschel. The dissimilarity between Grynszpans committed assassination of Ernst vom Rath and Walter Herschels accommodating, easy-going nature is striking.
* So too is Kohler’s seeming lack of self-conscienceness regarding his adulteries.
* The name of Kohler’s uncle, “Balt,” I take to be an allusion to the Baltic states. The relation between the Baltic of Uncle Balt and the German Of Kohler seems obvious, yet there is no closure to understanding the importance of this topic. It’s sort of passed over. It’s an intimation writ on fragile rice paper, of which the fragility prevents further examination.

The problem I have, and maybe it’s a fault of too shallow a reading on my part, is that all these other aspects are not much more than “otherness.” These mentions don’t portend any further consideration. The two Herschels, the affairs, the Baltic-German allusions, and others, have a dangling quality, As if nothing more can be made of them. Maybe to make further conclusions is for Gass to risk suffering a judgement of half-assed half-truths; the very kind of contemptuous judgement Kohler slings at others as well as at life itself.

As to Kohler’s monstrosity, it seems hyperbolic. He certainly has a fascist streak, he can certainly disparage his wife or kids or his upbringing, but those same topics he can refer to poignantly and if not with a quite facetious disdain, then at least something less than total disdain. He’s a tough cookie but not without apparent humanity.

Basically, I enjoyed the post-modern contemporanoeousness of the character of Kohler. I enjoyed Gass’s prose. But Kohler’s hints at historical significances, i.e. antisemitism, mob mentalities, existentalness of ideas and truths ,etc. seemed to start and stop and were never fulfilled topics.

Finally, it seemed to me that The Tunnel was more epic than novelistic. It seemed a cross between Ernest Hemingway’s The Snows of Kilamanjaro and Herman Melville’s Moby-Dick. How it is that an epic is beget by a cross between a short story and a novel I don’t understand. How it is that this seemingly alien begetting is, in my opinion, worthy of merit is actually even stranger still.


And here is what Neil has to say:

This summer, feeling ambitious, I took The Tunnel off the shelf, which it had been weighing down for three years. Unfortunately, as soon as I finished it, Scott announced it as the next Group Read, which would have an ideal way to take on this huge book. I still followed along and got a lot out of the posts and comments.

Before reading this, whenever thinking of The Tunnel, I always fixated on how it took Gass close to three decades to complete it. How does one work on a piece of work for so long? Is it in stops and starts? Is it a sentence a day? Does he put it on a shelf of his own for three years before picking it up again? Why did it take so long?

After reading, I have a good idea about why it took so long. I have never read anything that paid so much attention to rhythm, rhyme, alliteration, pace, and word choice. And I’m not comparing it only to Big Important Novels, but also to short books, short stories, novellas, essays—hell, even poems. Right now, I could randomly flip to any page, close my eyes, pick out a sentence, and quote something striking to you. Let’s try:

“I used to cuddle you and now I cuddle my covers, but I am not pretending this blanket is your body or that these pages turn of its own accord.”

This book is stitched together with gems like this on every page and paragraph. It is wondrous on a micro level, something certainly to revel in. There are passages that are as good or better than anything I’ve read—the birthday “party” comes to mind, as do childhood memories of car rides in the country. Yet, I feel that, as a whole, the book didn’t grab me as much as I wanted. Maybe this isn’t a book to pull you in, but instead to push you out.

For me, I was too busy getting drunk off his sentences to feel much about the content of Kohler’s soul. Maybe if it were written in sturdy, clear, prose I would have paid less attention to the musical writing and more to Kohler’s descent tunnel-ward. But that would rob the book of its joyful language, which beautifully describes an ugly, spiraling thought process. Gass’s brilliance at the sentence level shines through the filth of Kohler’s mind as he unearths his history with a shovel and pen.

So overall, a great group read that I would put a little below Your Face Tomorrow and Life A User’s Manual, but above Naked Singularity and The Last Samurai. Thanks to Scott for letting me share this and for introducing me to so many great authors over the last few years.

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  1. The Tunnel Big Read: Final Week This begins our fifth and final week of group reading The Tunnel. Congrats to those who have made it this far, and best wishes...
  2. The Tunnel Big Read: Responses to The Tunnel We are group reading William H. Gass’s The Tunnel on this website from September 30 through November 3. We are currently in Week 4, covering...
  3. The Tunnel Big Read: The Beginning of the End? We are group reading William H. Gass’s The Tunnel on this website from September 30 through November 3. We are currently in Week 4, covering...
  4. The Tunnel Big Read: Some Questions for Week 1 We are group reading William H. Gass’s The Tunnel on this website from September 30 through November 3. We are currently in Week 1, covering...
  5. The Tunnel Big Read: “I Could Not Read The Tunnel Before Sleeping . . .” by Hilary Plum This post is part of the group read of William H. Gass’s The Tunnel on this website from September 30 through November 3. The read...

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