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Sotiropoulos’s Modernist Surfaces
At The Quarterly Conversation we’ve just published George Fragopoulos’s review of Landscape With Dog: And Other Stories by Ersi Sotiropoulos.
Landscape is a collection that I myself enjoyed this year, and I was pleased to see it make the Best Translated Book Award Longlist this year. Here’s aquote from George’s review:
There is in Sotiropoulos’s fiction a tendency to draw attention to its own naked surfaces, its almost flat prose, a Modernist ethos one can trace back to Cubism, or even further back to Oscar Wilde’s claim that only shallow people do not judge by appearances. In a Nietzschean sense of value reversal, surface is argued to be just as important as any supposed depth.
But these revelatory glimpses, it should be noted, are not of the sublime, metaphysical kind—there is a stark materialist streak in Sotiropoulos. Consider “The Exterminator,” a story about an unnamed writer on a Greek island looking for a semblance of serenity in which to write her book
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- JG Ballard: Not the Last Modernist Stephen Mitchelmore takes offense to loose "last modernist" talk: Rhys Tranter has posted several blogs in response to the death of JG Ballard. So...
- Friday Column: Mann, Faustus, and the Modernist Morality (When I decided to discuss Thomas Mann’s novel Doctor Faustus on this blog, it quickly became clear that I could expend thousands and thousands of...
- From the Greek The Brooklyn Rail has serialized a story from Greek writer Ersi Sotiropulos’s forthcoming collection, Landscape with Dog. I’ve read a number of stories from this...
- Four Greek Writers That You Should (and Can) Read On Tuesday, May 12, the translator Karen Emmerich read from various Greek works that she has translated into English. She spoke before a packed...
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Recommended Books DeLillo's major work before White Noise is probably his most underrated novel. Its all right here--the politics of paranoia, terrorism, the unnamable--set in an evocative, timeless Greece.
The most bizarre Abe novel I've yet read, which is indeed saying something. About a subclass of Japanese men who go around wearing boxes from the waist up (and then use them as domiciles in the evening), the book is also an experiment in perspective shifts, a highly unstable, metafictional first-person narrative, and an exploration of voyeurism, consumerism, and aberrant sexuality.
Charting the path to three gunshots--the one that killed filmmaker Theo Van Gogh, the one that disabled his Islamic extremist assassin, Mohammed Bouyeri, and the one that led to Vincent Van Gogh’s one hundred years earlier--Olsen tells three separate stories that resonate with one another on numerous levels: the logic of extremism, the role of the dissident in Dutch society, the limits of tolerance, the purpose of the artist, the feeling of the most important five minutes of your life. Read my interview with the author.
Creatively structured, well-executed epic novel of rural South Africa from 1950 - 2000. Takes on a lot and lives up to it magnificently. Highly recommended.
A book that's an interview about the book you're supposedly holding in your hands. Creative, potent, and full of life. Just what metafiction should be. Read my post on it.
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