Spring Pledge Week

All this week I’m going to be asking anyone who wants to donate to this site and to The Quarterly Conversation to do so.

Basically, if you like and value what you get here and at TQC, then break me off a little cash, if you want to, and if it’s compatible with your current finances.





To be clear, it’s a privilege to be able to do what I do both with this site and with TQC, and the level of donations I receive is in no way proportional to the futures of these sites.

That said, I derive a significant amount of my income from freelancing, and time spent here is time not spent hustling up some more work. Blogging probably doesn’t look like the hardest thing in the world, but doing a good job of it takes a fair amount of time and effort.

So if you want to donate, go for it.





And if you can’t or don’t feel like donating, if you shop on Amazon through my links I’ll get a kickback.



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Criticism Isn't Free


CR is dedicated to thoughtful, in-depth criticism without regard to what's commercially appealing. It takes tens of hours each month to provide this. Please help make this sort of writing sustainable, either with a subscription or a one-time donation. Thank you!

You could also purchase one of my acclaimed ebooks.





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THE SURRENDER

The Surrender is Veronica Scott Esposito’s “collection of facts” concerning how she embraced her true gender.


LADY CHATTERLEY'S BROTHER

Two long essays of 10,000 words each on sex in—and out of—literature . . .

The first essay dives in to Nicholson Baker’s “sex trilogy,” explaining just what Baker is up to here and why these books ultimately fail to be as sexy as Baker might wish.

From there the book moves on to the second essay, which explains just why Spaniard Javier Marías does right what Baker does wrong . . .


THE LATIN AMERICAN MIXTAPE

5 essays. 2 interviews.

All in all, over 25,000 words of Latin American literary goodness.

3 never-before-published essays, including “The Digression”—a 4,000-word piece on the most important digression in César Aira’s career.

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