The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

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Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

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Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

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Ten Memorable Quotes from William Gaddis’ Letters

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Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

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See this page for interviews with leading authors, translators, publishers, and more.


  • Those Who Leave and Those Who Stay by Elena Ferrante September 16, 2014
    Few novelists have captured the rhythms and flow of life with the veracity of Elena Ferrante in her Neapolitan Novels. Following the friendship between Elena Greco and Lila Cerullo from childhood to old age, the tetralogy spans fifty years; over the course of that time, no emotion is too small, too dark, too banal to be recorded. No expense, so to speak, is […]
  • Trieste by Daša Drndić September 15, 2014
    As Drndić reiterates throughout the novel, “Behind every name there is a story.” And Haya Tedeschi’s story is draped in death. Born to a Jewish family that converted to Catholicism and tacitly supported the Fascists in Italy, Haya was a bystander to the Holocaust. She attended movies while Jews and partisans were transported to concentration camps; she pored […]
  • The Tree With No Name by Drago Jančar September 15, 2014
    At the opening of chapter 87—the first chapter found in The Tree with No Name—Janez Lipnik finds himself up a tree, shoeless, and lost in the Slovenian countryside. He makes his way to a house where he is taken in by a woman teacher who is waiting for her lover, a soldier. It becomes clear we are at the height of World War II. Soon after, we follow Lipnik […]
  • Kjell Askildsen, Selected Stories September 15, 2014
    Here, at the midpoint of his narrative, Bernhard, the affectless and purposeless protagonist of "The Unseen," experiences existential near-emancipation at dusk. This retreat toward obscurity in terse, direct language—thematic and stylistic markers of each work in the collection—comes immediately after Bernhard’s sister mentions her plans to enterta […]
  • Berlin Now by Peter Schneider September 15, 2014
    In his new book of essays, Berlin Now, Peter Schneider reveals himself as a gnarled Cold Warrior who has been stricken with many of the maladies common to his generation. With the specter of Communism exorcized, his new enemy is Islam. The book is a collection of short interlocking pieces introducing Anglophone readers to Berlin; it is not being published in […]
  • Paris by Marcos Giralt Torrente September 15, 2014
    In 1999, Marcos Giralt Torrente’s debut novel, Paris, was awarded the XVII Premio Herralde de Novela prize. Despite his success, it took fourteen years for Giralt’s work to appear in English, with the story collection The End of Love arriving in 2013. Now, this year sees the publication of two more books by Giralt: Paris, translated by Margaret Jull Costa, a […]
  • 10:04 by Ben Lerner September 15, 2014
    “It seemed that the [New Yorker] story—which was in part the result of my dealing with the reception of my novel—had been much more widely received than the novel itself,” says the narrator of Ben Lerner’s second novel, 10:04. Perhaps this narrator is Lerner himself—at one point he describes 10:04, within its own pages, as “neither fiction nor nonfiction but […]
  • Theories of Forgetting by Lance Olsen September 15, 2014
    Lance Olsen’s Theories of Forgetting is a masterful work structured around Robert Smithson’s earthwork “The Spiral Jetty.” Olsen’s novel is comprised of three narrations, written each by a separate member of a family. The husband’s and wife’s texts progress in opposite directions across the book, with each page divided among these two inverted texts; though […]
  • An Interview with Lance Olsen September 15, 2014
    The most substantial may be that innovative fiction knows what it is, that someone like me could define it in any productive way, that innovative fiction might somehow be one thing, or somehow consistent through time and space. None of these is the case. That’s exactly what I find most exciting about writing it, reading it, thinking about it. Innovative fict […]
  • The Ants by Sawako Nakayasu September 15, 2014
    In The Ants, we receive a study of existence through ants. That is, there are ants everywhere, ants substituted in every segment of the landscape, yet their behavior seems to reveal something altogether human. Too human. The ants are crushed and disappointed. They are warm and many. They are involved in gang wars and live inside carrot cake. The unique quali […]

Stop Being So Damn Nice!

Is it okay to be this positive about an article arguing against the cloying eagerness of online literary culture? I think it is. Jacob Silverman has really said it here at Slate: “A better literary culture would be one that’s not so dependent on personal esteem and mutual reinforcement. It would not treat offense or disagreement as toxic.”

And then:

Instead, cloying niceness and blind enthusiasm are the dominant sentiments. As if mirroring the surrounding culture, biting criticism has become synonymous with offense; everything is personal—one’s affection for a book is interchangeable with one’s feelings about its author as a person. Critics gush in anticipation for books they haven’t yet read; they <3 so-and-so writer, tagging the author’s Twitter handle so that he or she knows it, too; they exhaust themselves with outbursts of all-caps praise, because that’s how you boost your follower count and affirm your place in the back-slapping community that is the literary web. And, of course, critics, most of them freelance and hungry for work, want to appeal to fans and readers as well; so to connect with them, they must become them.

Twitter and Tumblr form the superstructure of today’s literary world. The salons and independent bookstores are disappearing, so this is where we congregate, allowing us to collapse geography at the expense of solitary thinking. This is where links are passed around, recommendations exchanged, news spread, contacts and friendships made. It is also where everyone is selling himself and where debate and dissent are easily snuffed. As litblogger Mark Athitakis recently tweeted, “Twitter defaults into an affirmation engine. It's easier to enthuse than discuss.”

This is, unfortunately, what American culture is becoming: a million fragile egos all rushing to affirm one another.

I hope this site has been an oasis of non-bullshittery and crotchety, honest opinions in a world far too full of conniving and opportunistic niceness. Not saying that people shouldn’t be smart about how they manage their careers and their relationships, but you all know when you’ve crossed the point of sacrificing your integrity in order to get ahead. Bad on you! For that, your books won’t be read in the future and your opinions will be doomed to laughter.

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9 comments to Stop Being So Damn Nice!

  • Padraic

    It is okay, as long as we can rip you for block quoting the same Silverman post on back to back days.

  • Michael

    Yeah I could have sworn I’d read that block quote somewhere before.

  • Silverman is right about the spineless online friendliness etc. but I think overemphasizes social media. What is missing much more urgently is more of a literary issue and is conviction of taste – the compulsion and ability to say that particular books and particular kinds of books simply suck.

    People who haven’t really read all that much often say they like good writing and dislike bad writing, but can’t say much about the difference between the two. For a 16 year old it’s understandable but for a book reviewer – c’mon.

    This communal “we’re all writers, let’s help each other” also comes from the unfortunate reality of everyone – reviewers, readers, etc. – being “writers.” The world has become one big workshop.

    Last mean thing – I’d never heard of Emma Straub before today, but Emma – I love my parents, friends and, under the influence of some substances that I can no longer afford or probably survive, can love almost everyone for a few hours at least. But when you’re in love it means you are either having sex or want to have sex with them, so being in love with everyone – unless you’re bi and in extremely good shape – would probably prevent you from doing much writing, which is what the focus of this oasis (and thanks for that) is all about.

  • Jacob Silverman

    Hi all,

    Just to be clear: I first wrote a short Tumblr post about this subject, which Scott quoted from in a post a week or so back. This Slate essay is an expansion of that post and uses some of it, but kind of goes into a larger survey of the culture, especially online. That essay went up on Friday. No collusion here, but I appreciate the nod(s).

  • Actually, I don’t think most people are at all sure of when they’ve crossed that line.

    Or just don’t care.

  • [...] and how did Beckett find his voice? A reader’s report on Dream of Fair to Middling… »Stop Being So Damn Nice!Is it okay to be this positive about an article arguing against the cloying eagerness of online [...]

  • [...] having a nice little conversation about the role of negative reviews in literary culture, thanks to Jacob Silverman’s piece in Slate. Alas, now Laura Miller has joined [...]

  • It is according to where you hang out, what you will see. I shop at Amazon.com and see a number of comments/reviews about books on there that are flattering, but some also on the same page that are negative.

    Social media has been built upon connection and affirmation of each other, so I think it is seen there more.

    “Critics gush in anticipation for books they haven’t yet read; they <3 so-and-so writer, tagging the author’s Twitter handle so that he or she knows it, too; they exhaust themselves with outbursts of all-caps praise, because that’s how you boost your follower count and affirm your place in the back-slapping community that is the literary web."

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