I’ve been greatly enjoying reading everyone’s responses to Life A User’s Manual, and if you haven’t done so yet I urge you to register your opinion, regardless of it you read it during the Big Read or at some other point in the past. I’d like to talk about one point that’s come up a number of times in a number of ways–people are largely dividing the book into “stories” and “descriptions,” which is a fair enough way to roughly group the material in Life. I think that virtually everyone likes the stories, and with good reason . . . . . . continue reading, and add your comments
Per the schedule, we should all be done with Life A User’s Manual this week. How many of you made it to the end, how many of you didn’t, and why did you or didn’t you? I’m curious to know specifically why this book did or did not work for you, because it seems to divide reader-friends of mine like few others . . . . . . continue reading, and add your comments
So here’s a couple of things for you to ponder. Number one, now that we’ve gotten through most of the book, I want to return to one of the very first questions we brought up–do the constraints matter to you or not? . . . continue reading, and add your comments
This week concurrently with Life A User’s Manual I’ve been reading Beckett’s trilogy starting with Molloy, and I noticed this interesting coincidence of thoughts. They deal with satisfaction, meaning, and hope, items that are certainly of central importance to Perec’s book. My emphasis in both quotes. . . . continue reading, and add your comments
For various reasons, during this week’s reading I’ve been thinking a lot about the relationship between things and words. Part of this, I’m convinced, is my concurrent reading of the recent book The Information by James Gleick, which is all about the history of language as a medium of information communication and storage. But I also think that my thoughts about things vis a vis words (and vice versa) has to do with this week’s subject-matter. There just seems to be a lot about objects that are heavily reliant on words for their substance, or words that are objects in and of themselves. As to the latter, I think the best example we have is Cinoc’s dictionary of lost words [329 - 330]. Here we see words as things that can be . . . . . . continue reading, and add your comments
Give us your questions and thoughts right here. For my own part, you may have noticed that I didn’t do some summarizing thoughts + a poll last Friday like I usually do. Reason being, I was out of town camping in the woods. But that experience did give me an interesting perspective on Life A User’s Manual. Of course whenever you go camping you have to build a fire, and whenever you build a fire you enter into one of the strangest, most human experiences possible. . . . continue reading, and add your comments
. . . is another writer. And thus I have taken Stephen Mitchelmore’s advice and checked in on Gabriel Josipovici’s sage critique of Life A User’s Manual. I encourage you all to do the same, although it will take a trip to your local library. Here’s the citation: . . . continue reading, and add your comments
Give me your questions, your answers for this week’s reading. And I’d like to pull this from last week’s question thread . . . . . . continue reading, and add your comments
As I read this week’s section, I felt that what was most coming though was the idea of quests that become traps. I first noticed this in that quote about Bartlebooth that I mentioned earlier this week and which I will reproduce here:
That’s what struck Valene the most, his gaze which did not manage to meet his own, as if Bartlebooth had sought to look behind his head, had wanted to pierce his head to reach beyond it in the neutral asylum of the stairwell with it’s trompe-loeil decorations mimicking old marbling and its staff skirting board made to resemble wood panelling. There was in that avoiding look something more violent than a void, something that was not merely pride or hatred, but almost panic, something like a mad hope, like an appeal for help, like a signal of distress. 
We also see this trope in the quest-stories that Perec tells, most notably in the utterly bizarre one about the nanny . . . . . . continue reading, and add your comments
So I want to try something new here. Each week I’ll post a question thread, and then we all can post any questions at all we have about this week’s section in the comments. This can be anything, from, What does the story about X mean? to How do you translate trompe-l’œil, and what exactly is it? to Where did we last see Madame de Beaumont?
I’ll do my best to answer all the questions, but I’d like everyone else to provide answers as well!
I’ll get things started: Does anyone know if the Kubus, the tribe that . . . continue reading, and add your comments