Quantcast

The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

For low prices on Las Vegas shows visit LasVegas.ShowTickets.com

You Say

Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

Shop though these links = Support this site


Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • A Treatise on Shelling Beans by Wiesław Myśliwski March 9, 2014
    A man enters a house and asks to buy some beans, but we aren’t given his question, only the response: humble surprise from the narrator and an invitation inside. This modesty, though it remains at the core of the narrator throughout, is quickly overwhelmed when his questions, his welcoming explanations, flow into an effort to tell his whole life story, from […]
  • The Gorgeous Nothings by Emily Dickinson, edited by Marta Werner and Jen Bervin March 9, 2014
    The Gorgeous Nothings, the dedicated work of visual artist Jen Bervin and author Marta Werner, presents in large format the first full-color publication of all fifty-two of Emily Dickinson’s envelope writings. As such, it opens up an aspect of her craft that suggests she was, in the so-called late ecstatic period of her career, experimenting with creating te […]
  • The Mehlis Report by Rabee Jaber March 9, 2014
    The Mehlis Report follows the architect Saman Yarid on his daily perambulations around Lebanon's capital, where his memories of the city's past and his observations of the high-rises that have emerged from the ruins of the nation's civil war dominate the faint plot. But the book transcends Beirut: Jaber writes about what is left behind when pe […]
  • The Fiddler of Driskill Hill by David Middleton March 9, 2014
    Middleton’s sensibility as poet and man is thoroughly Christian, Southern (or rather, Louisianan), and traditional, but he’s no unreconstructed romantic Rebel reliving the Civil War. His manner is meditative and elegiac, not rancorous or redneck. In a rare useful blurb on the back of the book, the North Carolina poet and novelist Fred Chappell describes Midd […]
  • The Fata Morgana Books by Jonathan Littell March 9, 2014
    After The Kindly Ones, the nine hundred-page long Goncourt Prize-winning “autobiography” of a Nazi, fans of the Franco-American writer Jonathan Littell may heave an inward sigh of relief at the sight of The Fata Morgana Books. A slim collection of “studies” (as some of these stories were called in their original French incarnations), The Fata Morgana Books n […]
  • Novelty: A History of the New by Michael North March 9, 2014
    There is no better way to ensure the early demise of a form or a style than to proclaim its newness; fewer epithets are as old as “new.” A well-known work by Italian artist Maurizio Nannucci reads, “All art has been contemporary”—we may wish to amend it, for present purposes, and have it read, “All art has been new.” Yet surely this is something of a truism. […]
  • A Life Among Invented Characters: A Tribute to Mavis Gallant March 9, 2014
    Two things immediately come to mind when remembering Mavis Gallant: her unique sense of humor—stories always told with a wry half-smile—and her near-comical stonewalling when confronted with leading questions about her craft in interviews and with audiences. The first time I was in her simple three-room apartment on rue Jean Ferrandi, a mere three blocks fro […]
  • The Guy Davenport Reader March 9, 2014
    Poet-critic. Think of that word, made of two—what a beaux construction. The first is wild, hair mussed, looking at a bird in a tree—yet the follower is practical, urbane, and seemingly obeisant to word counts. Together they bleach out the fusspot academic and appeal to logos—Davenport once said that he was “not writing for scholars or critics, but for people […]
  • [SIC] by Davis Schneiderman March 9, 2014
    In 2011 Andrew Gallix, in the Guardian, wrote a piece on unread difficult books, and mentioned “an anthology of blank books [edited by Michael Gibbs] entitled All Or Nothing,” and we can consider Blank as continuing that line. Kenneth Goldsmith’s prefatory essay “Why Conceptual Writing? Why Now?” in Against Expression: An Anthology of Conceptual Writing (201 […]
  • The Ben Marcus Interview March 9, 2014
    I do tend to generate a lot of pages when I’m drafting something, and I cut as I go. I make strange noises out of my face, on the page, and they are for the most part not worth keeping. Some of the stories don’t take shape until I overwrite and pursue every cursed dead-end I can think of, which clarifies everything I don’t want the story to become. But I don […]

Life Big Read: The End

stopwatch

Per the schedule, we should all be done with Life A User’s Manual this week. How many of you made it to the end, how many of you didn’t, and why did you or didn’t you? I’m curious to know specifically why this book did or did not work for you, because it seems to divide reader-friends of mine like few others . . . . . . continue reading, and add your comments

Life Big Read Question Thread 5

Incontro con Italo Calvino

So here’s a couple of things for you to ponder. Number one, now that we’ve gotten through most of the book, I want to return to one of the very first questions we brought up–do the constraints matter to you or not? . . . continue reading, and add your comments

Life Big Read Question Thread 4

From the Operation Paperclip Wikipedia page

This week concurrently with Life A User’s Manual I’ve been reading Beckett’s trilogy starting with Molloy, and I noticed this interesting coincidence of thoughts. They deal with satisfaction, meaning, and hope, items that are certainly of central importance to Perec’s book. My emphasis in both quotes. . . . continue reading, and add your comments

Life Big Read: Words as Things

anamorphosis

For various reasons, during this week’s reading I’ve been thinking a lot about the relationship between things and words. Part of this, I’m convinced, is my concurrent reading of the recent book The Information by James Gleick, which is all about the history of language as a medium of information communication and storage. But I also think that my thoughts about things vis a vis words (and vice versa) has to do with this week’s subject-matter. There just seems to be a lot about objects that are heavily reliant on words for their substance, or words that are objects in and of themselves. As to the latter, I think the best example we have is Cinoc’s dictionary of lost words [329 - 330]. Here we see words as things that can be . . . . . . continue reading, and add your comments

Life Big Read Question Thread 3

crossword

Give us your questions and thoughts right here. For my own part, you may have noticed that I didn’t do some summarizing thoughts + a poll last Friday like I usually do. Reason being, I was out of town camping in the woods. But that experience did give me an interesting perspective on Life A User’s Manual. Of course whenever you go camping you have to build a fire, and whenever you build a fire you enter into one of the strangest, most human experiences possible. . . . continue reading, and add your comments

Life Big Read: The Best Critic of a Writer . . .

. . . is another writer. And thus I have taken Stephen Mitchelmore’s advice and checked in on Gabriel Josipovici’s sage critique of Life A User’s Manual. I encourage you all to do the same, although it will take a trip to your local library. Here’s the citation: . . . continue reading, and add your comments

Life Big Read Question Thread 2

perec-stamp

Give me your questions, your answers for this week’s reading. And I’d like to pull this from last week’s question thread . . . . . . continue reading, and add your comments

Life Big Read: A Better Mousetrap

mousetrap

As I read this week’s section, I felt that what was most coming though was the idea of quests that become traps. I first noticed this in that quote about Bartlebooth that I mentioned earlier this week and which I will reproduce here:

That’s what struck Valene the most, his gaze which did not manage to meet his own, as if Bartlebooth had sought to look behind his head, had wanted to pierce his head to reach beyond it in the neutral asylum of the stairwell with it’s trompe-loeil decorations mimicking old marbling and its staff skirting board made to resemble wood panelling. There was in that avoiding look something more violent than a void, something that was not merely pride or hatred, but almost panic, something like a mad hope, like an appeal for help, like a signal of distress. [142]

We also see this trope in the quest-stories that Perec tells, most notably in the utterly bizarre one about the nanny . . . . . . continue reading, and add your comments

Life Big Read: Question Thread

So I want to try something new here. Each week I’ll post a question thread, and then we all can post any questions at all we have about this week’s section in the comments. This can be anything, from, What does the story about X mean? to How do you translate trompe-l’œil, and what exactly is it? to Where did we last see Madame de Beaumont?

I’ll do my best to answer all the questions, but I’d like everyone else to provide answers as well!

I’ll get things started: Does anyone know if the Kubus, the tribe that . . . continue reading, and add your comments

Life Big Read: Surfaces

puzzle-surfaces

manual-big-read-schedule/”>this week’s section, with some more fully fleshed thoughts to come later in the week, once we’ve all had a fair chance to get through to the end. We’ve already been talking a great deal about things and descriptions, so now it’s time to talk about surfaces. I’m thinking specifically in terms of Sherwood’s Tale, in which he purchases what he believes to be the Holy Grail but is in fact scammed by crooks [pp. 96 - 109]. It is one of those elaborate confidence scams where a person is shown one small piece of evidence after another to slowly build up trust in what is ultimately a big, unbelievable falsehood . . . . . . continue reading, and add your comments