Tag Archives: wind-up bird chronicle

Adapting the Wind-Up Bird Chronicle to the Stage

For a little better Murakami news, have a look at this Economist article on the recent transformation of The Wind-Up Bird Chronicle from novel to play:

First published in English in 1997, this Japanese novel was immediately hailed as a masterpiece, despite its fierce resistance to explanation. Mr Earnhart, a former producer for Miramax Films, has applied some cinematic flourishes to this production, which often recalls the bizarre cinema of David Lynch. The novel’s hallucinatory world is evoked through film projections, puppets and music. The mood is haunting and confusing, and peppered with bewitching details, like a white bird that suddenly flutters from bedsheets and flies away.

THE SURRENDER

The Surrender is Veronica Scott Esposito’s “collection of facts” concerning how she embraced her true gender.


LADY CHATTERLEY'S BROTHER

Two long essays of 10,000 words each on sex in—and out of—literature . . .

The first essay dives in to Nicholson Baker’s “sex trilogy,” explaining just what Baker is up to here and why these books ultimately fail to be as sexy as Baker might wish.

From there the book moves on to the second essay, which explains just why Spaniard Javier Marías does right what Baker does wrong . . .


THE LATIN AMERICAN MIXTAPE

5 essays. 2 interviews.

All in all, over 25,000 words of Latin American literary goodness.

3 never-before-published essays, including “The Digression”—a 4,000-word piece on the most important digression in César Aira’s career.

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