The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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  • The new DostoevskyThe new Dostoevsky

    Been a while since I read Crime and Punishment. Sounds interesting. Several earlier translations tended to smooth over... »
  • Golden HandcuffsGolden Handcuffs

    The current issue of the Golden Handcuffs Review has my essay "The Eclipse; Or, The Vulva," which is part of a series of work... »
  • The Translation Is HotThe Translation Is Hot

    While I tend to lump blockbusters into an outlier category regardless of what language they were originally written in, I do... »
  • LRB on Robbe-GrilletLRB on Robbe-Grillet

    Nice that there are still places like the LRB that publish things like this: By the time he was elected to the Académie... »
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  • Bae Suah on SebaldBae Suah on Sebald

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You Say

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Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

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Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • Nostalgia June 15, 2014
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  • Why Literary Periods Mattered by Ted Underwood June 15, 2014
    There are some writers who are, and likely always will be, inextricably linked to the “period” with which their work is associated, and in many cases helped to define. Surely Wordsworth and Keats will always be “Romantic” poets, while Faulkner and Woolf will remain modernists, as the term “modern” has been fully appropriated to describe the historical era be […]
  • Trans-Atlantyk by Witold Gombrowicz June 15, 2014
    August 1939. You sail to Buenos Aires on the Chombry as a cultural ambassador of Poland. Why say no to a little holiday on the government’s tab? Soon after arriving you sense that something isn’t right. You emerge from a welcome reception and your ears are “filled with newspaper cries: ‘Polonia, Polonia,’ most irksome indeed.” Before you’ve even had a chance […]
  • Accepting the Disaster by Joshua Mehigan June 15, 2014
    The first collections of most young poets, even the better ones, carry with them a hint of bravado. Flush with recognition, vindicated by the encouraging attentions of at least one editor and three blurbists, the poet strikes a triumphant pose and high-fives the Muse: “We did it, baby.” When Joshua Mehigan published his impressive first collection, The Optim […]
  • The Histories of Herodotus, translated by Tom Holland June 15, 2014
    Two of the greatest of Tom Holland's predecessors in translating Herodotus are Victorian scholar George Rawlinson and Aubrey de Selincourt; the former translated Herodotus in 1860, making an enormous hit (despite the fact that its detractors often referred to it as “dull and prolix"), while the latter's 1954 Herodotus was another enormous hit, […]
  • Bullfight by Yasushi Inoue June 15, 2014
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  • Sworn Virgin by Elvira Dones June 15, 2014
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  • On the Letters of David Markson June 15, 2014
    Knowing these narrators and how their lives paralleled David’s own, it’s difficult to deny his being a recluse. I certainly held that image of him, and nursed it, secretly cherishing it because it meant I was one of the few people with whom he corresponded, and with whom he would occasionally meet. Arranging our first meetings in person was something of a ni […]
  • Storm Still by Peter Handke June 15, 2014
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  • Red or Dead by David Peace June 15, 2014
    David Peace's novel Red or Dead is about British football, but it partakes in the traits of Homer's epic. This is a novel about the place of myth and heroes in modern society, about how the cyclical rhythms of athletic seasons reflect the cyclical patterns of life. It is a book about honor and fate, and one which bridges the profound, dreamlike ter […]

The Eastern Aesthetic

Interesting thoughts on the differences between the rise of the Western novel vs the Eastern, from Franco Moretti’s Distant Reading.

Chinese critics have identified over 600 characters in The Scholars, 800 in The Water Margin and the Jin Ping Mei, 975 in The Story of the Stone. And since size is seldom just size—a story with a thousand characters is not like a story with fifty characters, only twenty times bigger; it’s a different story—all this ends up generating a structure which is very unlike the one we are used to in Europe. . . . Preventing developments: that’s the key. Minimizing narrativity. The Story of the Stone is often described as a Chinese Buddenbrooks, and they are certainly both stories of the decline of a great family, but Buddenbrooks covers a half century in five hundred pages, and Stone a dozen years in two thousand pages: and it’s not just a matter of rhythm, here (although that is obviously the case), but of the hierarchy between synchrony and diachrony: Stone has a “horizontal” dominant, where what really matters is not what lies “ahead” of a given event, as in “forward-looking” European prose, but what lies “to the side” of it: all the vibrations that ripple across this immense narrative system—and all the counter-vibrations that try to keep it stable.

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4 comments to The Eastern Aesthetic

  • Just a question, does Moretti know Chinese?

  • P.

    Answer to the above: No. Qualification of answer: Moretti’s shtick is that you need not read these texts at all. This is the difference between ‘distant’ and close reading. According to him and his coterie, there are too many texts for them to be read ‘closely.’ Close reading invariably leads to a canon; canons are unrepresentative; therefore, let’s not read. Which is funny, because he’s a pretty good close reader.

  • Patrick Murtha

    The shtick is disposable, trendy and politically correct – but the methodology has many possible uses, and Moretti himself can be most insightful, as he is here. I’m halfway through the second volume of five in the Penguin edition of “The Story of the Stone,” and I see exactly what Moretti means about the “horizontal dominant.” This is the first classic Chinese novel I have read, and despite any idea that knowing ABOUT it is enough, I wouldn’t wish to have missed one of the greatest reading experiences of my lifetime. It has confirmed in me the intention to read ALL the classic Chinese fiction that is available in English. I am pro-canon, pro-expanding the canon, and pro-looking at everything that isn’t in the canon. This of course means that there are “too many” texts for me to read, but what the heck! It keeps me off the streets and out of trouble.

  • I know his big idea is distant reading. My point is, apart from the translated novels, all he has going is the words of Chinese critics, hardly a rigorous basis to start making comparisons between European and Chinese novels.

    But I’m even more curious about this: if The Story of the Stone has 2000 pages and 975 characters, that’s little more than 2 pages per character. How well developed can these characters be? Is characterization even important at all?

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