Lady Chatterley’s Brother Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series,  called “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.
Available now from Amazon, Barnes & Noble, and direct from this site:
Translate This Book! Ever wonder what English is missing? Called "a fascinating  read" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.
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Interviews from Conversational Reading See this page for interviews with leading authors, translators, publishers, and more.
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The Fine Use of Perspective In Book Covers
Example right here.
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More from Conversational Reading: - Book Covers John Updike writes a compelling, somewhat intense article on book overs. Economic utility to whom? To book manufacturers, basically. Publishing forms a minor branch of...
- Murakami Book Covers from Around the World That's the Israeli version of Kafka on the Shore. More here and here. ...
- The Black Perspective on Black History Month Novelist Tayari Jones, "On Being a Writer During Black History Month": The invitations start around Thanksgiving: Greetings, Ms. Jones! I am events coordinator for the...
- A Fine Week for Coetzee Essays This piece by Pankaj Mishra must be the best criticism of Slow Man I've yet read. More acutely than any other contemporary novelist, Coetzee has...
- U.S. Covers Vs. UK Covers Do U.S. bookcovers look better than their UK counterparts? A few case studies. I'm not terribly fond of the U.S. 2666 cover, but the UK...
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Recommended Books DeLillo's major work before White Noise is probably his most underrated novel. Its all right here--the politics of paranoia, terrorism, the unnamable--set in an evocative, timeless Greece.
The most bizarre Abe novel I've yet read, which is indeed saying something. About a subclass of Japanese men who go around wearing boxes from the waist up (and then use them as domiciles in the evening), the book is also an experiment in perspective shifts, a highly unstable, metafictional first-person narrative, and an exploration of voyeurism, consumerism, and aberrant sexuality.
Charting the path to three gunshots--the one that killed filmmaker Theo Van Gogh, the one that disabled his Islamic extremist assassin, Mohammed Bouyeri, and the one that led to Vincent Van Gogh’s one hundred years earlier--Olsen tells three separate stories that resonate with one another on numerous levels: the logic of extremism, the role of the dissident in Dutch society, the limits of tolerance, the purpose of the artist, the feeling of the most important five minutes of your life. Read my interview with the author.
Creatively structured, well-executed epic novel of rural South Africa from 1950 - 2000. Takes on a lot and lives up to it magnificently. Highly recommended.
A book that's an interview about the book you're supposedly holding in your hands. Creative, potent, and full of life. Just what metafiction should be. Read my post on it.
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