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The future of publishing
Dave raises many good points here.
Here’s one.
One thing I could imagine happening is mass-market novelists moving to self-publishing. What if John Grisham started self-publishing? He’s already got a reputation as a writer, so he doesn’t really need the publisher’s publicity engine. Instead of making 15 percent per copy, he could be getting 50 percent or more. If his next book sold a million copies, he could take home $15 million. If we’re talking about e-books, he could take home upwards of 85 percent — give a little commission to e-tailers like Amazon, and pocket the rest.
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Recommended Books DeLillo's major work before White Noise is probably his most underrated novel. Its all right here--the politics of paranoia, terrorism, the unnamable--set in an evocative, timeless Greece.
The most bizarre Abe novel I've yet read, which is indeed saying something. About a subclass of Japanese men who go around wearing boxes from the waist up (and then use them as domiciles in the evening), the book is also an experiment in perspective shifts, a highly unstable, metafictional first-person narrative, and an exploration of voyeurism, consumerism, and aberrant sexuality.
Charting the path to three gunshots--the one that killed filmmaker Theo Van Gogh, the one that disabled his Islamic extremist assassin, Mohammed Bouyeri, and the one that led to Vincent Van Gogh’s one hundred years earlier--Olsen tells three separate stories that resonate with one another on numerous levels: the logic of extremism, the role of the dissident in Dutch society, the limits of tolerance, the purpose of the artist, the feeling of the most important five minutes of your life. Read my interview with the author.
Creatively structured, well-executed epic novel of rural South Africa from 1950 - 2000. Takes on a lot and lives up to it magnificently. Highly recommended.
A book that's an interview about the book you're supposedly holding in your hands. Creative, potent, and full of life. Just what metafiction should be. Read my post on it.
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Easier said than done. Look at the music world for analogies: Prince famously extricated himself from the machine, but has lately come back into the corporate fold (and what do you know, coincidentally people are paying attention to him again). Don’t discount that publicity engine!
I’ve posted some comments at Dave’s site regarding the ageless issue of publisher’s also serving as arbiters of what the broad public is exposed to, and how this may have its drawbacks.
http://wordmunger.com/?p=508
carmen electra striping
The future of publishing