Lady Chatterley’s Brother The first ebook in the new TQC Long Essays series,  called “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future.
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Translate This Book! Ever wonder what English is missing? Called "a fascinating  read" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle for 99 cents.
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Interviews from Conversational Reading See this page for interviews with leading authors, translators, publishers, and more.
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The Height of British Manners
Excellent essay by Neel Mukherjee in Boston Review on the British novelist Edward St. Aubyn. here’s the gist of his argument:
Edward St. Aubyn, born in 1960, is the most fascinating of contemporary literary investigators into the phenomenon and experience of class. His first published novels were Never Mind and Bad News in 1992, followed in 1994 by Some Hope, the third installment in what would come to be known prematurely as “The Patrick Melrose Trilogy,” after its central character. Prematurely, because the trilogy became a quartet with the publication of Mother’s Milk in 2006. In between the Patrick Melrose books, St. Aubyn wrote two other novels: On the Edge (1998), a scintillating, witty satire on New Age mumbo-jumbo that also manages to be a serious (and seriously intelligent) dissertation on consciousness and the nature of the mind; and the curious experiment A Clue to the Exit (2000). These two novels arise from a central concern sounded repeatedly in the quartet, that of consciousness and embodiment, and give St. Aubyn’s oeuvre a remarkable unity, approaching almost a programmatical poetics.
I haven’t read Aubyn, although after this essay he seems highly worthwhile.
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Recommended Books DeLillo's major work before White Noise is probably his most underrated novel. Its all right here--the politics of paranoia, terrorism, the unnamable--set in an evocative, timeless Greece.
The most bizarre Abe novel I've yet read, which is indeed saying something. About a subclass of Japanese men who go around wearing boxes from the waist up (and then use them as domiciles in the evening), the book is also an experiment in perspective shifts, a highly unstable, metafictional first-person narrative, and an exploration of voyeurism, consumerism, and aberrant sexuality.
Charting the path to three gunshots--the one that killed filmmaker Theo Van Gogh, the one that disabled his Islamic extremist assassin, Mohammed Bouyeri, and the one that led to Vincent Van Gogh’s one hundred years earlier--Olsen tells three separate stories that resonate with one another on numerous levels: the logic of extremism, the role of the dissident in Dutch society, the limits of tolerance, the purpose of the artist, the feeling of the most important five minutes of your life. Read my interview with the author.
Creatively structured, well-executed epic novel of rural South Africa from 1950 - 2000. Takes on a lot and lives up to it magnificently. Highly recommended.
A book that's an interview about the book you're supposedly holding in your hands. Creative, potent, and full of life. Just what metafiction should be. Read my post on it.
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He’s right: the Patrick Melrose novels are absolutely brilliant–full of lines that make you laugh out loud at their vicious perfection, followed by scenes so painful that it’s hard not to give up and put the book away. I have a hard time recommending them because the misanthropy is so thick it turns a lot of people off, but I find that Patrick’s indomitable desire to make his life work balances that.