The End of Oulipo? The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide.
Lady Chatterley’s Brother Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series,  called “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.
Available now from Amazon, Barnes & Noble, and direct from this site:
Translate This Book! Ever wonder what English is missing? Called "a fascinating  read" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.
|
Shop though these links = Support this site
|
The Importance of Evidence
Would add to this that discussing the particulars of a book is a good way to “tell the story” of a book without relying on plot summary. Good critics always endeavor to find their own way through a book.
Because he does not or cannot clarify his judgment of The Garden of Lost and Found, Powers’s “negative” review comes off as probably more harsh than it would be if he had explored those judgments quoted in the passage above even a little bit more thoroughly. Similarly, a postive review is likely to to seem mere “enthusiasm” when it doesn’t examine the particulars of the book more closely. In many ways, book reviews are unable to avoid being categorized as either snappishly negative or blandly enthusiastic.
The book review as we now know it is essentially a journalistic form designed to “report” on books in the way other sections of a newspaper or magazine report on their subjects. As book reviewing increasingly moves from its diminishing pages in print publications to less restrictive space online, perhaps an alternative to, or at least extension of, the book review that makes it more capable of incorporating real literary criticism can be developed.
You Might Also Like:
More from Conversational Reading: - The Importance of Sartre Rain Taxi ponders Sartre’s continued relevance: Thirteen years ago in a New York Times book review, Anthony Gottlieb wrote "It is almost as if Sartre...
- Problems with Reviews Today I’m not too bothered about the backscratching, logrolling, etc that goes on in reviewing. If people are skeptical enough when they see a novelist on...
- More Evidence Whatever his virtues, Christopher Hitchens just isn’t a very good lit critic. ...
- Book Sections I’m always up for a good argument as to why newspapers shouldn’t cut book sections. Here’s one: Yes, it’s a changed media world for daily...
- On the Obligation to Write Negative Reviews Ruth Franklin, with words every critic should follow: Even if we agree with West that the life of the mind does matter, it can be...
Related posts brought to you by Yet Another Related Posts Plugin.
Leave a Reply
|
Recommended Books DeLillo's major work before White Noise is probably his most underrated novel. Its all right here--the politics of paranoia, terrorism, the unnamable--set in an evocative, timeless Greece.
The most bizarre Abe novel I've yet read, which is indeed saying something. About a subclass of Japanese men who go around wearing boxes from the waist up (and then use them as domiciles in the evening), the book is also an experiment in perspective shifts, a highly unstable, metafictional first-person narrative, and an exploration of voyeurism, consumerism, and aberrant sexuality.
Charting the path to three gunshots--the one that killed filmmaker Theo Van Gogh, the one that disabled his Islamic extremist assassin, Mohammed Bouyeri, and the one that led to Vincent Van Gogh’s one hundred years earlier--Olsen tells three separate stories that resonate with one another on numerous levels: the logic of extremism, the role of the dissident in Dutch society, the limits of tolerance, the purpose of the artist, the feeling of the most important five minutes of your life. Read my interview with the author.
Creatively structured, well-executed epic novel of rural South Africa from 1950 - 2000. Takes on a lot and lives up to it magnificently. Highly recommended.
A book that's an interview about the book you're supposedly holding in your hands. Creative, potent, and full of life. Just what metafiction should be. Read my post on it.
|
A bit ironic that one of the most vituperative reviewers around–one who rarely relies on evidence–should be subjected to the kind of bad reviewing so described. What goes around comes around, I guess.