The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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  • OopsOops

    But, fortunately, probably not as good as Kafka. Take the example of Casimir Adamowitz-Kostrowicki, born in Paris in... »
  • The Other MitteleuropeanThe Other Mitteleuropean

    The New York Review covers the latest book from the one many prefer to Stefan Zweig. Hitler was named Reich chancellor... »
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    You really have to hand it to indie press people: leave it to us to collectively hyperventilate and continually apologize for a... »
  • Back to the FutureBack to the Future

    I'm not exactly sure why we need Jennifer Weiner to rehash the whole "blogs versus critics" thing. Here's an idea: if some... »
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    Mark Polizzotti on translating Patrick Modiano. His translation of Suspended Sentences comes out next month from Yale... »
  • Beckett’s Letters, Part IIIBeckett’s Letters, Part III

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  • If You Don’t Know About Publishing . . .If You Don’t Know About Publishing . . .

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You Say

  • Gilly: Just finished it, it is an astonishing book.
  • Arielle: The title of the article has a typo!
  • Patrick O'Donnell: Irony abounds: when I clicked to take a quick look at this
  • Richard: That article is ridiculous. I can't even reply, except to sa
  • Andrija F.: And don't forget to add Elfriede Jelinek, my favorite among
  • Richard: If you search for this Chris Roberts, God being on Amazon (y
  • Seamus Duggan: READ MARILYNNE ROBINSON!!!!! No encouragement needed, althou

Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

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Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • Those Who Leave and Those Who Stay by Elena Ferrante September 16, 2014
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  • Trieste by Daša Drndić September 15, 2014
    As Drndić reiterates throughout the novel, “Behind every name there is a story.” And Haya Tedeschi’s story is draped in death. Born to a Jewish family that converted to Catholicism and tacitly supported the Fascists in Italy, Haya was a bystander to the Holocaust. She attended movies while Jews and partisans were transported to concentration camps; she pored […]
  • The Tree With No Name by Drago Jančar September 15, 2014
    At the opening of chapter 87—the first chapter found in The Tree with No Name—Janez Lipnik finds himself up a tree, shoeless, and lost in the Slovenian countryside. He makes his way to a house where he is taken in by a woman teacher who is waiting for her lover, a soldier. It becomes clear we are at the height of World War II. Soon after, we follow Lipnik […]
  • Kjell Askildsen, Selected Stories September 15, 2014
    Here, at the midpoint of his narrative, Bernhard, the affectless and purposeless protagonist of "The Unseen," experiences existential near-emancipation at dusk. This retreat toward obscurity in terse, direct language—thematic and stylistic markers of each work in the collection—comes immediately after Bernhard’s sister mentions her plans to enterta […]
  • Berlin Now by Peter Schneider September 15, 2014
    In his new book of essays, Berlin Now, Peter Schneider reveals himself as a gnarled Cold Warrior who has been stricken with many of the maladies common to his generation. With the specter of Communism exorcized, his new enemy is Islam. The book is a collection of short interlocking pieces introducing Anglophone readers to Berlin; it is not being published in […]
  • Paris by Marcos Giralt Torrente September 15, 2014
    In 1999, Marcos Giralt Torrente’s debut novel, Paris, was awarded the XVII Premio Herralde de Novela prize. Despite his success, it took fourteen years for Giralt’s work to appear in English, with the story collection The End of Love arriving in 2013. Now, this year sees the publication of two more books by Giralt: Paris, translated by Margaret Jull Costa, a […]
  • 10:04 by Ben Lerner September 15, 2014
    “It seemed that the [New Yorker] story—which was in part the result of my dealing with the reception of my novel—had been much more widely received than the novel itself,” says the narrator of Ben Lerner’s second novel, 10:04. Perhaps this narrator is Lerner himself—at one point he describes 10:04, within its own pages, as “neither fiction nor nonfiction but […]
  • Theories of Forgetting by Lance Olsen September 15, 2014
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  • An Interview with Lance Olsen September 15, 2014
    The most substantial may be that innovative fiction knows what it is, that someone like me could define it in any productive way, that innovative fiction might somehow be one thing, or somehow consistent through time and space. None of these is the case. That’s exactly what I find most exciting about writing it, reading it, thinking about it. Innovative fict […]
  • The Ants by Sawako Nakayasu September 15, 2014
    In The Ants, we receive a study of existence through ants. That is, there are ants everywhere, ants substituted in every segment of the landscape, yet their behavior seems to reveal something altogether human. Too human. The ants are crushed and disappointed. They are warm and many. They are involved in gang wars and live inside carrot cake. The unique quali […]

The Last Samurai: Charles-Valentin Alkan

I just finished up with The Last Samurai today, and I was tickled to see the composer Charles-Valentin Alkan make an appearance toward the end. While I’d disagree that Alkan is quite as obscure as DeWitt makes him out to be (or maybe his reputation has grown in the 10 years since TLS was published), it’s very true that he gets nowhere near the acclaim of his more celebrated contemporaries (e.g., Chopin) even though he did compose some remarkable music.

If you’d like to listen for yourself, the pianist Marc-André Hamelin (not sure if this was one of the five DeWitt claims actually still plan Alkan) has done a bunch of fine recordings of Aklan’s music. I like the pieces collected on the Symphony for Solo Piano disc (though the cover art seems a little geeky to me).

Of course, the appearance of Alkan makes one final entry in the “obscurity vs genius” theme that runs the length of the entire book, and how fitting that Ludo manages to discover his “father” by recognizing a neglected genius playing the work of another neglected genius. One imagines that the cultural knowledge necessary for Ludo to recognize Alkan and thus find his “father”–in conjunction with the social skills needed to maneuver said “father” into accepting his overture–indicate that he has finally started down the road toward developing a cultural literacy to match his prodigious literary literacy.

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  1. The Last Samurai: A Good Samurai Will Parry the Blow I was out of action for half of last week, but I'm hoping to finish up The Last Samurai today and get together some concluding...
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2 comments to The Last Samurai: Charles-Valentin Alkan

  • David C

    I wonder what others here think about Sibylla’s job. It seems so mind-numbing particularly for someone of her intelligence. Moreover, it reminds me of war-time field intelligence filing (not that I have any experience). Just copying down whatever comes across one’s desk and putting it into an outrageously huge pile that serves no purpose other than to physically grow. Is this her alternative for suicide?

  • tom

    @ DAVID C

    I wonder if you’re someone who follows the World Series. The ratings are down drastically, for reasons I cannot understand, except perhaps because these two teams are not as well known as the Yankees and the Phillies. I predicted on a family blog that Colby Lewis, at age 31, would do a good job against the Giants. He spent time in Japan with his family, playing for a team from Hiroshima. Baseball players don’t write long posts like me, but one senses from his loconic answers that the experience was soul-forming.

    Do you realise to what incredible extent your question dynamites the entire novel? This question is not born of anger, but of surprise. Imagining Sib setting out to find a more satisfying job is to begin writing an altogether different novel. You may say: why not, and I’d agree. Except that I am sure that this one deserves to stand, and to be read on its own terms.

    I’d love to meet up with you in Paris. If that could happen, I’d put a copy of The Last Samurai in my satchel, and take you to the public garden around the Rodin museum. It’s a wonderful place for people who suffer from the heat, neat a place to rest their weary bones, and for some, to meditate on the achievements of Auguste Rodin. And of course I’d start reading to you. I’d read the passages where Sib, way back when, talks about Rilke being Rodin’s secretary. I think that, to keep reading this novel, you have to feel at that point some kind of empathy with Sib who obviously feels that Rilke’s position as secretary was quite enviable. And that he would do just about anything to remain in proximity with this “genius” of modern sculpture. Of course he would moonlight on his own work, especially on the notebooks of Malte Laurids Brigge. (There may be chronological problems imagining Rilke working on the notebooks while “serving” Rodin. That’s secondary to the fact that a samurai is someone who serves.)

    So that’s what I think of Sib’s job. She takes it because she’s taken up in the Samurai work ethic. It’s not the Protestant one. It’s a scheme to save her skin, and bring her son to the point where he’ll be able to parry blows all by himself. It’s something temporary, fleeting, not at all what she might have preferred, but this is brass tacks or destiny! Here too I think the reader needs a political muscle of imagination to conceive of something other than the standard leveling process of today’s educational institutions in order to keep clicking with Sibylla. Most of us belong to the category of the two farmer’s voices who respond to Rikichi with expressions of ghastly disbelief and confessions of allegiance to impossibility: there is nothing to be done.

    From the very beginning of this reading group, I’m the silly man who believes that Sibylla is to be trusted. That her intuition was spot on, and her devotion intermittent. Her chances of success at matter of statistics. But to live and work next to Rodin, who could possibly imagine something luckier or better or more solid than that?

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