bsdaesdfst buaassdsy 9177725509 link


bsdaest buaasy 9177725509 link


asasvbest buasdy 9177725509 link


bsdaesdfst buaassdsy 1486297418 link


bsdaest buaasy 1486297418 link


asasvbest buasdy 1486297418 link


bsdaesdfst buaassdsy 936184089 link


bsdaest buaasy 936184089 link


asasvbest buasdy 936184089 link


bsdaesdfst buaassdsy 6279061515 link


bsdaest buaasy 6279061515 link


asasvbest buasdy 6279061515 link


bsdaesdfst buaassdsy 8397105408 link


bsdaest buaasy 8397105408 link


asasvbest buasdy 8397105408 link





The Latin American Mixtape

latin-cover-web

FEATURES “THE DIGRESSION” AND A LONG INTERVIEW WITH CESAR AIRA

The Latin American Mixtape is a collection of literary “b sides” and hard to find items, all relating to Latin America and its authors.

It features 3 never-before-published essays, including “The Digression”—a 4,000-word piece on the most important digression in César Aira’s career, written specifically for the Mixtape. Plus, an in-depth essay on Rodrigo Rey Rosa.

Also includes hard-to-find interviews and essays, and each piece comes with a short intro explaining why I have chosen to place it in the mixtape.


5 essays. 2 interviews.
All in all, over 25,000 words of Latin American literary goodness.
available as a downloadable epub file

epub readers:
Firefox | Chrome | Windows | Adobe | more

AMAZON KINDLE ($4.99)

GOOGLE PLAY ($4.99)


From “The Digression”

. . . the building on top of which she was sleeping, not as it would be later on, not seeing it finished and inhabited, but as it was now, that is, under construction.

This key digression in Aira’s body of work is all about the incomplete, which I see as the key concept in Aira’s theory of the novel.

Aira’s entire career is always under construction. His favorite method is a flight from completion, a flight from what is past and done, from ever repeating anything he has said before, or even stopping long enough to let his fiery potential cool down.

He writes like we all sleep: constantly progressing through a foreign world that requires improvisation at every moment. There is no routine in dreams. There is only the bewilderment of the constantly new. This is Aira. He writes to keep his iron burning white hot at all times.

 

But there is always a difference between dreams and reality . . .

This statement is found amid some speculation about dreams, and at first glace it may seem too obvious to need saying. Which of us does not know sleep from dreams?

Or maybe it is not that simple, for we all learn that if you are unsure whether you are dreaming or not, you can pinch yourself to check. How many times have you woken up from sleep, amazed to find that the experience of whose reality you were absolutely certain a moment ago, was in fact a projection of your own mind? I myself have many times woken from a dream of infinite loss, utterly relieved to see that it was all only a dream, that relief feeling as real to me as any emotion ever were.

What is the difference between dream and reality for Aira? For Patri? And what of that state that Aira enters for those few hours every day when he is immersed in the act of writing? Could that constant flight forward be akin to a waking dream?

Aira is correct to foreground dreams in this key digression, because they are a prevailing state of human existence, despite all the appearances of our waking world. For keep in mind: as you are reading this, billions and billions of people on the darkened side of the Earth are currently inhabiting their dreams. What do they see there, and how is it changing their lives?

I do not doubt its influence. We spend one-third of our lives asleep. It is essential, its processes fundamental and poorly understood. The experiences we have within our dreams are remarkable. We may be accustomed to thinking of dreaming and waking as separate, but perhaps the borders between them are as porous as Aira suggests.



Recent Posts




Criticism Isn't Free


CR is dedicated to thoughtful, in-depth criticism without regard to what's commercially appealing. It takes tens of hours each month to provide this. Please help make this sort of writing sustainable, either with a subscription or a one-time donation. Thank you!

You could also purchase one of my acclaimed ebooks.





Got Something To Say:

Your email address will not be published. Required fields are marked *

*

THE SURRENDER

The Surrender is Scott Esposito’s “collection of facts” concerning his lifelong desire to be a woman.


LADY CHATTERLEY'S BROTHER

Two long essays of 10,000 words each on sex in—and out of—literature . . .

The first essay dives in to Nicholson Baker’s “sex trilogy,” explaining just what Baker is up to here and why these books ultimately fail to be as sexy as Baker might wish.

From there the book moves on to the second essay, which explains just why Spaniard Javier Marías does right what Baker does wrong . . .


THE LATIN AMERICAN MIXTAPE

5 essays. 2 interviews.

All in all, over 25,000 words of Latin American literary goodness.

3 never-before-published essays, including “The Digression”—a 4,000-word piece on the most important digression in César Aira’s career.

Shop though these links = Support this site

Copyright © 2017. Powered by WordPress & Romangie Theme.