has done it. A few thoughts: I'm not one for taking the form of my review from the form of the book under review. That just cuts too close to the book under consideration for my tastes (I prefer for my reviews to be independent responses that spring from the forehead of the book, Athena-style), but if anyone can make the review-as-derivation work, I think Garth can. Read it for yourself and decide. Also note that . . ." />

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Life Pereccalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

Spring 2011 Group Read

Life Perec

Spring Read: Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

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See this page for interviews with leading authors, translators, publishers, and more.


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Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

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    Bachmann famously described the entry of Hitler's troops into Klagenfurt as the end of her childhood. From these pages, though, it isn't clear what immediately followed. Here she seems to exist in a liminal zone between self-determination and powerlessness: she has worked out tactics of flight, but not full resistance or solidarity with others. Thi […]
  • Us by Michael Kimball March 5, 2012
    Michael Kimball’s novella Us originally appeared in the U.K. under the title How Much of Us There Was. Tyrant Books has now brought it out in the United States, where Kimball was born and lives, and his website lists the widespread praise that the book has received. Here are but two of the many accolades: “disarmingly simple, gorgeously structured, and as ac […]
  • The Beautiful and the Damned by Siddhartha Deb March 5, 2012
    Since embracing economic reforms in the early 1990s, India has undergone swift and wrenching changes that are remaking the country from the ground up. As village and farmland give way to tech companies, call centers, factories, and malls, these new landscapes are increasingly peopled by new archetypal characters, much as the similarly radical transformation […]
  • The Letter Killers Club by Sigizmund Krzhizhanovsky March 5, 2012
    The first English-language publication of Krzhizhanovsky’s fiction would not follow until 2006, three quarters of a century after its conception. His extensive repertory consists principally of short stories, of which there are more than one hundred, as well as five novels. The first of these novels selected for English translation (by Joanne Turnbull) and p […]
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    Now we have Zona, Dyer’s book-length explication of the film that he has been mulling over in print for more than a decade. Like the film’s journeying hero, who devises his route by randomly tossing bolt nuts and trudging after them, he’s taken his time getting to the point. But the end result is revealing; despite its critical trappings, Zona reads like a p […]
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    Authors of what’s called the New Spanish Short Story have had a great burst of creativity that began in the early 1980s and flowered during the 1990s and 2000s (the few stories that have been translated have been relegated to obscure editions unavailable in the United States). From the stories of the fantastic by Cristina Fernádez Cubas to the structural inv […]
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The One-Sentence Zone Review

It was bound to happen, and Garth Risk Hallberg has done it.

A few thoughts: I’m not one for taking the form of my review from the form of the book under review. That just cuts too close to the book under consideration for my tastes (I prefer for my reviews to be independent responses that spring from the forehead of the book, Athena-style), but if anyone can make the review-as-derivation work, I think Garth can. Read it for yourself and decide.

Also note that, buried within Garth’s single sentence, there is some fairly provocative criticism of this book. To wit:

. . . questions whose answers were at first hard to see, as from a train it’s hard to see the trees for the forest, the forest in this case being that enormous formal dare – the novel as single sentence – which should (again, in theory) have killed both Zone’s chill and its heat, yet the more I thought about the novel’s form, the more it, too, started to seem like a kind of Maguffin, every bit as conventional in its own way as that briefcase (paging Ving Rhames!) or, say, as your average act of stunt-reviewing—and here I’m referring not just to Énard’s particular high-Modernist, comma-spliced rendition of stream-of-consciousness, which in less adroit hands than the translator Charlotte Mandell’s might feel at this stage in the history of the European Art Novel positively fustian, but also to the novel’s two least successful gambits, viz., a pattern of Hellenic allusion likewise cribbed from Ulysses (chapters keyed to Homer, recurring epithets, invocations of those Bronze-Age gods), and the irruption of a short story that Francis is reading into the text—herrings whose conspicuous incarnadine distracts us from Énard’s deeper debt, which is not to 1930 but to 1830, which is to say that Zone really makes its bones where the hoariest Balzac novel does, in the steady concretion of detail, from Francis’ recollections of his mother, a fiercely patriotic Croat who “would have made an excellent soldier” (she applies her iron fist instead to teaching piano and browbeating her son, until it seems to him that “with her no, no, no, not so fast, not so fast, from the neighboring room,” she is “directing [his] masturbation”) to his time as an enlistee in the Balkans (where he sneaks across Serbian lines with a comrade to drag back a stolen pig and later must drag that same comrade’s body to a funeral pyre); to alcoholism and depression in a Venice so cold Francis sleeps rolled up in an old rug . . .

The reference to Balzac is dead-on; despite Zone’s rather heady conceit, this book really wants to be character- and plot-driven, and it does share something of Balzac’s zoological aspirations. That makes it something a little different from those great modernist forebears, who were much more interested in making the portrayal of consciousness itself the protagonist, rather than any characters or plot actions.

Regardless of what you think of a one-sentence review of Zone, Garth’s critique of the book is well worth your time. I didn’t find Zone to be a perfect book, but I did find it a book whose flaws contributed to making it a much more interesting book than it already was. That is, it was sufficiently intriguing and good to make me want to understand why the parts that felt lackluster felt so. Oftentimes, those are the books that last the longest and that give rise to the best critical responses.

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More from Conversational Reading:

  1. Zone Review My review of Zone by Mathais Enard has been published at The National. Here's a bit: . . . continue reading, and add your comments...
  2. Zone’s Sentence The Chicago Tribune has a little more about Mathias Enard’s Zone, recently acquired for translation by Open Letter. By far, the most distinctive feature of...
  3. Zone Translator Interviewed Translator Charlotte Mandell will see her translation of French giga-novel The Kindly Ones published here in March (and already garnering review attention); her translation of...
  4. Sentence as Book Possibly inspired by the publication of Zone, Ed Park runs down some 1-sentence novels and variations thereof. . . . continue reading, and add your...
  5. Talking About Zone Steve Mitchelmore has a post up about Zone, which is the first piece of writing I've seen about the book since TQC's piece a couple...

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