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The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

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Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • The Enchanted Wanderer and Other Stories by Nikolai Leskov March 6, 2013
    Pevear and Volokhonsky’s ambition in bringing Leskov and all his stylistic peculiarities into English is impressive, and all the more so for how it contrasts with their previous role as translators of Russian. The pair are justly famous for their renditions of the great nineteenth-century Russian novelists; their editions of Anna Karenina and Crime and Punis […]
  • Middle C by William H. Gass March 3, 2013
    What distinguishes Middle C from his other fiction, then, is not the that Gass’ protagonist, Joseph Skizzen, spends nearly a lifetime deflecting the dangers and horrors of life itself, but the ways in which the novel’s narrative voice buffers him from the responsibilities of being a protagonist at all. In this, the tale of his life, stretching from the Blitz […]
  • The Field Is Lethal by Suzanne Doppelt March 3, 2013
    This is a strange, engaging book that does not offer up its material to the reader without a struggle. Much of its strength comes from its juxtapositions, not only of idea with idea, word with word, phrase with phrase, but also text with image, image or text with white space, and in a larger sense, the abstract with the concrete. Doppelt is interested in how […]
  • 70% Acrylic 30% Wool by Viola di Grado March 3, 2013
    You can tell that Viola di Grado has a unique voice from the first line of her novel, 70% Acrylic 30% Wool: “One day it was still December.” If this line seems a little puzzling, the next one puts things in (ironic) perspective: “Especially in Leeds, where winter has been underway for such a long time that nobody is old enough to have seen what came before.” […]
  • Promising Young Women by Suzanne Scalon March 3, 2013
    Plath’s ghost haunts the pages of Scanlon’s book, a non-linear narrative that hinges around Lizzie, a bright liberal arts student from Barnard and aspiring actress who has much in common with Plath’s protagonist. We’ve fast-forwarded forty years to New York in the early 90’s’; like Esther before her, Lizzie has come from the provinces to make a name for hers […]
  • The Available World by Ander Monson March 3, 2013
    What happens to all the old, new things after two or three new, new things replace them? And what of the ideas and memories of which they are ultimately extensions and souvenirs? This is one of the larger questions, really, that Ander Monson poses in his most recent collection of poems, The Available World, though he does so in varying shades of subtly and e […]
  • The Whispering Muse by Sjón March 3, 2013
    There is something immediately seductive about Sjón’s The Whispering Muse. The narrator, a peculiar old Icelander named Valdimar Haraldsson, receives a letter from an old acquaintance, inviting him on a sea voyage aboard the newly launched merchant ship, the MS Elizabet Jung-Olsen. Haraldsson, who has long been cooped up in his shabby Copenhagen apartment, r […]
  • Wolf and Pilot by Farrah Field March 3, 2013
    When Farah Field announced the opening of Berl’s Brooklyn Poetry Shop (Field and Jared White’s pop-up shop the only all-poetry bookshop in New York City) two Februarys ago on her blog Adultish, she wrote this: It is kind of an anti-capitalistic act because no one could ever pay what poetry is worth. This sentiment is exactly true ofher new book, Wolf and Pil […]
  • The Selected Letters of Anthony Hecht March 3, 2013
    Unless he is John Keats, a poet’s letters seldom stand alone as literature. They might hold our attention as gossip (Lord Byron), psychiatric case study (Robert Lowell) or the after-hours thoughts of a combative poet-critic (Yvor Winters), but few could be pleasurably read without the additional scaffolding provided by the poetry. Even Marianne Moore, one of […]
  • Kind One by Laird Hunt March 3, 2013
    Readers who go into Laird Hunt's Kind One looking for kindly characters are presented with an array of unlikely candidates. It simply cannot be Linus Lancaster, a farmer with delusions of grandeur (his farm is named Paradise) who beats his wife Ginny, rapes his young female slaves Cleome and Zinnia, and whips Alcofibras, the slave who tends his garden, […]

The Prison Industry in Translating Austen

Who knew?

Felix Feneon translated Northanger Abbey into delightful witty and deeply felt French while he was in prison for the crime of blowing a Paris restaurant up wth a bomb where a number of people were either killed or seriously maimed. A friend bought him a good dictionary and he was allowed to work undisturbed though. During this time he also read George Sand. The reason: women writers like this were considered innocuous; the fact that Austen was seen as knowing nothing about politics and less about sex, and Sand’s political career was repressed in favor of presenting her as all about sex and her books as grandmotherly or not readable, favored this enterprize. . . .

Now that he was drawn to Austen — and translating a book such as hers adequately is no small task — is fodder for those who would consider her book political. There is evidence he was attracted to writing as a woman, as it were in drag — men do, as when they write books like Clarissa or Diderot’s La Religieuse (or any one of a number of 18th century and more recent texts. He was also a superb stylist like RLStevenson and that would be part of the challenge.

He was also a continual writer who founded a couple of reviews that became centrally important at the time and he wrote in many others. Except for his art criticism (of which he was proud and which he wanted to gain respect for artists with), most of the time he wrote anonymously. Interestingly, many of his pseudonyms were women’s names; he liked to write as a woman even though he shared the anti-feminist (Ungerman calls them misogynistic) attitudes of his fellow male radicals (I deliberately use that noun). Women were for sex, baby-making, being a wife, mistress, ministering to men. He himself married a woman out of pity for her, an arranged marriage of an old-fashioned type and apparently was good to her and lived his life out with her — at the same time as he had a life-long mistress who was in effect his second wife; she was the literary partner. He also got the one job he had all his life through a merit exam in the civil service, ironically as a clerk in the war office; he was never promoted, but he didn’t want to be.

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More from Conversational Reading:

  1. Beyond Austen Persephone Press, rediscovering 20th-century domestic fiction. The Guardian: Though Beauman admits that running Persephone will never make her a multimillionaire, the company is thriving. It...
  2. Anti-Heroine Dan Green raises an interesting point. Cokal has in this case herself enhanced our perception of the picaresque form by making her protagonist a woman....
  3. Kobo Abe At The Guardian, David Mitchell ponders Kobo Abe’s The Woman in the Dunes: In Abe’s novels, plot and character are usually subservient to idea and...
  4. Frat Lit Lord help us. A new word was coined in America this week: fratire. It refers to a spate of testosterone-fuelled books about belligerence and debauchery,...
  5. Grossman Discusses Translating Don Quixote Translator Edith Grossman recently discussed Don Quixote’s singular place in the Spanish canon: It was Grossman’s ambition to honor the significance of Don Quixote as...

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