As we enter our fourth year . . .
Here’s your TOC.
Some of the 20th century’s most innovative fiction came out of Prague and Buenos Aires. Scott Esposito argues that there’s a potent link between the plots being written in each. [more]
French gender-bending artist Claude Cahun is generally known as a photographer. She also left behind an impressive body of literature. Lauren Elkin argues should it be read, especially by adherents of challenging Surrealist works.
John Lingan considers Tobias Wolff’s new, career-spanning collection of short fiction. He finds a writer in great debt to Hemingway and unable go embrace the grotesque.
All One Horse by Breyten Breytenbach
Review by Ryan Call
Boxwood by Camilo José Cela
Review by Sacha Arnold
Watching the Spring Festival by Frank Bidart
Review by Elizabeth Wadell
The Implacable Order of Things by José Luis Peixoto
Review by Robert Silva
Senselessness by Horacio Castellanos Moya
Review by Scott Bryan Wilson
Winners Have Yet to Be Announced by Ed Pavlic
Review by Levi Stahl
Tomato Girl by Jayne Pupek
Review by Kate Evans
Basrayatha by Muhammad Khudayyir
Review by M. Lynx Qualey
Thing of Beauty by Jackson Mac Low
Review by John Cunningham
It’s go in horizontal by Leslie Scalapino
Review by John Cunningham
The Post-Office Girl by Stefan Zweig
Review by Barrett Hathcock
The Horacio Castellanos Moya Interview
Interview by Mauro Javier Cardenas
Fourteen Questions for Jean-Philippe Toussaint
Interview by Martin Riker
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