Lady Chatterley’s Brother The first ebook in the new TQC Long Essays series,  called “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future.
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Translate This Book! Ever wonder what English is missing? Called "a fascinating  read" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle for 99 cents.
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Interviews from Conversational Reading See this page for interviews with leading authors, translators, publishers, and more.
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The Quotable Viktor Shklovsky
From Literature and Cinematography, originally written in 1923:
The poetics of the motion picture is a poetics of pure plot.
Blessed are the lowly ones in the history of art, for theirs is the kingdom of the future.
To my horror, I have discovered abroad that in America the film industry is the third-largest industry, exceeded only by metallurgy and textiles.
An image is like a parallelism with its first part suppressed. . . . A riddle is a parallelism with the first part of the parallel omitted and with the possibility of several substitutions.
The film script has turned both toward popular comedy, with its stock characters, and toward the adventure novel, with its highly developed use of "delaying elements," with its wide range of casualties, drownings, desert islands, and other tricks, which resemble, above all, the devices of the Greek adventure novel.
Thus in Lev Tolstoy’s Anna Karenina the Karenin-Vronsky group is opposed to the Kitty-Levin group. All of the above gave Tolstoy the right to declare that "he had no use for the clever darlings who fished individual thoughts out of the work" and that "if I wanted to say in a word everything that the novel wanted to express, then I would have had to write the same novel I wrote in the first place; and if the critics now understand it already, and if they can express in a topical satire the same thing I wanted to say in my novel, then I congratulate them and boldly assert that they are capable of creating things that are greater than those I myself can create."
More from Conversational Reading: - Herzog v. Morris The Believer: WERNER HERZOG: Walking out of one of your films, I always had the feeling—the sense that I’ve seen a movie, that I’ve seen...
- Prizes A good essay by Louis Menand on literary prizes. When the first Nobel Prize in Literature went to Sully Prudhomme, in 1901, the choice was...
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Recommended Books DeLillo's major work before White Noise is probably his most underrated novel. Its all right here--the politics of paranoia, terrorism, the unnamable--set in an evocative, timeless Greece.
The most bizarre Abe novel I've yet read, which is indeed saying something. About a subclass of Japanese men who go around wearing boxes from the waist up (and then use them as domiciles in the evening), the book is also an experiment in perspective shifts, a highly unstable, metafictional first-person narrative, and an exploration of voyeurism, consumerism, and aberrant sexuality.
Charting the path to three gunshots--the one that killed filmmaker Theo Van Gogh, the one that disabled his Islamic extremist assassin, Mohammed Bouyeri, and the one that led to Vincent Van Gogh’s one hundred years earlier--Olsen tells three separate stories that resonate with one another on numerous levels: the logic of extremism, the role of the dissident in Dutch society, the limits of tolerance, the purpose of the artist, the feeling of the most important five minutes of your life. Read my interview with the author.
Creatively structured, well-executed epic novel of rural South Africa from 1950 - 2000. Takes on a lot and lives up to it magnificently. Highly recommended.
A book that's an interview about the book you're supposedly holding in your hands. Creative, potent, and full of life. Just what metafiction should be. Read my post on it.
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