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The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

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Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

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Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • All That Is by James Salter June 10, 2013
    Salter has been described as a master of sentences, but what might be more accurate is his mastery of word choice and metaphor. His sentences aren’t the sinuous architectural behemoths of James or William H. Gass. Many are terse, quick jabs: “The kiss was light and ardent,” or, describing a writer’s opulent house, “It was like a small family hotel, a hotel i […]
  • Birds of the Air by David Yezzi June 10, 2013
    Yezzi’s poems often hint at oblique narratives. Like a detective, he asks a lot of questions. He’s like a mathematician working an inverse problem, deducing inner dramas from externals. His spirit, however, is sympathetic, not forensic. A friend used to say when someone started complaining about another’s failing, “Be gentle. He’s just a human.” Yezzi’s poem […]
  • The Films of Sangsoo Hong June 10, 2013
    Say you watch Korean movies. Often, outside the peninsula itself, this means you’ve gotten into the murderous grotesquerie of Chan-wook Park’s “Vengeance Trilogy,” or Joon-ho Bong’s simultaneously goofy and solemn political allegory of a monster mash The Host, or any amount of Ki-duk Kim’s vast, high-profile (and as some fans admit, uneven) output. But menti […]
  • The Iraqi Christ by Hassan Blasim June 10, 2013
    The Iraqi Christ is topical only in the sense of the earliest known newsflashes: the cracked screeds, battlefield reports, and shipwreck stories by the likes of Archilochus, for instance, which remain with us in the form of fragments. These were news before they were ever classical references—indigestible gobbets of event, borne on and on by the flow of tell […]
  • Summer in Baden-Baden by Leonid Tsypkin June 10, 2013
    Leonard Tsypkin's short and frenetic Summer in Baden-Baden is a meditation on the morphic and self-defining nature of memory. Tsypkin portrays the sometimes charming but mostly distressing European travels of Fyodor (Fedya) Dostoyevsky and his second wife, Anna Grigor’yevna, and their descent into a woeful situation brought about by the famous author’s […]
  • Silent House by Orhan Pamuk June 10, 2013
    Faulkner’s literary spirit haunts the dusty, cobweb-covered rooms in Pamuk’s eponymous silent house. When the wind blows through the chinks in the masonry, we can even hear the skeletons of the Bundrens', Compsons', Snopes', and Sartoris’ Turkish cousins rattling in the Darvinoğlu’s closets in their decrepit ancestral villa. Cennethisar, once […]
  • A Map of Tulsa by Benjamin Lytal June 10, 2013
    “Tulsa is heaven, Tulsa is Italy,” says Chandler on Friends to a boss who has just assigned him to their office there. “Please don’t make me go there.” Lytal, an Oklahoman talking to New Yorkers like a person in Prague persuading tourists to pay top dollar for cheap pilsner, does little to elaborate upon this vision of his native city. Jim recalls “[t]he day […]
  • Advice from 1 Disciple of Marx to 1 Heidegger Fanatic by Mario Santiago Papasquiaro June 10, 2013
    Mario Santiago Papasquiaro was no stranger to this kind of manifesto, and his announced the coming of the Infrarealists. “The way in to matter,” they proclaim, “is ultimately the way in to adventure: the poem is a journey and the poet is a hero revealing heroes.” And so, in Papasquiaro’s long poem, “Advice From 1 Disciple of Marx to 1 Heidegger Fanatic,” we […]
  • A Brief History of Yes by Micheline Aharonian Marcom June 10, 2013
    Marcom’s new novel, A Brief History of Yes, is less overtly transgressive than its predecessor—less centered on sex than on solitude; on the loneliness left after love is over. Previously, Marcom scaled the peak of what two people can do together, whereas now she digs into what drives them apart. So if Mirror expressed ecstasy, Yes explores ecstasy’s ebbing. […]
  • What Comes Next June 10, 2013
    If you were to ask me what comes next, the best answer is that I do not know. But if I try to reason through the question, I tend to divide the problem into parts. On the one hand, one of these parts, the personal facet, is what’s to come after my present literature. Or, rather, what will I be writing, what will the next books be like, or even more important […]

“The short sentence is artificial”

Laszlo Krasznahorkai interviewed at The Guardian:

“… the short sentence is artificial – we use almost never short sentences, we make pause, or we hold on a part of a sentence end …” he reaches for it with his left hand as it passes “… but this characteristic, very classical, short sentence – at the end with a dot – this is artificial, this is only a custom, this is perhaps helpful for the reader, but for only one reason, that the readers in the last few thousand years have learned that a short sentence is easier to understand, this is also a custom, but if you think, you almost never use short sentences, if you listen …”

This is not only when writing, when thinking, he continues, but “… in daily life – if you are in a bar, and if you drink with somebody – your friend, your acquaintance, an unknown person who speaks, who tells you something – he wants or she wants to tell this something very, very much, because we all have only one sentence, and we are looking for this sentence where we have some power to say something, for one sentence, in one life we have only one sentence and everybody in a bar or in a school or in a university or everywhere, in the street are looking for their own sentence, and this man or this woman doesn’t look for a pause, for this artificial, very easily understandable kind of sentence, no, he or she always uses always very, very long, fluent word combinations – this is very fragile, but fluent, you can’t cut it …”

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More from Conversational Reading:

  1. The One Sentence Challenge Interesting. Physicist Richard Feynman once said that if all knowledge about physics was about to expire the one sentence he would tell the future is...
  2. Sentence as Book Possibly inspired by the publication of Zone, Ed Park runs down some 1-sentence novels and variations thereof. . . . continue reading, and add your...
  3. Zone’s Sentence The Chicago Tribune has a little more about Mathias Enard’s Zone, recently acquired for translation by Open Letter. By far, the most distinctive feature of...
  4. The One-Sentence Zone Review It was bound to happen, and Garth Risk Hallberg has done it. A few thoughts: I'm not one for taking the form of my review...
  5. William Boyd on Short Stories At Prospect: If all this is true then why has it taken so long for the short story, as a literary form, to evolve? After...

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