The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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You Say

Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

Shop though these links = Support this site


Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • [[there.]] by Lance Olsen December 15, 2014
    Lance Olsen is the author of two recent works, [[there.]] and Theories of Forgetting (FC2). The second presents three narratives in a clearly fictional mode while the first offers day-to-day thoughts on living in another country. We rightly suspect that any artist’s memoir or diary ought to be viewed as written with a prospective public in mind, no matter ho […]
  • Noir and Nihilism in True Detective December 15, 2014
    "It’s just one story. The oldest. . . . Light versus dark." Spanning 8 episodes between January and March of 2014, HBO’s runaway hit True Detective challenged the status quo of contemporary crime drama. The show has been widely celebrated for its philosophy, complexity, and visual aesthetic. Co-starring actors Matthew McConaughey as Rustin "Ru […]
  • The Colonel’s World December 15, 2014
    Mahmoud Dowlatabadi (born 1940) is considered by many the living Iranian novelist, a perennial Nobel Prize candidate. Dowlatabadi wrote The Colonel some thirty years ago, because in his own words he had been “afflicted.” The subject forced him to sit at the desk and write nonstop for two years. “Writing The Colonel I felt a strong sense of indignation and pa […]
  • Mr Gwyn and Three Times at Dawn by Alessandro Baricco December 15, 2014
    Alessandro Baricco’s well-crafted, elegant prose seems as though it should create the impression of distance, or of abstraction; instead, the reader of Mr. Gwyn and Three Times at Dawn becomes wholly implicated and immersed, drawn into a dreamy and idiosyncratic world that blurs the division between reader, character and writer. As readers, we expect that th […]
  • The Walls of Delhi by Uday Prakash December 15, 2014
    "The paan shop leads to the opening of a tunnel, full of the creatures of the city, and the tears and spit of a fakir." In a single opening line, Uday Prakash sets the scene for the politically incisive, yet intimately human stories of The Walls of Delhi (translated brilliantly from the Hindi by Jason Grunebaum). Lest the fakir suggest otherwise, t […]
  • The Man Between: Michael Henry Heim and a Life in Translation December 15, 2014
    In a speech reprinted in the book, Heim makes a self-deprecating joke about whether the life of a translator is worth reading: “What does a translator do? He sits and translates!” The Man Between serves as a book-length retort by laying bare all the things Heim did: these include persuading the academy that translation is a scholarly (in addition to a creati […]
  • The Prabda Yoon Interview December 15, 2014
    Yes, I think people are not comfortable anymore to write in this straightforward, traditional way, especially the younger, more progressive writers. So it’s interesting—you have social commentary, and you also get a little bit of structural experiment. You have themes that are very, very Thai. I’m actually very interested to see what new writers will come up […]
  • The End of Days by Jenny Erpenbeck December 15, 2014
    For Jenny Erpenbeck, no life is lived in an indisputable straight line. Which is why, in her new novel (new in English, though published in 2012 as Aller Tage Abend) she approaches the narrative as a series of potential emotional earthquakes, some which take place, some which might have taken place, all of which reveal something of how political turbulence p […]
  • In the Heart of the Heart of the Country by William H. Gass December 15, 2014
    Once, at a writers symposium, William Howard Gass remarked that to substitute the page for the world is a form of revenge for the recognition that "you are, in terms of the so-called world, an impotent nobody." There is inarguably no contemporary writer of American stock in whose work one might locate a more ambitious war of attrition between innov […]
  • Faces in the Crowd by Valeria Luiselli December 15, 2014
    Luiselli’s first novel, Faces in the Crowd, translated into fluid English by Christina MacSweeney, is the perfect illustration of this attitude toward fiction writing. Narrated in short sections spanning multiple storylines and the better part of one hundred years, it uses "[d]eep excavations" to expose the empty spaces in two lives, those of a you […]

The Top Top Ten

coverJ. Peder Zane’s new book The Top Ten: Writers Pick Their Favorite Books, is an interesting little item. Of course, we’ve all had our fill of top ten lists to the point that it’s socially inept to express too much enthusiasm for them any more. (Sven Birkerts, for example, in his introductory essay: "ranked lists of writers or books are my Achilles heel.") All too often they just tell us what we already know, and even though Birkerts tries valiantly to take away something, truth be told, I don’t think the aggregated Top Top Ten List presented here sheds too much light.

But, I also don’t think the Top Top Ten is the point of this book. For me, the fun is in seeing everything that squeezed its way in. For instance, Zane gave his 125 writers 10 picks, but somehow David Mitchell was allowed to add a "wild card": Lolly Willowes by Sylvia Townsend Warner, which he says is a book "that I badly want to be read more." I’m intrigued. A novel that the author of Cloud Atlas agrees isn’t all that weighty but that he still wants to be read. Why? It’s worth tracking a copy down.

Or how about Alan Furst bending the rules to include Rebecca West’s mammoth study of Yugoslavia, Black Lamb and Grey Falcon? (He files it under "works of nonfiction that should be read as fiction.") Something about his insistence that this book be included makes it carry more weight with me than the novels he ranks higher.

I’m also curious about Emma Donoghue’s #10, Ulverton by Adam Thorpe: (How can’t you love a title like Ulverton?) "The fictional town of Ulverton–and the English language itself–are central characters of his debut novel in which a dozen different voices detail 300 years in the life of an English village."

The more I look through this book, the more I’m drawn to all the oddballs that just made their way in. Yes, of course I know such-and-such writer thinks Anna Karenina is the greatest thing ever, but what’s that, Madison Smartt Bell has a previously unacknowledged liking for something called The Conference of the Birds? Interesting.

On another level, I’ll admit to finding not a little pleasure in picking various writers’ brains via their favorite books. For instance, who would have guessed the uber-macho Norman Mailer would put Pride and Prejudice at #5? Of course, his 1-4 picks are four Russian novels that you can probably guess, but credit to Mailer for giving John Dos Passos’s under-read U.S.A. trilogy the #6 spot. The guy’s not all bad.

Alas, J-Franz doesn’t give us any Maileresque surprises but instead confirms his milquetoast reputation with a completely predictable list. Paul Auster’s list is similarly pedestrian, but coming from Auster the books somehow feel weightier. I think it has something to do with the love of literature he speaks through his books. After reading his novels I feel like I can understand why Moby-Dick, Don Quixote, and The Scarlet Letter show up. (But where’s "Fanshawe"?) Likewise, Julian Barnes giving us Madame Bovary as his favorite is nothing if not predictable, but after reading Flaubert’s Parrot, I know exactly why he so exalts it. (But what’s with Don Juan as his #2?)

Arthur Philips scores some points for putting Life A User’s Manual at #2, and giving a fine appreciation. One quote:

The first miracle: A novel built from a strictly limited construction–the description of one single moment in a Paris apartment building–blossoms into an encyclopedia of stories and life spanning centuries, the globe, the history of literature. The second miracle: A moving, humane novel composed of implausible, even impossible parts.

Exactly.

I’ve got to say, though, I’m a little disappointed in DFW for turning in what appears to be a joke list. If he didn’t want to participate he could have just said so (or is Fear of Flying really his fifth favorite book of all time?).

Likewise, I’m disappointed that Gravity’s Rainbow managed to appear on nobody’s list whatsoever. V. just made it with one 9-spot (thank you T.C. Boyle). Likewise, one 9-ball for Haruki Murakami’s Wind-Up Bird Chronicle (maybe after another 10 years). (Credit to Zane for putting both GR and Wind-Up Bird on his list.) But big props to Lydia Millet for giving J.R. her number one pick. Gilbert Sorrentino’s Red the Fiend also makes her list, and of that book she writes:

In brutal simplicity, with recourse to uniquely effective listing devices, the precise and beautiful prose lays bare the excruciating particularities of Red’s pain and shame and makes palpably real his journey from, if not innocence, at least relative neutrality toward craftiness and deft manipulation.

This, more than anything else I’ve read, makes me want to read Millet.

Although I’m naturally skeptical of all "top ten"–type enterprises, I’ve got to say that this book has won me over. It’s proven to be pretty interesting, and I think it will prove to be a pretty good source of recommendations–especially if I keep my eye on the bottom of the lists.

——
If you’re looking for an online education but are worried about the cost of school books you can always consider college grants.

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5 comments to The Top Top Ten

  • Based on our common favorites (JR) and her love for Red the Fiend (which I’ve been raving about for years), I just ordered a pile of Millet’s books, since I’ve never read her and she’s clearly interested in the same books I am.

  • I like reading, and this book looks very good. It’s intersting reading a book about reading and writing.

  • Avery Palmer

    Hello,
    You really should read Ulverton. A good overview of Adam Thorpe’s work is here:
    http://bostonreview.net/BR28.3/hynes.html

  • Tim Jacobs

    Hi. Can you let me know what the other DFW titles are that he mentions in this book? I appreciate it.
    Thanks,
    Tim

  • I know nothing about DFW’s list other than what you posted, and maybe he was actually kidding, but I too like “Fear of Flying,” which is a pretty good bildungsroman about one writer’s development. The sex angle of the book gets way overplayed. I think readers, especially readers who want to be writers, will respond more to scenes of artistic, rather than sexual, frustration. I once met Erica Jong at a book signing and expressed all this to her; she happily responded that she had actually toyed with the title “Portrait of the Artist as a Young Woman,” which would have been an accurate description.

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