The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

For low prices on Las Vegas shows visit LasVegas.ShowTickets.com
  • 20 Books at 3820 Books at 38

    I'm surprised to learn Andres Newman is so young. Also, great overview of his books in English. Andrés Neuman is... »
  • The Future ModianoThe Future Modiano

    The Complete Review has the details of the future Englishing of our most recent Nobel laureate. And also, sales figures. For... »
  • Quarterly Conversationi Issue 38Quarterly Conversationi Issue 38

    Issue 38 right here. or TOC after the jump. Features Readings, Fragments,... »
  • On KafkaOn Kafka

    Rivka Galchen on the new Kafka bio by Reiner Stach. I have come to the conclusion that anyone who thinks about Kafka for... »
  • Me on ModianoMe on Modiano

    My review of Suspended Sentences by Patrick Modiano. The most focused of the book’s three diffuse novellas is... »
  • Elena Ferrante InterviewedElena Ferrante Interviewed

    At the NY TImes. I'm currently reading Book 1. Q. You insist on anonymity and yet are developing a cult following,... »
  • Infinite FictionsInfinite Fictions

    Buy David Winters's book.... »
  • Tarr After the HorseTarr After the Horse

    At BOMB: A couple of months after that, in February 2011, Béla Tarr presented the world premiere of The Turin Horse at... »
  • Bolaño: A BiographyBolaño: A Biography

    This is a pretty fair assessment of Bolaño: A Biography. Denied access to papers in the Bolaño estate, the Argentine... »
  • Literary AdvocatesLiterary Advocates

    Very honored to be among the esteemed list of "Literary Advocates" named by Entropy magazine for 2014. The list of... »

You Say

Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

Shop though these links = Support this site


Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • [[there.]] by Lance Olsen December 15, 2014
    Lance Olsen is the author of two recent works, [[there.]] and Theories of Forgetting (FC2). The second presents three narratives in a clearly fictional mode while the first offers day-to-day thoughts on living in another country. We rightly suspect that any artist’s memoir or diary ought to be viewed as written with a prospective public in mind, no matter ho […]
  • Noir and Nihilism in True Detective December 15, 2014
    "It’s just one story. The oldest. . . . Light versus dark." Spanning 8 episodes between January and March of 2014, HBO’s runaway hit True Detective challenged the status quo of contemporary crime drama. The show has been widely celebrated for its philosophy, complexity, and visual aesthetic. Co-starring actors Matthew McConaughey as Rustin "Ru […]
  • The Colonel’s World December 15, 2014
    Mahmoud Dowlatabadi (born 1940) is considered by many the living Iranian novelist, a perennial Nobel Prize candidate. Dowlatabadi wrote The Colonel some thirty years ago, because in his own words he had been “afflicted.” The subject forced him to sit at the desk and write nonstop for two years. “Writing The Colonel I felt a strong sense of indignation and pa […]
  • Mr Gwyn and Three Times at Dawn by Alessandro Baricco December 15, 2014
    Alessandro Baricco’s well-crafted, elegant prose seems as though it should create the impression of distance, or of abstraction; instead, the reader of Mr. Gwyn and Three Times at Dawn becomes wholly implicated and immersed, drawn into a dreamy and idiosyncratic world that blurs the division between reader, character and writer. As readers, we expect that th […]
  • The Walls of Delhi by Uday Prakash December 15, 2014
    "The paan shop leads to the opening of a tunnel, full of the creatures of the city, and the tears and spit of a fakir." In a single opening line, Uday Prakash sets the scene for the politically incisive, yet intimately human stories of The Walls of Delhi (translated brilliantly from the Hindi by Jason Grunebaum). Lest the fakir suggest otherwise, t […]
  • The Man Between: Michael Henry Heim and a Life in Translation December 15, 2014
    In a speech reprinted in the book, Heim makes a self-deprecating joke about whether the life of a translator is worth reading: “What does a translator do? He sits and translates!” The Man Between serves as a book-length retort by laying bare all the things Heim did: these include persuading the academy that translation is a scholarly (in addition to a creati […]
  • The Prabda Yoon Interview December 15, 2014
    Yes, I think people are not comfortable anymore to write in this straightforward, traditional way, especially the younger, more progressive writers. So it’s interesting—you have social commentary, and you also get a little bit of structural experiment. You have themes that are very, very Thai. I’m actually very interested to see what new writers will come up […]
  • The End of Days by Jenny Erpenbeck December 15, 2014
    For Jenny Erpenbeck, no life is lived in an indisputable straight line. Which is why, in her new novel (new in English, though published in 2012 as Aller Tage Abend) she approaches the narrative as a series of potential emotional earthquakes, some which take place, some which might have taken place, all of which reveal something of how political turbulence p […]
  • In the Heart of the Heart of the Country by William H. Gass December 15, 2014
    Once, at a writers symposium, William Howard Gass remarked that to substitute the page for the world is a form of revenge for the recognition that "you are, in terms of the so-called world, an impotent nobody." There is inarguably no contemporary writer of American stock in whose work one might locate a more ambitious war of attrition between innov […]
  • Faces in the Crowd by Valeria Luiselli December 15, 2014
    Luiselli’s first novel, Faces in the Crowd, translated into fluid English by Christina MacSweeney, is the perfect illustration of this attitude toward fiction writing. Narrated in short sections spanning multiple storylines and the better part of one hundred years, it uses "[d]eep excavations" to expose the empty spaces in two lives, those of a you […]

The Tunnel Big Read: Next Up for Gass, Middle C, by Kirby Gann

This post is part of the group read of William H. Gass’s The Tunnel on this website from September 30 through November 3. The read is concluded, but you can still experience this singular, bizarre book for yourself. Read along with us by having a look at the schedule here. Purchase the book here and benefit this site. All posts related to this group read are here.


These thoughts are from Gass aficionado Kirby Gann, whose novel Ghosting was recently named a Best Book of 2012 by Publishers Weekly.

Most responses to The Tunnel (at least those of which I’m aware) trend toward readers’ frustrations with the narrative’s evident formlessness, its absent narrative drive, and the long stretches of Kohler’s parsing negativity, his self-probing into the foundation and boundaries of his fascistic mind. It’s the kind of book that makes one wonder if the author would have still gotten away with publishing it as it is (or publishing it at all) if it had not been written by an Acknowledged Master of the age. Yes, it’s brilliant, and insanely dark, but, as Scott asked at one point during the Big Read: do we need a book like this? It’s a question I asked myself several times while determinedly plowing through to the end back when I read the novel not long after it came out; it’s also (unfortunately) a question I can’t propose an answer to—especially now, nearly twenty years having passed since I read it. I remember finishing the book out of sheer determination because I idolized the author of Omensetter’s Luck (one of our great novels), the writer of those brilliant essays, and once I closed the book at its end I confess my faith in the writer was somewhat shaken. He spent thirty years writing this? I finished it glad to be finished with Kohler. It took a great deal of time to recognize that part of Gass’ achievement struck me when I understood that Kohler was not through with me; The Tunnel’s narrator is the kind that haunts a mind; images from the book, rants from Kohler’s spewing maw, pop back into the head when the real world presents events that make it hard not to agree with our disgusting historian’s view of humanity. Let’s face it; our race sucks.

Gass has one of the great quotes from The Paris Review interview series. When asked why he writes, he said: “I write because I hate. Hard.”

Gass has a new novel coming out in March 2013 called Middle C. In his old age (Gass is 88) his ire toward mankind hasn’t changed, but perhaps his sense of time passing has; according to the book’s publicity materials, Middle C required only “almost twenty years” of the author’s effort as opposed to The Tunnel’s thirty. It’s a shorter work (464 pages) and, although I have not finished the ARC yet, I’m pleased to say that it bears a closer resemblance to Omensetter’s Luck than the fat container of consciousness The Tunnel purports to be.

Plot, narrative drive, dramatic tension—these have never been primary concerns for Gass and the new novel remains in that tradition. However, there is story here, and plenty of it. We start in Graz, Austria, in 1938, when a gentile father adopts the identity of Jews in order to allow his family to flee the madness he can foresee consuming his country, and brings his family to London. There, the family makes do during the war, until the father takes off again; this time alone, leaving a mother and two small children to fend for themselves. They become refugees once more, fleeing to America, and—this being a Gass novel—end up in small-town Ohio. All this in the first chapter, and during each step of the journey the family members take on different names, and Gass has a blast punning from Yussel to Yankel to Skizzens to Fixel, and I won’t even get into their different first names; suffice to say that from the second chapter onward we stick with the son, comfortably named Joseph/Joey by now, and thus easier to follow.

Gass is more concerned with his themes than plot. Though Joseph is written with great sympathy, and his growth from child to man is detailed with all the passions and disappointments we typically expect from a novel in the realistic mode, the author’s familiar obsessions rise to the fore, and he worries each in their various manifestations: music (Joseph becomes an amateur pianist of some renown); disappointment in mankind, if not quite outright misanthropy (Gass manages one of his greatest inventions here, with Joseph’s goal to establish what he calls the Inhumanity Museum); the variety and scope of consciousness and possible identities within the mind. Also—perhaps fundamentally—the structure and sound of language itself. A continuous motif throughout the book is the following sentence: The fear that the human race might not survive has been replaced by the fear that it will endure. Gass allows us to watch as Joseph puts this sentence through many possible variations, weighing alternate clauses, predicates, adverbial and adjectival weights; it’s a sentence he was worked on for years, having gone through 700 or so versions as he strives to compose an essay on this subject that will match his Inhumanity Museum. Gass being Gass, we are along for the ride as Joseph works through several permutations, debating with himself the pros and cons of each.

This is not as boring as it might sound. What it leads to is not some Kohler rant, but the invention of a self, a framework for a self that is capable of living a virtuous life in today’s world. 150 pages into this book I can admit no need to dig for the determination that allowed me to finish The Tunnel; thus far it seems apparent that Gass has lost none of his felicity of phrase or outrageous talent for inventing the perfect and unlikely metaphor, and in Joseph Skizzens (among other names he may have) we encounter a character it is not only possible to be fascinated by, but to whom we may feel a degree of empathy, too.

You Might Also Like:

More from Conversational Reading:

  1. The Tunnel Big Read: “I Could Not Read The Tunnel Before Sleeping . . .” by Hilary Plum This post is part of the group read of William H. Gass’s The Tunnel on this website from September 30 through November 3. The read...
  2. The Tunnel Big Read: Final Week This begins our fifth and final week of group reading The Tunnel. Congrats to those who have made it this far, and best wishes...
  3. The Tunnel Big Read: The Beginning of the End? We are group reading William H. Gass’s The Tunnel on this website from September 30 through November 3. We are currently in Week 4, covering...
  4. The Tunnel Big Read: The End and a Few Last Questions This post is part of the group read of William H. Gass’s The Tunnel on this website from September 30 through November 3. The read...
  5. The Tunnel Big Read: Some Questions for Week 1 We are group reading William H. Gass’s The Tunnel on this website from September 30 through November 3. We are currently in Week 1, covering...

Related posts brought to you by Yet Another Related Posts Plugin.

Leave a Reply

  

  

  

You can use these HTML tags

<a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>