Lady Chatterley’s Brother

The first ebook in the new TQC Long Essays series, Life Pereccalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future.

Available now from Amazon, Barnes & Noble, and direct from this site:

Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle for 99 cents.

Spring 2011 Group Read

Life Perec

Spring Read: Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.
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J.C. Hallman’s 10 Favorite Books of Creative Criticism


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Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.

Group Reads

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.
Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.
Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

RSS New Articles

  • In Red by Magdalena Tulli December 5, 2011
    In Red is Tulli's most conventional novel—which is not to say it could finally be described as a conventional work of fiction. Still, to the extent it does offer individuated characters, some degree of plot "movement," and a strongly delineated setting, readers hesitant to commit to one of the novels that seems formidably experimental might fi […]
  • Show Up, Look Good by Mark Wisniewski December 5, 2011
    Early in Show Up, Look Good, Mark Wisniewski’s second novel, newly single Michelle meets up with an old friend, Barb, from the Midwest. Michelle has already been portrayed as a woman who attracts all variations of awkwardness and bad luck: she’s awakened to find her ex, Thom, “having his way, well, with a marital aid,” agreed to bathe an old woman as part of […]
  • An Ermine in Czernopol by Gregor von Rezzori December 5, 2011
    Gregor von Rezzori’s fictitious city Czernopol exists at the edge of civilization, on the border of memory and invention, lying “somewhere in the godforsaken southeastern part of Europe.” In reality it is Czernowitz, in the region known as the Bukovina, ceded by the Ottoman Empire to the Austro-Hungarian Empire in 1775, then after World War I part of Romania […]
  • 1Q84 by Haruki Murakami December 4, 2011
    The publication of 1Q84, Haruki Murakami’s biggest, most ambitious novel to date, seems to have brought his career full-circle. This is not simply because the book has widely been posited as Murakami’s Brothers Karamazov—that is, an attempt to write a meganovel summing up his life’s writing—but even more because of the trajectory Murakami has taken as a writ […]
  • Ordinary Sun by Matthew Henriksen December 4, 2011
    Ordinary Sun at times feels like listening to confession in a parallel universe, a world with all the guts displayed on the outside, and the underworld on top. Make no mistake though: there is no otherworld. Henriksen’s world is this world. Who doesn’t recognize her own kind in lines like these, from “Corolla in the Midden”: “I do not dream. I just watch / f […]
  • Selected Poems by Jaan Kaplinski December 4, 2011
    Though sometimes referred to as a Modernist, Kaplinski’s poetry often has the feel of a classical, and older, poetics. The poems have a gravitas; they do not mock, toy, or play with the reader. They invite the reader to eavesdrop on the thoughts, remembrances, and philosophy of a person as they flicker and flow. This contemplative, philosophic strain is pres […]
  • Joseph Brodsky: A Literary Life by Lev Loseff December 4, 2011
    A martyr is not necessarily a saint, in any case, and those who knew him didn’t turn to him for saintliness. He was spellbinding, an electrical jolt for the psyche. An encounter with him, as a colleague or as a mentor, could be life-changing and endlessly rewarding. Warts and all, the real man carries far more interest than the photoshopped one Loseff gives […]
  • From Fiona and Ferdinand by Josef Haslinger December 4, 2011
    On the day of Bachmaier’s funeral there were two messages from my mother waiting for me on the answering machine. In the first one she asked me to call her back, in the second she said that the village was in an uproar: I was to come at once. Calls from my mother were rare. […]
  • Self-Portrait of an Other by Cees Nooteboom and Max Neumann December 4, 2011
    As hard as you look at it, Max Neumann’s paintings don’t reveal much about his method, but two recent English-language publications imply that he must enjoy collaborating with luminaries of world literature. AnimalInside, reviewed in The Quarterly Conversation's issue 25 by Christiane Craig, brought Neumann together with László Krasznahorkai, the presti […]
  • Learning to Pray in the Age of Technique by Gonçalo M. Tavares December 4, 2011
    Someone once noted that it’s easy to have virtue when facing adversity but the real test of character comes when one is given power. To test this aphorism, one need look no further than Gonçalo M. Tavares’ novel Learning to Pray in the Age of Technique for evidence of how power corrupts and attracts the corrupt. Tavares is a prolific writer from Portugal who […]

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The Wilderness by Samantha Harvey Review

A first novel by Samantha Harvey, The Wildnerness, sounds good. The B&N review:

A device literary novelists sometimes use to pleasing effect is to
unanchor certain images or thoughts so that they float free in the
text, recurring for reasons that remain partially obscure. What the
text loses in transparency is more than offset by what it gains in
enigmatic resonance, musicality, and the delayed gratification provided
to the reader by the eventual discovery of where these specially
polished bits of the mosaic belong. In her astonishingly accomplished
first novel, The Wilderness, Samantha Harvey has grounded
this literary game in realism: the man through whose mind we apprehend
the novel's world is succumbing to Alzheimer's disease.

Alas, no one knows better than publishers how hard it is to sell
literary fiction on its own merits these days, and the pre-publication
material for The Wilderness
seemed in part designed to attract readers looking to gain useful
insight into "a difficult and heartbreaking subject." Don't be put off
– this novel is not the medico-sociological tale that description
might imply. Harvey uses Alzheimer's entirely for artistic ends, both
as a focusing lens with which to explore the losses and confusions that
accumulate in any human life, and as a diffracting prism to create a
literary object of multiple mirrorings in different hues.

More from Conversational Reading:

  1. 2666 Review at Open Letters Sam Sacks has one of the better reviews of 2666 that I’ve read. This is a nice observation: An indescribable amount of things happen to...
  2. First 2666 Review Adam Kirsch in Slate has the first review I’ve seen for 2666. I imagine this kind of opening will become pretty standard fare in the...
  3. West Virginia by Che Elias Review Dan Green has posted a short review of West Virginia by Che Elias. The review begins like this: One hesitates to "review" a book like...
  4. Value Added Just got this in a press release for the ebook of Heart of Darkness: Penguin Enriched eBook Classics Features: Character Sketches Diagram of a typical...
  5. Stephen King in Paris Review You´ll know what to make of this. In the Paris Review interview, King talks about writers like John Grisham, Tom Clancy, Danielle Steel, and James...

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April 2nd, 2009 | Category: reviews

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