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Lady Chatterley’s Brother Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series,  called “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.
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They Don't Do This Anymore
While researching something I came across this excellent 3,500-word review of Gravity’s Rainbow that appeared in the NYTBR in 1973, written by then-editor Richard Locke. It’s erudite, thought-provoking, and gives GR all the respect it deserves, rightly realizing that this book will resonate decades down the line.
Just wondering, what was the last book of fiction to get this kind of treatment in the Times? I can remember some essay on Philip Roth when The Plot Against America came out. Baaaa.
And has Tanenhaus ever written a fiction book review, much less one this good?
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Recommended Books DeLillo's major work before White Noise is probably his most underrated novel. Its all right here--the politics of paranoia, terrorism, the unnamable--set in an evocative, timeless Greece.
The most bizarre Abe novel I've yet read, which is indeed saying something. About a subclass of Japanese men who go around wearing boxes from the waist up (and then use them as domiciles in the evening), the book is also an experiment in perspective shifts, a highly unstable, metafictional first-person narrative, and an exploration of voyeurism, consumerism, and aberrant sexuality.
Charting the path to three gunshots--the one that killed filmmaker Theo Van Gogh, the one that disabled his Islamic extremist assassin, Mohammed Bouyeri, and the one that led to Vincent Van Gogh’s one hundred years earlier--Olsen tells three separate stories that resonate with one another on numerous levels: the logic of extremism, the role of the dissident in Dutch society, the limits of tolerance, the purpose of the artist, the feeling of the most important five minutes of your life. Read my interview with the author.
Creatively structured, well-executed epic novel of rural South Africa from 1950 - 2000. Takes on a lot and lives up to it magnificently. Highly recommended.
A book that's an interview about the book you're supposedly holding in your hands. Creative, potent, and full of life. Just what metafiction should be. Read my post on it.
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It’s a great review, allright. Even more astute was Richard Poirier’s review of the novel in Saturday Review of the Arts. They don’t write them like this anymore, and given Penguin Press’ tightfistedness w/r/t galleys and review copies of ‘Against the Day’, the reviews of that novel will probably be rushed and superficial.