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Shop at Amazon though these links and this site gets a kickback.
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Those Disaffected Middle Class Chinese
If there’s one man in publishing I trust to predict the future of the industry, it’s Richard Nash. His 8 predictions for publishing in 2020 are worth checking out. Here are a couple:
4. Long-form text-only narrative will continue to thrive as it has since cavemen gathered around the fire, just as painting has thrived since Lascaux. The advent of more and richer iterations of multimodal entertainment and edification will not kill off others (either multi or single mode) in the future, just as they did not in the past, though they certainly will kill businesses with an overdeveloped sense of entitlement based on past success in a given mode.
8. In 2020 the disaffected twentysomethings of the burgeoning middle classes of India, China, Brazil, Indonesia will be producing novels faster than any of us can possibly imagine.
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Recommended Books DeLillo's major work before White Noise is probably his most underrated novel. Its all right here--the politics of paranoia, terrorism, the unnamable--set in an evocative, timeless Greece.
The most bizarre Abe novel I've yet read, which is indeed saying something. About a subclass of Japanese men who go around wearing boxes from the waist up (and then use them as domiciles in the evening), the book is also an experiment in perspective shifts, a highly unstable, metafictional first-person narrative, and an exploration of voyeurism, consumerism, and aberrant sexuality.
Charting the path to three gunshots--the one that killed filmmaker Theo Van Gogh, the one that disabled his Islamic extremist assassin, Mohammed Bouyeri, and the one that led to Vincent Van Gogh’s one hundred years earlier--Olsen tells three separate stories that resonate with one another on numerous levels: the logic of extremism, the role of the dissident in Dutch society, the limits of tolerance, the purpose of the artist, the feeling of the most important five minutes of your life. Read my interview with the author.
Creatively structured, well-executed epic novel of rural South Africa from 1950 - 2000. Takes on a lot and lives up to it magnificently. Highly recommended.
A book that's an interview about the book you're supposedly holding in your hands. Creative, potent, and full of life. Just what metafiction should be. Read my post on it.
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fascinating stuff, but my question is this: what will all those disaffected middle class Chinese writers do AFTER they’ve produced all their novels? If all the bookstores are gone, if all but a handful of the publishers are gone (and that handful are only putting out Stephen King novels), what will the new ‘means of distribution’ be?
It’ll depend on how we define the term—the word publisher might not survive the decade, but there will be tens of millions of intermediaries connecting readers and writers all over the work. Remember, bookshops have existed for only about one quarter of the lifespan of publishing. Though note I didn’t say all the bookstores would go, either, just that the chains would go. Amazon will likely still be with us, along with several hundred bookstores/boutiques/dealers/community centers.
(My predictions focused on what’s likely to happen with the corporate pubs, it didn’t address what I expect to be the massive proliferation of alternatives, with a great many business models.) See also my essay on 2020 at http://publishingperspectives.com