bsdaesdfst buaassdsy 6101515723 link


bsdaest buaasy 6101515723 link


asasvbest buasdy 6101515723 link


bsdaesdfst buaassdsy 7226295550 link


bsdaest buaasy 7226295550 link


asasvbest buasdy 7226295550 link


bsdaesdfst buaassdsy 7750386795 link


bsdaest buaasy 7750386795 link


asasvbest buasdy 7750386795 link


bsdaesdfst buaassdsy 6340733495 link


bsdaest buaasy 6340733495 link


asasvbest buasdy 6340733495 link


bsdaesdfst buaassdsy 1246892929 link


bsdaest buaasy 1246892929 link


asasvbest buasdy 1246892929 link





Three Recommendations

Three books I’ve been enjoying recently that you might want to take a look at.

Reconsolidation: Or, it’s the ghosts who will answer you is a lyric essay by Janice Lee, a little bit of John D’Agata, a little Roland Barthes. About the sudden death of the author’s mother, this book feels as though it’s a private letter being written to the reader, it’s just that immediate and striking. It’s passionate, but not melodramatic, very purposeful and effective in what it does. Here’s a review.

The Strangest by Michael Seidlinger is a contemporary take on Camus’s The Stranger. He takes us into the consciousness of a person so withdrawn that he must have some sort of social anxiety disorder; every bit as affectless as Camus’s stranger, his smartphone is his only lifeline of communication with people, even when they’re right on the subway with him. I like how the author constructs the protagonist’s consciousness, with the integration of social media being elegant and measured, and I particularly like a few pivotal scenes where what is happening is carefully elided by the author—it’s very effective. Here’s an excerpt.

Sebald’s Vision is the most recent entry in the genre of Sebald criticism, this one by Carol Jacobs. This is an academic text, but it avoids the traps of academic writing and is, in fact, quite well-written and with interesting takes on a sizable portion of Sebald’s body of work. There are real insights here for people who like Sebald, or the themes he covered. There’s a review of the book here, and you can have a look at it for yourself in Google preview.



Recent Posts




Criticism Isn't Free


CR is dedicated to thoughtful, in-depth criticism without regard to what's commercially appealing. It takes tens of hours each month to provide this. Please help make this sort of writing sustainable, either with a subscription or a one-time donation. Thank you!

You could also purchase one of my acclaimed ebooks.





Got Something To Say:

Your email address will not be published. Required fields are marked *

*

THE SURRENDER

The Surrender is Scott Esposito’s “collection of facts” concerning his lifelong desire to be a woman.


LADY CHATTERLEY'S BROTHER

Two long essays of 10,000 words each on sex in—and out of—literature . . .

The first essay dives in to Nicholson Baker’s “sex trilogy,” explaining just what Baker is up to here and why these books ultimately fail to be as sexy as Baker might wish.

From there the book moves on to the second essay, which explains just why Spaniard Javier Marías does right what Baker does wrong . . .


THE LATIN AMERICAN MIXTAPE

5 essays. 2 interviews.

All in all, over 25,000 words of Latin American literary goodness.

3 never-before-published essays, including “The Digression”—a 4,000-word piece on the most important digression in César Aira’s career.

Shop though these links = Support this site

Copyright © 2017. Powered by WordPress & Romangie Theme.