Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Life Pereccalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

Spring 2011 Group Read

Life Perec

Spring Read: Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

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Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


Group Reads

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

  • The Flame Alphabet by Ben Marcus March 5, 2012
    With his second novel, The Flame Alphabet, Ben Marcus has diverged from the path he trod while becoming one of America’s best-known experimental fiction writers. He’s written a plague fantasy told in first-person by a middle-aged, Jewish husband and father living in the suburbs. It is cold and coherent in its execution, with one narrator and a clear plot, an […]
  • War Diary by Ingeborg Bachmann March 5, 2012
    Bachmann famously described the entry of Hitler's troops into Klagenfurt as the end of her childhood. From these pages, though, it isn't clear what immediately followed. Here she seems to exist in a liminal zone between self-determination and powerlessness: she has worked out tactics of flight, but not full resistance or solidarity with others. Thi […]
  • Us by Michael Kimball March 5, 2012
    Michael Kimball’s novella Us originally appeared in the U.K. under the title How Much of Us There Was. Tyrant Books has now brought it out in the United States, where Kimball was born and lives, and his website lists the widespread praise that the book has received. Here are but two of the many accolades: “disarmingly simple, gorgeously structured, and as ac […]
  • The Beautiful and the Damned by Siddhartha Deb March 5, 2012
    Since embracing economic reforms in the early 1990s, India has undergone swift and wrenching changes that are remaking the country from the ground up. As village and farmland give way to tech companies, call centers, factories, and malls, these new landscapes are increasingly peopled by new archetypal characters, much as the similarly radical transformation […]
  • The Letter Killers Club by Sigizmund Krzhizhanovsky March 5, 2012
    The first English-language publication of Krzhizhanovsky’s fiction would not follow until 2006, three quarters of a century after its conception. His extensive repertory consists principally of short stories, of which there are more than one hundred, as well as five novels. The first of these novels selected for English translation (by Joanne Turnbull) and p […]
  • Zona by Geoff Dyer March 5, 2012
    Now we have Zona, Dyer’s book-length explication of the film that he has been mulling over in print for more than a decade. Like the film’s journeying hero, who devises his route by randomly tossing bolt nuts and trudging after them, he’s taken his time getting to the point. But the end result is revealing; despite its critical trappings, Zona reads like a p […]
  • Remaking the Short Story: Four Untranslated Authors from Spain March 5, 2012
    Authors of what’s called the New Spanish Short Story have had a great burst of creativity that began in the early 1980s and flowered during the 1990s and 2000s (the few stories that have been translated have been relegated to obscure editions unavailable in the United States). From the stories of the fantastic by Cristina Fernádez Cubas to the structural inv […]
  • Dogma by Lars Iyer March 5, 2012
    A lecturer in philosophy at the University of Newcastle upon Tyne, Iyer is the author of Spurious—which won The Guardian’s “Not the Booker Prize” last year—and, now, Dogma, a sequel to the previous work. Both books are novels in name only—bookstores require these convenient taxonomies. In reality Iyer has written scabrous philosophical comedies about two men […]
  • Mercè Rodoreda and the Style of Innocence March 5, 2012
    The Autonomous Republic of Catalonia now holds up Mercè Rodoreda as a national treasure. Barcelona offers commemorative sculptures, libraries, gardens in her name; government-supported institutes sponsor conferences and translations; a yearlong festival marked her 2008 centennial. Her international champions include Gabriel García Márquez. Apart from two rec […]
  • The Clarice Lispector Roundtable March 5, 2012
    Barbara Epler: The whole Lispector re-launching began innocently enough: our plan had been to bring out a new edition of The Hour of the Star in the old Pontiero translation with an ardent Colm Tóibín preface. (With a backlist of our size—about 1,100 titles from 75 years of publishing—we are always trying to repackage classic backlist to reach more readers.) […]

To Appease Our Alienation

Daniel Hartley has a nice response to Sven Birkerts’ recent essay on reading in a digital age (which I previously discussed here). I like Hartley’s analogizing of Birkerts’ dichotomy of transitive and intransitive reading to Barthes’ proairetic and hermeneutic reading in S/Z (more on that book here).

I also thought this was interesting:

So it is that every time a ruling ideology gives way, aesthetics or literature must step in to bear the brunt of those dying mechanisms of control. In England, for example, from at least Matthew Arnold’s Culture and Anarchy (1869) onwards, literature was called upon to assume the hegemonic burden which religion was no longer able to carry. When your people demand bread, educate their sensibilities through books so that they don’t shout quite so loud.

Unfortunately, Birkerts is in danger of unwittingly suggesting just such a solution to our current dilemma. He correctly deduces that certain shifts in our social and technological make-up (notice that emphasis on technological changes is almost always a way of not talking about economic changes) have altered our capacities to think and to perceive, and he understands these changes as negative or debilitating in some human sense; his solution to this is not to challenge the concrete historical situation, but to offer literature as a sort of supplement to appease our alienation, as a humanizing palliative in a world of dehumanizing machines.

. . . how do you justify getting paid to read books? The truth is that, historically, it really is unjustifiable, so any justification is likely to be pure ideology. A non-scholar (i.e. unsalaried non-professional reader) could answer the question on the point of reading thus: ‘There is no point: reading is an end in itself, a revelling in language for language’s sake, a joyous bathing in that invisible extension of our bodies in the world’. But if you said that to the Vice-Chancellor of the university (who in all likelihood is also on the board of some oil company), the very man paying your wages, it is unlikely you would achieve tenure. And so you clutch at straws: you do a Birkerts.

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More from Conversational Reading:

  1. Gatekeepers In a debate on blogging, Sven Birkerts says: "There’s no place to stand from which to assess it," Birkerts said. What we lack in the...
  2. The Din in the Head At the LA Times, Sven Birkerts gives high praise to Cynthia Ozick’s new book of criticism. In an essay on Saul Bellow’s "Ravelstein," which...
  3. Literature in the Dominican Republic I don’t think I’ve ever read an author from the Dominican Republic, and I imagine not too many have been translated into English, but now...
  4. Sven Birkerts Still Harping on Context In The Atlantic, Sven Birkerts argues that the Kindle (or e-reading writ large) will decimate literary context: Our rapidly evolving digital interface is affecting us...
  5. Aesthetics Over at The Chronicle Review, Lindsay Waters argues for a return to an aesthetic appreciation of literature. I can only agree, agree, agree. For years...

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