The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

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Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

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See this page for interviews with leading authors, translators, publishers, and more.


  • Those Who Leave and Those Who Stay by Elena Ferrante September 16, 2014
    Few novelists have captured the rhythms and flow of life with the veracity of Elena Ferrante in her Neapolitan Novels. Following the friendship between Elena Greco and Lila Cerullo from childhood to old age, the tetralogy spans fifty years; over the course of that time, no emotion is too small, too dark, too banal to be recorded. No expense, so to speak, is […]
  • Trieste by Daša Drndić September 15, 2014
    As Drndić reiterates throughout the novel, “Behind every name there is a story.” And Haya Tedeschi’s story is draped in death. Born to a Jewish family that converted to Catholicism and tacitly supported the Fascists in Italy, Haya was a bystander to the Holocaust. She attended movies while Jews and partisans were transported to concentration camps; she pored […]
  • The Tree With No Name by Drago Jančar September 15, 2014
    At the opening of chapter 87—the first chapter found in The Tree with No Name—Janez Lipnik finds himself up a tree, shoeless, and lost in the Slovenian countryside. He makes his way to a house where he is taken in by a woman teacher who is waiting for her lover, a soldier. It becomes clear we are at the height of World War II. Soon after, we follow Lipnik […]
  • Kjell Askildsen, Selected Stories September 15, 2014
    Here, at the midpoint of his narrative, Bernhard, the affectless and purposeless protagonist of "The Unseen," experiences existential near-emancipation at dusk. This retreat toward obscurity in terse, direct language—thematic and stylistic markers of each work in the collection—comes immediately after Bernhard’s sister mentions her plans to enterta […]
  • Berlin Now by Peter Schneider September 15, 2014
    In his new book of essays, Berlin Now, Peter Schneider reveals himself as a gnarled Cold Warrior who has been stricken with many of the maladies common to his generation. With the specter of Communism exorcized, his new enemy is Islam. The book is a collection of short interlocking pieces introducing Anglophone readers to Berlin; it is not being published in […]
  • Paris by Marcos Giralt Torrente September 15, 2014
    In 1999, Marcos Giralt Torrente’s debut novel, Paris, was awarded the XVII Premio Herralde de Novela prize. Despite his success, it took fourteen years for Giralt’s work to appear in English, with the story collection The End of Love arriving in 2013. Now, this year sees the publication of two more books by Giralt: Paris, translated by Margaret Jull Costa, a […]
  • 10:04 by Ben Lerner September 15, 2014
    “It seemed that the [New Yorker] story—which was in part the result of my dealing with the reception of my novel—had been much more widely received than the novel itself,” says the narrator of Ben Lerner’s second novel, 10:04. Perhaps this narrator is Lerner himself—at one point he describes 10:04, within its own pages, as “neither fiction nor nonfiction but […]
  • Theories of Forgetting by Lance Olsen September 15, 2014
    Lance Olsen’s Theories of Forgetting is a masterful work structured around Robert Smithson’s earthwork “The Spiral Jetty.” Olsen’s novel is comprised of three narrations, written each by a separate member of a family. The husband’s and wife’s texts progress in opposite directions across the book, with each page divided among these two inverted texts; though […]
  • An Interview with Lance Olsen September 15, 2014
    The most substantial may be that innovative fiction knows what it is, that someone like me could define it in any productive way, that innovative fiction might somehow be one thing, or somehow consistent through time and space. None of these is the case. That’s exactly what I find most exciting about writing it, reading it, thinking about it. Innovative fict […]
  • The Ants by Sawako Nakayasu September 15, 2014
    In The Ants, we receive a study of existence through ants. That is, there are ants everywhere, ants substituted in every segment of the landscape, yet their behavior seems to reveal something altogether human. Too human. The ants are crushed and disappointed. They are warm and many. They are involved in gang wars and live inside carrot cake. The unique quali […]

TQC Favorite Reads of 2013: Scott Esposito

We are running down favorite reads of 2013 from Quarterly Conversation contributors. This list comes from Scott Esposito, who edits The Quarterly Conversation.

To read all entries in this series, click here.

The Plains and A History of Books by Gerald Murnane

I read these in preparation for an essay I wrote on Murnane for the journal Music & Literature (in itself a favorite read). The short novel The Plains is the book many consider to be Murnane’s finest. For me, he’s all about making maps of memory out of words, and The Plains may very well have the most challenging, irrational geography of them all. It is remarkable and beautiful, quotable on almost every page. I also read his collection of short prose, A History of Books. I frankly don’t know what to call these works: essays, short stories, memoir . . . none of those and all of them seem right.

The Letters of William Gaddis

A remarkable book for so many reasons, but my favorite—seeing the day-to-day life of a true outsider genius, to watch this great man find his artistic way, develop a circle of trusted friends, and discover the true meaning of his life’s work.

My Struggle Vol II by Karl Ove Knausgaard

This volume is all about how Knausgaard falls in love with the woman he eventually marries, and it is foremost an extremely insightful, very moving and passionate description of the first months of a deep romance. But there is so much more in this book. Here Knausgaard invokes Dostoevsky and talks about his desires to live as an Ubermensch, versus the conformist dictates of modern society (as well as what he fears are his own inclinations toward conformism). It is a very honest, serious discussion of this question, the scenes in which he embodies this conversation on the page are among my favorites of the first three books of the sextet.

The Waves by Virginia Woolf

2013 will forever be remembered as the year I first read Virginia Woolf’s The Waves. What else is there to say? This is one of the greatest books I will ever read. Six individuals collectively narrating their lives as one long mutual monologue, aging from children to seniors. Woolf masters, simply masters, six individuals who, collectively approach universality. A true masterwork by one of the 20th century’s most radiant geniuses.

When I Was a Child I Read Books by Marilynne Robinson

Marilynne Robinson has an awful lot to say about myth, science, America, literature, creativity, religion, the academy . . . she says it very well here, and frequently very originally. These pieces will re-arrange your mind, and the writing is beautiful.

The Ingenious Gentleman and Poet Federico García Lorca Ascends to Hell by Carlos Rojas

This book is at once three things: an immaculately styled novel; a riddle on the level of Borges; and a compelling and original vision of hell. This is the sort of book you can live inside for quite some time.

George Anderson: Notes for a Love Song in Imperial Time by Peter Dimock

This novel does a very rare thing: it is unabashedly and passionately political (and not only that, discussing the most important subject of our time—September 11, 2001 and the utterly destructive and futile War on Terror it unleashed), yet this politicking does not in the least diminish its literary experimentalism, which is of the highest order. A book that makes high art and high politics coexist—I never knew it could be done until Peter Dimock did it.

The Gaze of Orpheus and Other Essays and The Infinite Conversation by Maurice Blanchot

2013 was also the year that I got deeply in to Maurice Blanchot’s essays, namely The Gaze of Orpheus and Other Essays (in Lydia Davis’s translation) and The Infinite Conversation. There is so much to say about these works . . . I think I most appreciate Blanchot’s deep insights into what precisely writing is—how it occurs and what it means for the life of the writer—as well as his use of Western myth and archetype to articulate this process and the experience of reading.

Blow-Up by Julio Cortázar

Read “Axolotl” first, because it’s the first story in there and because you really owe yourself. If at that point you don’t feel like reading further, the next step would be to have your head examined.

The Mirror in the Well by Micheline Marcom

I read this slim masterpiece in a few spellbound hours. From the epigraphs all the way through to the very last line, it was one of the most passionate, aesthetically whole books I read this year. Here form and substance are just as they should be—clearly and unambiguously one, just as thoroughly as the two bodies that entwine on almost every page (though never growing tiresome). A book that requires a most uncommonly honest author, a book of true insight into one of the rarest, most fleeting parts of the human condition.

The Girl with the Golden Eyes and Colonel Chabert by Balzac

Most anything you read by Balzac will be better than things not by him. That is just the way it is. His books always seem to begin with some description on French life that is utterly beside the point from perspective of plot yet is so aesthetically appealing that it just has to be in there. For The Girl with the Golden Eyes it’s a description of Parisian life; for Colonel Chabert, it’s the dialogue of clerks in a law office, showing just how amazing merely doing one’s job can be.

A Place in the Country by W.G. Sebald

This is a collection of Sebald’s early essays. They stand somewhere between the academic criticism he wrote for the first decades of his life and the increasingly strange critical narratives he wrote in the last decades. A bridge I didn’t want to cross so much as gaze out from.

Cuentos by Roberto Bolaño

Before tackling this sizable book I hadn’t read much of Bolaño in Spanish, and nor had I read many of his short stories. So I was doubly in for a treat.

Seiobo There Below by Laszlo Krasznahorkai

This book is a vault that opens up to contain an entire world. The question Krasznahorkai seeks to answer is how substances of this Earth become divine—that is, not of it—merely by the force of human artistry and the processes of civilization. For anyone who has ever stared at a grand work of art and felt all else in the world strip away for a moment, this book is for you.

How German Is It? and Eclipse Fever by Walter Abish

This year was my introduction to Walter Abish, a writer who reminds me of Harry Mathews for his Oulipian tendencies, his exceedingly quirky plots, and his economical, utterly effective sentences. I never quite figured out what the “it” in the title of the first book referred to—the Holocaust, obviously, much much too obviously, but also so much more. And the latter is a tragicomedy set in Mexico (one of the most tragically comic countries on the face of the Earth) and starring . . . wait for it . . . a literary critic. Shudders.

A Schoolboy’s Diary, Berlin Stories, Selected Stories, Microscripts, The Robber by Robert Walser

A short piece I was writing for the TLS and a flight to New York City finally got me to read virtually all of the short prose of Walser that has been translated so far. It was a bracing few weeks into one of the most singular literary minds of the 20th century. Of Walser, Benjamin said something along the lines that his prose disappears behind you as you read it. Indeed, and never so much as in his short fictions.

Madness, Rack, and Honey by Mary Ruefle

These are Ruefle’s essays. I think I admire them most because they each have the feel of something Ruefle just put together in a spare hour or so. I mean that they feel so incidental, so stitched together with whatever happened to be at hand, so casual in their composition. That sense of casualness is very difficult to obtain, particularly when you are attempting to capture quantities as elusive as those Ruefle is pursuing here.

Personae by Sergio De La Pava

Personae is very, very far away from De La Pava’s first novel, A Naked Singularity, yet they are clearly the work of the same literary intellect. Both show the same aching honesty and the same drive toward literary artistry and genuine risk-taking. I hope De La Pava never stops taking risks as a writer.

The Hall of Uselessness by Simon Leys

To think that before this year I had never (to my knowledge) read Simon Leys. As though I had said—this year I drank my first cup of coffee, or this year I saw my first flake of snow. Leys is just as essential. After him, your literary world will not be the same. So convenient then that NYRB Classics has collected nearly 600 pages of his essays for you in one volume. What are you waiting for?

The Collected Stories by Lydia Davis

Immersing yourself in the work of a great writer is a sure way to discover that writer’s faults. Davis is a great writer, great enough that I cared to keep reading her and reading her and reading her until at long last I had seen past the brilliance to her weaknesses. So few writers can maintain a reader’s interest that long. So few can make serious enough aesthetic statements to inspire serious disagreement. And barely any can stand up to 30 years’ worth of work being consumed in one long python-like meal.

Blinding by Mircea Cartarescu

The authentic heir to Pynchon was born in Bucharest and penned the first volume of his might trilogy in the last 1990s. I hope they sell a ton of these so Archipelago manages to translate the other two or else I might have to learn Romanian.

The Aeneid by Virgil (translated by Robert Fitzgerald)

There is so much to this book—the language, the series of unforgettable set-pieces, the eternal truths about civilization, wandering, love, comradeship—but here is my favorite: Virgil does a thing I’ve only ever seen Milton do, which is to take a story whose end is already foretold—foretold because an omnipotent deity has already ensured the final outcome—to take such a story and make it ring with a riveting suspense that is perhaps the greatest argument we have that free will does exist.

Parallel Lives by Plutarch

Plutarch wanted to know why the great men are great (alas, it’s all men here), so he condensed their lives down to about 30,000 words each, telling them through the incidents that best revealed their inner character. The result is historically fascinating, frequently full of the pathos of Shakespearian tragedy, and incredibly educational. Plutarch also twins most of his lives—one Greek, one Roman—perhaps to show how much was borrowed, or how civilization develops, or just how much history repeats.

Dante’s Inferno (translated by Robert Pinsky)

Truly and indisputably the work of a mind unprecedented in the history of the world, and never to be repeated again. And Pinsky does a remarkable job with it.

Mind by John Searle

This is John Searle’s short account of Western humanity’s understanding of where consciousness comes from, starting with Descartes and ending with Searle and his contemporaries. Searle grapples with some of the biggest questions—causality, free will, idealism vs materialism—and for each he gives very well-thought-out, very original arguments.

The African Shore, Severina, The Good Cripple, The Pelcari Project, The Beggar’s Knife by Rodrigo Rey Rosa

This was the year I discovered Rodrigo Rey Rosa. He is a complete and utter minimalist, which means that you can read everything of his that’s been translated into English in a couple of days. So you could read them all maybe ten times in a month. Perhaps 100 or so times in a year. And yet you still won’t know what holds these tiny worlds so strongly together.

The World Viewed by Stanley Cavell

A philosophic inquiry into just what movies are—experiences, remembered memories, little chinks of postmodern consumer experience—and then a collection of readings of many of the major directors and films in some of the most beautiful critical language you will read. When I want to be inspired I open a page at random and read whatever it is I underlined there. I inevitably find an aphorism worthy of hours.

Siamese and Through the Night by Stig Saeterbakken

Two devastating novels by a Norwegian admired by, among many others, Karl Over Knausgaard. The first, about a blind, dying man living in a bathroom, strains toward Beckett. The second, my favorite Saeterbakken so far, is a story of suicide that moves toward horror.

Nay Rather by Anne Carson

A remarkable essay on translation, and then a beautiful demonstration of the principle of constraint used in literary translation. You probably knew that translation could amaze you, but did you think it could move you?

More from Conversational Reading:

  1. TQC Favorite Reads of 2013: Dan Green We are running down favorite reads of 2013 from Quarterly Conversation contributors. This list comes from Dan Green, whose most recent contribution to The Quarterly...
  2. TQC Favorite Reads of 2013: David Winters We are running down favorite reads of 2013 from Quarterly Conversation contributors. This list comes from David Winters, whose most recent contribution to The Quarterly...
  3. TQC Favorite Reads of 2013: Madeleine LaRue We are running down favorite reads of 2013 from Quarterly Conversation contributors. This list comes from Madeleine LaRue, whose most recent contribution to The Quarterly...
  4. TQC Favorite Reads of 2013: Jacob Silverman We are running down favorite reads of 2013 from Quarterly Conversation contributors. This list comes from Jacob Silverman, whose most recent contribution to The Quarterly...
  5. TQC Favorite Reads of 2013: Andrew Seal We are running down favorite reads of 2013 from Quarterly Conversation contributors. This list comes from Andrew Seal, whose most recent contribution to The Quarterly...

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5 comments to TQC Favorite Reads of 2013: Scott Esposito

  • Hyperbole and a Half
    The Woman Upstairs
    The Interestings
    Eleanor and Park

  • The Hall of Uselessness is hereby added to my to-read list!

  • Stephen

    Well, if Ingenious Gentleman made your list, but Hypothermia did not, I guess I’ll have to trust you and make the choice. For some reason I have the two books associated in my head, and I’m surprised that Hypothermia was not on your list, although I’m certain you considered it. I hope so anyway because I think it was one of the greatest recommendations you made last year. Believe that I have even more great reads to anticipate over the next few months.

  • Michael

    Thanks Scott. Any particular reason why you chose the Penguin version, and not the Dryden translation for Plutarch?

  • Johnb440

    Hmm it looks like your site ate my first comment it was extremely akdddckagdka

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