The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

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Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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The Tunnel

Fall Read: The Tunnel by William H. Gass

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Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

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Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

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Ten Memorable Quotes from William Gaddis’ Letters

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Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

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See this page for interviews with leading authors, translators, publishers, and more.


  • Those Who Leave and Those Who Stay by Elena Ferrante September 16, 2014
    Few novelists have captured the rhythms and flow of life with the veracity of Elena Ferrante in her Neapolitan Novels. Following the friendship between Elena Greco and Lila Cerullo from childhood to old age, the tetralogy spans fifty years; over the course of that time, no emotion is too small, too dark, too banal to be recorded. No expense, so to speak, is […]
  • Trieste by Daša Drndić September 15, 2014
    As Drndić reiterates throughout the novel, “Behind every name there is a story.” And Haya Tedeschi’s story is draped in death. Born to a Jewish family that converted to Catholicism and tacitly supported the Fascists in Italy, Haya was a bystander to the Holocaust. She attended movies while Jews and partisans were transported to concentration camps; she pored […]
  • The Tree With No Name by Drago Jančar September 15, 2014
    At the opening of chapter 87—the first chapter found in The Tree with No Name—Janez Lipnik finds himself up a tree, shoeless, and lost in the Slovenian countryside. He makes his way to a house where he is taken in by a woman teacher who is waiting for her lover, a soldier. It becomes clear we are at the height of World War II. Soon after, we follow Lipnik […]
  • Kjell Askildsen, Selected Stories September 15, 2014
    Here, at the midpoint of his narrative, Bernhard, the affectless and purposeless protagonist of "The Unseen," experiences existential near-emancipation at dusk. This retreat toward obscurity in terse, direct language—thematic and stylistic markers of each work in the collection—comes immediately after Bernhard’s sister mentions her plans to enterta […]
  • Berlin Now by Peter Schneider September 15, 2014
    In his new book of essays, Berlin Now, Peter Schneider reveals himself as a gnarled Cold Warrior who has been stricken with many of the maladies common to his generation. With the specter of Communism exorcized, his new enemy is Islam. The book is a collection of short interlocking pieces introducing Anglophone readers to Berlin; it is not being published in […]
  • Paris by Marcos Giralt Torrente September 15, 2014
    In 1999, Marcos Giralt Torrente’s debut novel, Paris, was awarded the XVII Premio Herralde de Novela prize. Despite his success, it took fourteen years for Giralt’s work to appear in English, with the story collection The End of Love arriving in 2013. Now, this year sees the publication of two more books by Giralt: Paris, translated by Margaret Jull Costa, a […]
  • 10:04 by Ben Lerner September 15, 2014
    “It seemed that the [New Yorker] story—which was in part the result of my dealing with the reception of my novel—had been much more widely received than the novel itself,” says the narrator of Ben Lerner’s second novel, 10:04. Perhaps this narrator is Lerner himself—at one point he describes 10:04, within its own pages, as “neither fiction nor nonfiction but […]
  • Theories of Forgetting by Lance Olsen September 15, 2014
    Lance Olsen’s Theories of Forgetting is a masterful work structured around Robert Smithson’s earthwork “The Spiral Jetty.” Olsen’s novel is comprised of three narrations, written each by a separate member of a family. The husband’s and wife’s texts progress in opposite directions across the book, with each page divided among these two inverted texts; though […]
  • An Interview with Lance Olsen September 15, 2014
    The most substantial may be that innovative fiction knows what it is, that someone like me could define it in any productive way, that innovative fiction might somehow be one thing, or somehow consistent through time and space. None of these is the case. That’s exactly what I find most exciting about writing it, reading it, thinking about it. Innovative fict […]
  • The Ants by Sawako Nakayasu September 15, 2014
    In The Ants, we receive a study of existence through ants. That is, there are ants everywhere, ants substituted in every segment of the landscape, yet their behavior seems to reveal something altogether human. Too human. The ants are crushed and disappointed. They are warm and many. They are involved in gang wars and live inside carrot cake. The unique quali […]

Two Pans

Another high-profile pan for David Mitchell’s newest. I think Mitchell is pretty seriously overrated, but most people in the media and the industry seem to love him. (I can still recall the enormous lines at BEA to grab a prized galley . . .) So it’s interesting that a book with this much hype and PR muscle behind it can have such a blemished debut. Doesn’t happen often.

What goes wrong? In part, The Bone Clocks falls apart in the same way all supernatural and horror stories fall apart: It shows the monster, and once it shows the monster, everything becomes less sinister, and more ludicrous. In Cloud Atlas, the mystery remained off-screen, subtle and spooky. It’s hard to even say what the magic in Cloud Atlas was, but every reader knew it was there. The Bone Clocks is explicit: The various neurological techniques of the immortals are described in precise and tedious detail. Its villains are comic-book-evil. The final showdown against the baddies even includes a force field. It’s blue! Everything is explained, which dissolves the mystery and guts the magic.

The Bone Clocks is a heavy book that should have been light. In some ways a better comparison than Cloud Atlas is Nick Harkaway’s 2012 novel Angelmaker, raved in Slate. Angelmaker also explored time, clocks, immortality, and magic with an epic sweep. But Angelmaker was genre fiction. It only wanted to have fun. Too often, Mitchell doesn’t. As he piles on the neologisms and capital letters, the metaphors and adjectives, you can almost hear him telling himself: I’m a Booker short-listed writer. He is burdened with portent. Everything Means Something. On Page 8, a child draws a labyrinth and urges another child to study it. Does it take a Horologist to figure out that labyrinth will reappear at a key moment later in the book?

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  1. How to Make a David Mitchell Novel Sound Terrible Let the PR flacks at Random House write about him. “The Bone Clocks” will be, Random House writes, “a stunning epic that follows Holly Sykes,...
  2. Underworld is In the Back Seat I’ve had to give Underworld a bit of a break in order to make way for Cloud Atlas. It’s not that I wasn’t enamored of...
  3. More Cloud Atlas It was bound to happen. The NYTBR checks in with a Cloud Atlas review. The review itself is alright, although it’s pretty short given that...
  4. A Little More on Cloud Atlas (Why Not?) Cloud Atlas seems to be the book of the moment and people seem to like talking about it, so I’m going to put down a...
  5. Cloud Atlas Done, Underworld back on top Well, I’ve finished with Cloud Atlas, and now I’m turning back to finish the last 200 pages or so of Underworld. I have a few...

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6 comments to Two Pans

  • It’s true that this is far from Mitchell’s best work, and that the epic good-versus-evil stuff isn’t well done at all, but what none of these reviews acknowledges is that the book doesn’t rely on that. The most interesting thing about the novel is that it focuses on a woman who’s peripherally involved in all that but then has to struggle on afterward back in normality. The bizarre cosmology is ultimately inconsequential, and Mitchell seems to know that.

  • At last with James Wood’s review, you get a sense that the man read it. But this Plotz “review” doesn’t reflect that at all. Complaining about capitalized names or plot without offering any specific beefs beyond snarky reductionism is not especially helpful for the reader and indicative of the disgraceful knee-jerk “cultural vegetables” frat boy hard line promulgated by morons like Dan Kois. And as James notes above, the book really succeeds near the end, where the notion of moving forward in a very difficult reality, where climate change is confronted in a way that you don’t often see in novels thee days, becomes an uncommon act of grace.

  • C

    Dork lit. Metaphysical mumbo jumbo for people who like to take warm baths while listening to Sigur Ros. Mitchell is a one trick pony whose one trick is to convince you that he has more than one trick.

  • admin

    C,

    That is possibly my favorite comment that has ever been on this blog.

    Scott

  • Andrija F.

    I gave up on page 70. I’m (not so) slightly offended that I’m supposed to take something like this seriously: “Using the brother as bait was clever, but look what you’re reduced to now, Horologist. Trying to hide in this slut-gashed bone clock. Xi Lo would shudder! Holokai would puke! If, of course, they were alive, which,” he sneers, “they are not, after your midnight raid went horribly, horribly awry. Did you think the Shaded Way has never heard of burglar alarms? Did you not know the Chapel is the Cathar and the Cathar is the Chapel? Holokai’s soul is ash. Xi Lo’s soul is nothing. And you, whichever you are, you fled. As per your sacred Script, no doubt. We love your Script. Thanks to your Script, Horology is finished. This is a great day for Carnivores everywhere. Without Xi Lo and Holokai, what are you? A troupe of conjurers, mind readers, and spoon benders.”

  • P.T. Smith

    C.

    I pretty much agree, and feel the same way about Murakami. It’s just that sometimes, every once in a while, that’s the reading experience I want and I’ll find it very enjoyable without thinking he’s got another trick. I may not think much of it, but it’ll satisfy me before I return to books that matter more/do more.

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