The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

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Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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Fall Read: The Tunnel by William H. Gass

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Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

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Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

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Ten Memorable Quotes from William Gaddis’ Letters

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Here are ten of my favorite moments from these hugely interesting letters.

Interviews from Conversational Reading

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See this page for interviews with leading authors, translators, publishers, and more.

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    Lance Olsen is the author of two recent works, [[there.]] and Theories of Forgetting (FC2). The second presents three narratives in a clearly fictional mode while the first offers day-to-day thoughts on living in another country. We rightly suspect that any artist’s memoir or diary ought to be viewed as written with a prospective public in mind, no matter ho […]
  • Noir and Nihilism in True Detective December 15, 2014
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  • The Colonel’s World December 15, 2014
    Mahmoud Dowlatabadi (born 1940) is considered by many the living Iranian novelist, a perennial Nobel Prize candidate. Dowlatabadi wrote The Colonel some thirty years ago, because in his own words he had been “afflicted.” The subject forced him to sit at the desk and write nonstop for two years. “Writing The Colonel I felt a strong sense of indignation and pa […]
  • Mr Gwyn and Three Times at Dawn by Alessandro Baricco December 15, 2014
    Alessandro Baricco’s well-crafted, elegant prose seems as though it should create the impression of distance, or of abstraction; instead, the reader of Mr. Gwyn and Three Times at Dawn becomes wholly implicated and immersed, drawn into a dreamy and idiosyncratic world that blurs the division between reader, character and writer. As readers, we expect that th […]
  • The Walls of Delhi by Uday Prakash December 15, 2014
    "The paan shop leads to the opening of a tunnel, full of the creatures of the city, and the tears and spit of a fakir." In a single opening line, Uday Prakash sets the scene for the politically incisive, yet intimately human stories of The Walls of Delhi (translated brilliantly from the Hindi by Jason Grunebaum). Lest the fakir suggest otherwise, t […]
  • The Man Between: Michael Henry Heim and a Life in Translation December 15, 2014
    In a speech reprinted in the book, Heim makes a self-deprecating joke about whether the life of a translator is worth reading: “What does a translator do? He sits and translates!” The Man Between serves as a book-length retort by laying bare all the things Heim did: these include persuading the academy that translation is a scholarly (in addition to a creati […]
  • The Prabda Yoon Interview December 15, 2014
    Yes, I think people are not comfortable anymore to write in this straightforward, traditional way, especially the younger, more progressive writers. So it’s interesting—you have social commentary, and you also get a little bit of structural experiment. You have themes that are very, very Thai. I’m actually very interested to see what new writers will come up […]
  • The End of Days by Jenny Erpenbeck December 15, 2014
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  • In the Heart of the Heart of the Country by William H. Gass December 15, 2014
    Once, at a writers symposium, William Howard Gass remarked that to substitute the page for the world is a form of revenge for the recognition that "you are, in terms of the so-called world, an impotent nobody." There is inarguably no contemporary writer of American stock in whose work one might locate a more ambitious war of attrition between innov […]
  • Faces in the Crowd by Valeria Luiselli December 15, 2014
    Luiselli’s first novel, Faces in the Crowd, translated into fluid English by Christina MacSweeney, is the perfect illustration of this attitude toward fiction writing. Narrated in short sections spanning multiple storylines and the better part of one hundred years, it uses "[d]eep excavations" to expose the empty spaces in two lives, those of a you […]

Two Pans

Another high-profile pan for David Mitchell’s newest. I think Mitchell is pretty seriously overrated, but most people in the media and the industry seem to love him. (I can still recall the enormous lines at BEA to grab a prized galley . . .) So it’s interesting that a book with this much hype and PR muscle behind it can have such a blemished debut. Doesn’t happen often.

What goes wrong? In part, The Bone Clocks falls apart in the same way all supernatural and horror stories fall apart: It shows the monster, and once it shows the monster, everything becomes less sinister, and more ludicrous. In Cloud Atlas, the mystery remained off-screen, subtle and spooky. It’s hard to even say what the magic in Cloud Atlas was, but every reader knew it was there. The Bone Clocks is explicit: The various neurological techniques of the immortals are described in precise and tedious detail. Its villains are comic-book-evil. The final showdown against the baddies even includes a force field. It’s blue! Everything is explained, which dissolves the mystery and guts the magic.

The Bone Clocks is a heavy book that should have been light. In some ways a better comparison than Cloud Atlas is Nick Harkaway’s 2012 novel Angelmaker, raved in Slate. Angelmaker also explored time, clocks, immortality, and magic with an epic sweep. But Angelmaker was genre fiction. It only wanted to have fun. Too often, Mitchell doesn’t. As he piles on the neologisms and capital letters, the metaphors and adjectives, you can almost hear him telling himself: I’m a Booker short-listed writer. He is burdened with portent. Everything Means Something. On Page 8, a child draws a labyrinth and urges another child to study it. Does it take a Horologist to figure out that labyrinth will reappear at a key moment later in the book?

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  1. How to Make a David Mitchell Novel Sound Terrible Let the PR flacks at Random House write about him. “The Bone Clocks” will be, Random House writes, “a stunning epic that follows Holly Sykes,...
  2. Underworld is In the Back Seat I’ve had to give Underworld a bit of a break in order to make way for Cloud Atlas. It’s not that I wasn’t enamored of...
  3. More Cloud Atlas It was bound to happen. The NYTBR checks in with a Cloud Atlas review. The review itself is alright, although it’s pretty short given that...
  4. A Little More on Cloud Atlas (Why Not?) Cloud Atlas seems to be the book of the moment and people seem to like talking about it, so I’m going to put down a...
  5. Cloud Atlas Done, Underworld back on top Well, I’ve finished with Cloud Atlas, and now I’m turning back to finish the last 200 pages or so of Underworld. I have a few...

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6 comments to Two Pans

  • It’s true that this is far from Mitchell’s best work, and that the epic good-versus-evil stuff isn’t well done at all, but what none of these reviews acknowledges is that the book doesn’t rely on that. The most interesting thing about the novel is that it focuses on a woman who’s peripherally involved in all that but then has to struggle on afterward back in normality. The bizarre cosmology is ultimately inconsequential, and Mitchell seems to know that.

  • At last with James Wood’s review, you get a sense that the man read it. But this Plotz “review” doesn’t reflect that at all. Complaining about capitalized names or plot without offering any specific beefs beyond snarky reductionism is not especially helpful for the reader and indicative of the disgraceful knee-jerk “cultural vegetables” frat boy hard line promulgated by morons like Dan Kois. And as James notes above, the book really succeeds near the end, where the notion of moving forward in a very difficult reality, where climate change is confronted in a way that you don’t often see in novels thee days, becomes an uncommon act of grace.

  • C

    Dork lit. Metaphysical mumbo jumbo for people who like to take warm baths while listening to Sigur Ros. Mitchell is a one trick pony whose one trick is to convince you that he has more than one trick.

  • admin


    That is possibly my favorite comment that has ever been on this blog.


  • Andrija F.

    I gave up on page 70. I’m (not so) slightly offended that I’m supposed to take something like this seriously: “Using the brother as bait was clever, but look what you’re reduced to now, Horologist. Trying to hide in this slut-gashed bone clock. Xi Lo would shudder! Holokai would puke! If, of course, they were alive, which,” he sneers, “they are not, after your midnight raid went horribly, horribly awry. Did you think the Shaded Way has never heard of burglar alarms? Did you not know the Chapel is the Cathar and the Cathar is the Chapel? Holokai’s soul is ash. Xi Lo’s soul is nothing. And you, whichever you are, you fled. As per your sacred Script, no doubt. We love your Script. Thanks to your Script, Horology is finished. This is a great day for Carnivores everywhere. Without Xi Lo and Holokai, what are you? A troupe of conjurers, mind readers, and spoon benders.”

  • P.T. Smith


    I pretty much agree, and feel the same way about Murakami. It’s just that sometimes, every once in a while, that’s the reading experience I want and I’ll find it very enjoyable without thinking he’s got another trick. I may not think much of it, but it’ll satisfy me before I return to books that matter more/do more.

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