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Shop at Amazon though these links and this site gets a kickback.
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Underworld Movie?
In an interesting article on so-called unfilmmable books, it is revealed that the movie rights to Don DeLillo’s mammoth masterpiece, Underworld, have long been owned:
The British company formed a pact with American producer Scott Rudin, who has made something of a specialty of making movies of books deemed unfilmable — his resume includes "The Hours" (2002), "No Country for Old Men" (2007) and "Angela’s Ashes" (1999). Rudin reportedly paid Don DeLillo $1 million for the rights to the writer’s mammoth, century-spanning masterpiece "Underworld" when it was published in 1998, though that remains unfilmed.
Also, seems that the Revolutionary Road adaptation has been good for business:
Last Sunday, a novel that
sold fewer than 10,000 copies when it was first published in 1961
debuted in the No. 20 slot of The New York Times paperback bestseller
list and it is likely to move higher during the next few weeks.
That’s one way to sell books.
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Recommended Books DeLillo's major work before White Noise is probably his most underrated novel. Its all right here--the politics of paranoia, terrorism, the unnamable--set in an evocative, timeless Greece.
The most bizarre Abe novel I've yet read, which is indeed saying something. About a subclass of Japanese men who go around wearing boxes from the waist up (and then use them as domiciles in the evening), the book is also an experiment in perspective shifts, a highly unstable, metafictional first-person narrative, and an exploration of voyeurism, consumerism, and aberrant sexuality.
Charting the path to three gunshots--the one that killed filmmaker Theo Van Gogh, the one that disabled his Islamic extremist assassin, Mohammed Bouyeri, and the one that led to Vincent Van Gogh’s one hundred years earlier--Olsen tells three separate stories that resonate with one another on numerous levels: the logic of extremism, the role of the dissident in Dutch society, the limits of tolerance, the purpose of the artist, the feeling of the most important five minutes of your life. Read my interview with the author.
Creatively structured, well-executed epic novel of rural South Africa from 1950 - 2000. Takes on a lot and lives up to it magnificently. Highly recommended.
A book that's an interview about the book you're supposedly holding in your hands. Creative, potent, and full of life. Just what metafiction should be. Read my post on it.
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I don’t know how anyone could call “No Country for Old Men” unfilmable. It’s basically a screenplay with some poetic exposition thrown in.