Recent Posts

  • If you can’t sell books, sell teddy bears September 3, 2010
    Or that seems to be Borders’ solution to its constant financial problems, at least for the time being until the next quarter with lower than expected sales.  Really, the problem with Borders is that it lost its identity about eight or so years ago when it decided to become a shadow of Barnes & Noble.   [...] […]
    Soo Jin Oh
  • Reflections on Rockwell September 3, 2010
    In recent years, fans of Norman Rockwell, with the assistance of some art historians, have attempted to lift him into the canon of high art. As a fan of midcentury American illustration, I don’t really care how he is assessed on that scale: like the recurring fantasy that underlies so much of our politics of [...] […]
    Levi Stahl
  • A Taste of Cherry in a Heat Wave September 3, 2010
    I’ve been thinking a lot about heat waves. The thick summer weather has felt like a wall of fire that must be bravely pushed through to order to exit from an air conditioned office building and make my way to the corner to board a bus crowded with sweaty citizens. So perhaps it’s no surprise that [...] […]
    Carrie Olivia Adams
  • The Ballad of David Markson September 3, 2010
    "What’s not so up for dispute is that Markson accomplished what, by all rights, should be a literary impossibility." (Colin Marshall for The Millions) […]
    Jeff Waxman
  • Gass-X September 3, 2010
    "Ich liebe dich. No sentence pronounced by a judge could be more threatening. It means that you are about to receive a gift you may not want." Via Dylan Suher, Greg Gerke's sort-of review of William H. Gass's Reading Rilke in BIG OTHER. […]
    Jeff Waxman

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Group Reads

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

Starting Sept 19, read one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

  • In Homer’s Head: Ransom by David Malouf
    In Ransom, Malouf satisfyingly gives us a meeting between Priam and Achilles that builds from the interiority of Priam. The novel seems to want to teach the importance of doing something human to those who might never get around to picking up Homer or who, if they do, might wish they could get into the character's heads. […]
  • How Jeanette Winterson Makes Fiction
    Winterson has always told and retold the same fictions: of parents and children; of origins, and adoptions; of differences, of margins; of love; of passion; she has always manipulated rhythm and language as an excavation of sources. Much of her fiction mirrors what we know of Winterson's own story, but she agitates against the idea that her work has to […]
  • Inveterate and Unrepentant Book Collecting: A Guide to My Favorite Contact Sport
    It's difficult to pin down exactly why books as objects mean so much to me. I wasn't alive when William Goyen's excellent Come, The Restorer was published, but owning an original printing with the dust jacket—as it would have been purchased at the time of its release—makes the book more special to me than some beat-up paperback rei […]
  • The Master of the Not Quite: The Broken Estate: Essays on Literature and Belief by James Wood
    Wood can be harsh, yes, but he is seldom unfair. Wyatt Mason was wrong to accuse him of having suggested, by dint of a string of negative reviews, that no good contemporary literature exists. (He has written favorably of McEwan, Bolaño, Robinson, Ozick, Kirsch, Sebald, Roth, Saramago, Swift, Carey.) He never simply dismisses a writer (in the manor of, s […]

Updike on Books

Updike on Books

I wouldn’t have thought I would agree with John "I Hate the Internet" Updike. But, actually, I do. Authors that are truly worth reading take years and years to put down each and every one of their words in just the right order. Kevin Kelly, and any other futurists beside themselves with the potential of technology to "transform" our world need, to respect that.

In my first 15 or 20 years of authorship, I was almost never asked to give a speech or an interview. The written work was supposed to speak for itself, and to sell itself, sometimes even without the author’s photograph on the back flap. As the author is gradually retired from his old responsibilities of vicarious confrontation and provocation, he has grown in importance as a kind of walking, talking advertisement for the book — a much more pleasant and flattering duty, it may be, than composing the book in solitude. Authors, if I understand present trends, will soon be like surrogate birth mothers, rented wombs in which a seed implanted by high-powered consultants is allowed to ripen and, after nine months, be dropped squalling into the marketplace.

In imagining a huge, virtually infinite wordstream accessed by search engines and populated by teeming, promiscuous word snippets stripped of credited authorship, are we not depriving the written word of its old-fashioned function of, through such inventions as the written alphabet and the printing press, communication from one person to another — of, in short, accountability and intimacy? . . .

The printed, bound and paid-for book was — still is, for the moment — more exacting, more demanding, of its producer and consumer both. It is the site of an encounter, in silence, of two minds, one following in the other’s steps but invited to imagine, to argue, to concur on a level of reflection beyond that of personal encounter, with all its merely social conventions, its merciful padding of blather and mutual forgiveness.

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2 comments to Updike on Books

  • Oh, thats just lovely

    John Updike has been taking it on the chin lately for his lamentable Net clueness. I can understand the impatience of the impatient, but John still has a wonderful (even if it might be considered old fashioned) grasp of the relationship between…

  • Everyone, including especially Updike, needs to take a deep breath and look more closely at what Kevin Kelly had to say. “Digitizing” books applies mostly to nonfiction, particularly nonfiction that’s long on “information.” Almost all commentators on the digital future are quick to point out that novels will continue to be used in the old way and that the “wordstream” mostly flows right by works of fiction and other kinds of books where the kind of integrity Updike talks about is likely to be untouched.

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