I wouldn’t have thought I would agree with John "I Hate the Internet" Updike. But, actually, I do. Authors that are truly worth reading take years and years to put down each and every one of their words in just the right order. Kevin Kelly, and any other futurists beside themselves with the potential of technology to "transform" our world need, to respect that.
In my first 15 or 20 years of authorship, I was almost never asked to give a speech or an interview. The written work was supposed to speak for itself, and to sell itself, sometimes even without the author’s photograph on the back flap. As the author is gradually retired from his old responsibilities of vicarious confrontation and provocation, he has grown in importance as a kind of walking, talking advertisement for the book — a much more pleasant and flattering duty, it may be, than composing the book in solitude. Authors, if I understand present trends, will soon be like surrogate birth mothers, rented wombs in which a seed implanted by high-powered consultants is allowed to ripen and, after nine months, be dropped squalling into the marketplace.
In imagining a huge, virtually infinite wordstream accessed by search engines and populated by teeming, promiscuous word snippets stripped of credited authorship, are we not depriving the written word of its old-fashioned function of, through such inventions as the written alphabet and the printing press, communication from one person to another — of, in short, accountability and intimacy? . . .
The printed, bound and paid-for book was — still is, for the moment — more exacting, more demanding, of its producer and consumer both. It is the site of an encounter, in silence, of two minds, one following in the other’s steps but invited to imagine, to argue, to concur on a level of reflection beyond that of personal encounter, with all its merely social conventions, its merciful padding of blather and mutual forgiveness.




A Note on Links
More Essays by Milan
Speaking of Distraction
The Shallows by Nicholas Carr
Another Review of The Novel: An Alternative History
The Orange Eats Creeps
The Unconsoled and the Annihilation of Plot




The Names by Don DeLillo (1982)
The Box Man by Kobo Abe (1973, English 1974)
Head in Flames by Lance Olsen (2009)
Agaat by Marlene van Niekerk (2006, English 2010)
The Weather Fifteen Years Ago by Wolf Haas (2006, English 2009)
Oh, thats just lovely
John Updike has been taking it on the chin lately for his lamentable Net clueness. I can understand the impatience of the impatient, but John still has a wonderful (even if it might be considered old fashioned) grasp of the relationship between…
Everyone, including especially Updike, needs to take a deep breath and look more closely at what Kevin Kelly had to say. “Digitizing” books applies mostly to nonfiction, particularly nonfiction that’s long on “information.” Almost all commentators on the digital future are quick to point out that novels will continue to be used in the old way and that the “wordstream” mostly flows right by works of fiction and other kinds of books where the kind of integrity Updike talks about is likely to be untouched.