The End of Oulipo? The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide.
Lady Chatterley’s Brother Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series,  called “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.
Available now from Amazon, Barnes & Noble, and direct from this site:
Translate This Book! Ever wonder what English is missing? Called "a fascinating  read" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.
|
Shop though these links = Support this site
|
Values
Over at Unbridled’s blog, publisher Fred Ramsey has an interesting reaction to the recent talk of literary values on this and other blogs.
The LitBloggers’ desire to explain what they value is the same desire that authors have. Indeed, I think it’s the desire the world has now — especially in the face of people who don’t seem to value anything but power. The desire to define values is a desire that motivates a goodly number of readers . . . because it’s important. . . .
What I want to say here is that fiction can break wide open the question of what we value.
Two things here definitely ring true for me. First, the part about literary values being important. Yes. As readers we all develop our own personal tastes, and part of the fun of talking about books is debating my set of literary values against yours. This is very important to me, otherwise I wouldn’t feel like arguing with you about it.
The second thing is the idea of fiction breaking open the idea of what we value. One thing I forgot to mention when when I wrote my post on literary values was that they’re constantly changing. And what changes them? The books I read, especially those occasional, fantastic ones that feel like nothing I’ve ever read before.
You Might Also Like:
More from Conversational Reading: - Interview Kazuo Ishiguro gets interviewed by Spiegel. SPIEGEL ONLINE: What does it mean to be an international writer? Ishiguro: Well, one important aspect is that if...
- Et Tu James Wood? Jeanette Winterson on narrative in literature: I think the Anglo-American tradition is much more linear than the European tradition. If you think about writers like...
- Summer Reading We in the Northern Hemisphere are edging closer and closer to the summer months (you can tell the Bay Area is making its seasonal run...
- Lost Classics Looking to one-up your literary friends who think they’ve read everything worth reading? Ready to find that bit of literary insight and inspiration that’s gone...
Related posts brought to you by Yet Another Related Posts Plugin.
Leave a Reply
|
Recommended Books DeLillo's major work before White Noise is probably his most underrated novel. Its all right here--the politics of paranoia, terrorism, the unnamable--set in an evocative, timeless Greece.
The most bizarre Abe novel I've yet read, which is indeed saying something. About a subclass of Japanese men who go around wearing boxes from the waist up (and then use them as domiciles in the evening), the book is also an experiment in perspective shifts, a highly unstable, metafictional first-person narrative, and an exploration of voyeurism, consumerism, and aberrant sexuality.
Charting the path to three gunshots--the one that killed filmmaker Theo Van Gogh, the one that disabled his Islamic extremist assassin, Mohammed Bouyeri, and the one that led to Vincent Van Gogh’s one hundred years earlier--Olsen tells three separate stories that resonate with one another on numerous levels: the logic of extremism, the role of the dissident in Dutch society, the limits of tolerance, the purpose of the artist, the feeling of the most important five minutes of your life. Read my interview with the author.
Creatively structured, well-executed epic novel of rural South Africa from 1950 - 2000. Takes on a lot and lives up to it magnificently. Highly recommended.
A book that's an interview about the book you're supposedly holding in your hands. Creative, potent, and full of life. Just what metafiction should be. Read my post on it.
|
You Say