The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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  • 20 Books at 3820 Books at 38

    I'm surprised to learn Andres Newman is so young. Also, great overview of his books in English. Andrés Neuman is... »
  • The Future ModianoThe Future Modiano

    The Complete Review has the details of the future Englishing of our most recent Nobel laureate. And also, sales figures. For... »
  • Quarterly Conversationi Issue 38Quarterly Conversationi Issue 38

    Issue 38 right here. or TOC after the jump. Features Readings, Fragments,... »
  • On KafkaOn Kafka

    Rivka Galchen on the new Kafka bio by Reiner Stach. I have come to the conclusion that anyone who thinks about Kafka for... »
  • Me on ModianoMe on Modiano

    My review of Suspended Sentences by Patrick Modiano. The most focused of the book’s three diffuse novellas is... »
  • Elena Ferrante InterviewedElena Ferrante Interviewed

    At the NY TImes. I'm currently reading Book 1. Q. You insist on anonymity and yet are developing a cult following,... »
  • Infinite FictionsInfinite Fictions

    Buy David Winters's book.... »
  • Tarr After the HorseTarr After the Horse

    At BOMB: A couple of months after that, in February 2011, Béla Tarr presented the world premiere of The Turin Horse at... »
  • Bolaño: A BiographyBolaño: A Biography

    This is a pretty fair assessment of Bolaño: A Biography. Denied access to papers in the Bolaño estate, the Argentine... »
  • Literary AdvocatesLiterary Advocates

    Very honored to be among the esteemed list of "Literary Advocates" named by Entropy magazine for 2014. The list of... »

You Say

Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

Shop though these links = Support this site


Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • [[there.]] by Lance Olsen December 15, 2014
    Lance Olsen is the author of two recent works, [[there.]] and Theories of Forgetting (FC2). The second presents three narratives in a clearly fictional mode while the first offers day-to-day thoughts on living in another country. We rightly suspect that any artist’s memoir or diary ought to be viewed as written with a prospective public in mind, no matter ho […]
  • Noir and Nihilism in True Detective December 15, 2014
    "It’s just one story. The oldest. . . . Light versus dark." Spanning 8 episodes between January and March of 2014, HBO’s runaway hit True Detective challenged the status quo of contemporary crime drama. The show has been widely celebrated for its philosophy, complexity, and visual aesthetic. Co-starring actors Matthew McConaughey as Rustin "Ru […]
  • The Colonel’s World December 15, 2014
    Mahmoud Dowlatabadi (born 1940) is considered by many the living Iranian novelist, a perennial Nobel Prize candidate. Dowlatabadi wrote The Colonel some thirty years ago, because in his own words he had been “afflicted.” The subject forced him to sit at the desk and write nonstop for two years. “Writing The Colonel I felt a strong sense of indignation and pa […]
  • Mr Gwyn and Three Times at Dawn by Alessandro Baricco December 15, 2014
    Alessandro Baricco’s well-crafted, elegant prose seems as though it should create the impression of distance, or of abstraction; instead, the reader of Mr. Gwyn and Three Times at Dawn becomes wholly implicated and immersed, drawn into a dreamy and idiosyncratic world that blurs the division between reader, character and writer. As readers, we expect that th […]
  • The Walls of Delhi by Uday Prakash December 15, 2014
    "The paan shop leads to the opening of a tunnel, full of the creatures of the city, and the tears and spit of a fakir." In a single opening line, Uday Prakash sets the scene for the politically incisive, yet intimately human stories of The Walls of Delhi (translated brilliantly from the Hindi by Jason Grunebaum). Lest the fakir suggest otherwise, t […]
  • The Man Between: Michael Henry Heim and a Life in Translation December 15, 2014
    In a speech reprinted in the book, Heim makes a self-deprecating joke about whether the life of a translator is worth reading: “What does a translator do? He sits and translates!” The Man Between serves as a book-length retort by laying bare all the things Heim did: these include persuading the academy that translation is a scholarly (in addition to a creati […]
  • The Prabda Yoon Interview December 15, 2014
    Yes, I think people are not comfortable anymore to write in this straightforward, traditional way, especially the younger, more progressive writers. So it’s interesting—you have social commentary, and you also get a little bit of structural experiment. You have themes that are very, very Thai. I’m actually very interested to see what new writers will come up […]
  • The End of Days by Jenny Erpenbeck December 15, 2014
    For Jenny Erpenbeck, no life is lived in an indisputable straight line. Which is why, in her new novel (new in English, though published in 2012 as Aller Tage Abend) she approaches the narrative as a series of potential emotional earthquakes, some which take place, some which might have taken place, all of which reveal something of how political turbulence p […]
  • In the Heart of the Heart of the Country by William H. Gass December 15, 2014
    Once, at a writers symposium, William Howard Gass remarked that to substitute the page for the world is a form of revenge for the recognition that "you are, in terms of the so-called world, an impotent nobody." There is inarguably no contemporary writer of American stock in whose work one might locate a more ambitious war of attrition between innov […]
  • Faces in the Crowd by Valeria Luiselli December 15, 2014
    Luiselli’s first novel, Faces in the Crowd, translated into fluid English by Christina MacSweeney, is the perfect illustration of this attitude toward fiction writing. Narrated in short sections spanning multiple storylines and the better part of one hundred years, it uses "[d]eep excavations" to expose the empty spaces in two lives, those of a you […]

Weekend Content

Blake

Recreating a Disaster–William Blake at the Tate:

"Blotted and blurred and very badly drawn," sneered the Examiner – which, with its progressive politics, was in some ways the Guardian of its day. "The poor man fancies himself a great master, and has painted a few wretched pictures." The critic – the only reviewer of Blake’s 1809 exhibition – reserved, if possible, a more splenetic vocabulary for the catalogue, which Blake also wrote. "A farrago of nonsense, unintelligibleness, and egregious vanity, the wild effusions of a distempered brain," the Examiner thundered.

History has been kinder to the poet, painter, printmaker and visionary than contemporary opinion. Now Tate Britain is to recreate that disastrous exhibition – exactly 200 years after it was staged in 1809 – and will bring together at least nine of the surviving 11 works from the 16 in the original show. It will also republish Blake’s Descriptive Catalogue, now regarded as a fascinating and significant commentary on the London art world of his day. The 1809 exhibition, held in Golden Square, Soho, proved a turning point in the artist’s career. Embittered by its appalling reception, he withdrew even more from the art world into solitary eccentricity.

CONTEXT, Towards an Infinitesimal Novel: An Interview with Jean-Philippe Toussaint:

JPT: Yes, you’re right, it’s a manifesto, a program. I don’t know how aware of this I was. But still, it took me over a month to write the first paragraph. I still know it by heart. “It was at about the same time in my life, a calm life in which ordinarily nothing happened, that two events coincided, events that, taken separately, were of hardly any interest, and that, considered together, were unfortunately not connected in any way.” It’s a very radical opening, and it really is having fun with the readers. Here I am, a thirty-year-old writer saying: “What I’m about to tell you is absolutely irrelevant.” In other words: “I’m about to make you feel foolish.” It’s a very impertinent opening. I’m responding very offhandedly to Kafka’s famous aphorism: “In the fight between you and the world, back the world,” with “In the fight between you and reality, be discouraging.” So yes, it’s a manifesto, but it isn’t a theoretical essay or piece; it’s there, in the book itself, in the opening paragraph of the book, as a theory in action. Underlying my novel is, although it isn’t expressed theoretically, an idea of literature focused on the insignificant, on the banal, on the mundane, the “not interesting,” the “not edifying,” on lulls in time, on marginal events, which are usually excluded from literature and are not dealt with in books.

CONTEXT, Reading Stanley Crawford’s Log of the S.S. The Mrs Unguentine:

But while most of Crawford’s contemporaries were staging their loveless, white-knuckle relationship fiction in a spume of alcohol, boxed up in fresh suburban sheet rock, Crawford put his unhappily married couple, the Unguentines, to sea, rendered them as solitary (if not so innocent) as Adam and Eve, and he cursed them to be so awkwardly fit for human behavior that every kind of congress had to be reinvented and mythologized anew. If The Mrs Unguentine is so large and equipped it seems more like an island, it is also a floating stage for human experimentation, beyond the strictures of society, and the novel itself is a playbook for rethinking just what two people are supposed to do together when most of the livable world is out of reach. And to make their dilemma special, so we could see the nosedive of the Unguentines’ failed love through a crystal lens that Crawford ground himself from his own blend, he canopied the bad marriage with a fantastical dome, a literary invention so beautiful it doesn’t hog the spotlight so much as become a kind of distorted monocle through which to see this experiment in isolation, gardening, and love go terribly, terribly wrong.

60 Great Books in 60 Days, and, of course, blogging it.

In case you missed it, my favorite reads of 2008. These are all fiction, but at Ready Steady Book’s year-end "symposium" I’ll be mentioning some of my favorite reads from the critical sphere.

More from Conversational Reading:

  1. Weekend Content Jean-Luc Godard Louise Bourgeois How to Write About Africa: In your text, treat Africa as if it were one country. It is hot and dusty...
  2. Weekend Content The Jewish Quarterly, "Irène Némirovsky and the Death of the Critic" by Tadzio Koelb. The rebirth of the author becomes the death of the critic:...
  3. Weekend Content Joan Miro: “I want to assassinate painting. I intend to destroy, destroy everything that exists in painting. I have utter contempt for painting.” NYRB:...
  4. Weekend Content LRB, Double Thought by Michael Wood, which weighs whether or not Kafka’s office work was a wellspring of his fiction: Where did Kafka learn to...
  5. Weekend Content Graphic Notation Arnold Schoenberg The introduction to a recently published translation of writings Kafka made in conjunction with his professional employment: To come to grips...

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