The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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  • A Little Lumpen NovelitaA Little Lumpen Novelita

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    Here it is. If you're the kind that doesn't like to just jump into things, full TOC after the... »
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You Say

Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

Shop though these links = Support this site


Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • Those Who Leave and Those Who Stay by Elena Ferrante September 16, 2014
    Few novelists have captured the rhythms and flow of life with the veracity of Elena Ferrante in her Neapolitan Novels. Following the friendship between Elena Greco and Lila Cerullo from childhood to old age, the tetralogy spans fifty years; over the course of that time, no emotion is too small, too dark, too banal to be recorded. No expense, so to speak, is […]
  • Trieste by Daša Drndić September 15, 2014
    As Drndić reiterates throughout the novel, “Behind every name there is a story.” And Haya Tedeschi’s story is draped in death. Born to a Jewish family that converted to Catholicism and tacitly supported the Fascists in Italy, Haya was a bystander to the Holocaust. She attended movies while Jews and partisans were transported to concentration camps; she pored […]
  • The Tree With No Name by Drago Jančar September 15, 2014
    At the opening of chapter 87—the first chapter found in The Tree with No Name—Janez Lipnik finds himself up a tree, shoeless, and lost in the Slovenian countryside. He makes his way to a house where he is taken in by a woman teacher who is waiting for her lover, a soldier. It becomes clear we are at the height of World War II. Soon after, we follow Lipnik […]
  • Kjell Askildsen, Selected Stories September 15, 2014
    Here, at the midpoint of his narrative, Bernhard, the affectless and purposeless protagonist of "The Unseen," experiences existential near-emancipation at dusk. This retreat toward obscurity in terse, direct language—thematic and stylistic markers of each work in the collection—comes immediately after Bernhard’s sister mentions her plans to enterta […]
  • Berlin Now by Peter Schneider September 15, 2014
    In his new book of essays, Berlin Now, Peter Schneider reveals himself as a gnarled Cold Warrior who has been stricken with many of the maladies common to his generation. With the specter of Communism exorcized, his new enemy is Islam. The book is a collection of short interlocking pieces introducing Anglophone readers to Berlin; it is not being published in […]
  • Paris by Marcos Giralt Torrente September 15, 2014
    In 1999, Marcos Giralt Torrente’s debut novel, Paris, was awarded the XVII Premio Herralde de Novela prize. Despite his success, it took fourteen years for Giralt’s work to appear in English, with the story collection The End of Love arriving in 2013. Now, this year sees the publication of two more books by Giralt: Paris, translated by Margaret Jull Costa, a […]
  • 10:04 by Ben Lerner September 15, 2014
    “It seemed that the [New Yorker] story—which was in part the result of my dealing with the reception of my novel—had been much more widely received than the novel itself,” says the narrator of Ben Lerner’s second novel, 10:04. Perhaps this narrator is Lerner himself—at one point he describes 10:04, within its own pages, as “neither fiction nor nonfiction but […]
  • Theories of Forgetting by Lance Olsen September 15, 2014
    Lance Olsen’s Theories of Forgetting is a masterful work structured around Robert Smithson’s earthwork “The Spiral Jetty.” Olsen’s novel is comprised of three narrations, written each by a separate member of a family. The husband’s and wife’s texts progress in opposite directions across the book, with each page divided among these two inverted texts; though […]
  • An Interview with Lance Olsen September 15, 2014
    The most substantial may be that innovative fiction knows what it is, that someone like me could define it in any productive way, that innovative fiction might somehow be one thing, or somehow consistent through time and space. None of these is the case. That’s exactly what I find most exciting about writing it, reading it, thinking about it. Innovative fict […]
  • The Ants by Sawako Nakayasu September 15, 2014
    In The Ants, we receive a study of existence through ants. That is, there are ants everywhere, ants substituted in every segment of the landscape, yet their behavior seems to reveal something altogether human. Too human. The ants are crushed and disappointed. They are warm and many. They are involved in gang wars and live inside carrot cake. The unique quali […]

Why Did Carlos Say It?: Las Batallas en El Desierto / The Battles in the Desert Video


(This is the first in a recurring series that I am calling the Latin American Bookshelf. As my reading comes to be more and more consumed with translated literature, it becomes clearer and clearer that the non-U.S. literature I most enjoy comes from Latin America. So from time to time I’ll highlight what I consider to be essential Latin American literature, as well as works of nonfiction that I think provide useful context for understanding the it.)

To the best of my knowledge, this is a video put together by 8th grade students somewhere in Mexico. If you push play, the soundtrack you hear will be a song called "Las Batallas," written and performed by Cafe Tacuba, one of Mexico’s most popular pop music groups. The song is an homage to one of the canonical works of Mexican fiction, Las batallas en el desierto, The Battles in the Desert, by Jose Emilio Pacheco. (Pacheco is also well-known in Mexico as a poet.) It’s no coincidence that a class of eighth graders put together this video, as all Mexican students read this short novel, although they would probably do well to read it again as adults.

The lyrics to "Las batallas" start out like this:

Oye, Carlos, ¿por qué tuviste
que salirte de la escuela esta mañana?
Oye, Carlos, ¿por qué tuviste
que decirle que la amabas, a Mariana?

Oh Carlos, why did you have
To leave school that morning?
Oh Carlos, why did you have
To say you love her, to Mariana?

These lyrics reference the main action of the second half of Las batallas, which tells the story that leads to one of the most-pondered question in Mexican literature.

The first half of Las batallas, about 45 pages, is largely non-narrative. It sets the scene while describing, through the eyes of a grown man trying to see through the eyes of his childhood, a Mexico of the 1950s. This postwar period of intense economic growth, often referred to as The Mexican Miracle, a time of sharp economic growth, but also a time of growing social inequality and growing influence of U.S. culture on Mexican life.

In its episodic approach to childhood memories that intersect with historical realities, the first half of Las batallas becomes "a look at memory—individual and collective—and the way that collective memory fuses into history and national identity."

The second half marks a definite break, as the narration becomes far more personally involved with the life of the adolescent Carlos. As alluded to by Cafe Tacuba, and as you can see in the video, Carlos for some reason runs out of school one day to declare his love to his friend’s mother, Mariana. What at first seems a comical episode like many others from one’s youth suddenly spirals into unmitigated tragedy: strangely, many of the adults in Carlos’s life completely overreact to this simple mistake, Carlos is sent in for psychological testing, taken out of school, and separated from his friend and his mother. Years later, he comes across one of his old, impoverished school friends making a living off selling gum on a bus, who tells him that he heard that Mariana died but Carlos finds that when he tries to prove the rumor true or false that he can find no evidence that Mariana even existed. The story becomes a parable about lost childhoods, lost memories, lost chances, the impossibility of wandering back through your past.

And thus is born one of the great conundrums of 20th-century Mexican literature. What exactly happened? Did Mariana ever exist?

More from Conversational Reading:

  1. Murders in Ciudad Juarez–Art and Video If you know one thing about 2666, it’s probably that the plot circles around the murders of hundreds of women that have occurred in Ciudad...
  2. Video Games at the Library Somewhat horrifyingly, the New York Public Library is using something called "Game On @ the Library!" (the "@" must be so that you know it’s cool)...
  3. Friday Column: Reading in a Foreign Language I recently finished the first book I have ever read entirely in a language other than English. It was Las batallas en el desierto by...
  4. May Letras y Libres For the Spanish-reading among us, some interesting articles in the May issue of the Mexican magazine Letras y Libres. First off, just in time for...
  5. Mexico In a San Francisco Chronicle article, Monica Campbell explores some key problems facing Mexican literature. One of them sure sounds familiar: But the real problem...

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