The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

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Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • [[there.]] by Lance Olsen December 15, 2014
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  • Noir and Nihilism in True Detective December 15, 2014
    "It’s just one story. The oldest. . . . Light versus dark." Spanning 8 episodes between January and March of 2014, HBO’s runaway hit True Detective challenged the status quo of contemporary crime drama. The show has been widely celebrated for its philosophy, complexity, and visual aesthetic. Co-starring actors Matthew McConaughey as Rustin "Ru […]
  • The Colonel’s World December 15, 2014
    Mahmoud Dowlatabadi (born 1940) is considered by many the living Iranian novelist, a perennial Nobel Prize candidate. Dowlatabadi wrote The Colonel some thirty years ago, because in his own words he had been “afflicted.” The subject forced him to sit at the desk and write nonstop for two years. “Writing The Colonel I felt a strong sense of indignation and pa […]
  • Mr Gwyn and Three Times at Dawn by Alessandro Baricco December 15, 2014
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  • The Walls of Delhi by Uday Prakash December 15, 2014
    "The paan shop leads to the opening of a tunnel, full of the creatures of the city, and the tears and spit of a fakir." In a single opening line, Uday Prakash sets the scene for the politically incisive, yet intimately human stories of The Walls of Delhi (translated brilliantly from the Hindi by Jason Grunebaum). Lest the fakir suggest otherwise, t […]
  • The Man Between: Michael Henry Heim and a Life in Translation December 15, 2014
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  • The End of Days by Jenny Erpenbeck December 15, 2014
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  • Faces in the Crowd by Valeria Luiselli December 15, 2014
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Yet Another Crisis

You really have to have more imagination than to go to a crotchety old dude like Eliot Weinberger if you want to know what the state of literary criticism in the U.S. is. I don’t mean to dig Weinberger—he’s an awesome translator and was a great critic—but most available evidence suggests that he’s at the “everything once good has turned bad” point in his career.

The United States does not have the kinds of literary supplements that are common in Spain and many other countries. It has only one important frequent periodical of criticism—The New York Review of Books. There are no longer powerful American critics, as there were until the 1960s, writing in a prose that was intelligible to anyone, and inserting literature into the political, social, and moral issues of the day. So-called “serious” criticism has largely become the domain of academics, who write in a specialized jargon, under the bizarre belief that complex thought can only be presented in impenetrable sentences… Criticism, in the United States, has been reduced to “recommendations,” which come via reviews, blogs, and Twitter. Prizes have become the standard validation of literary merit- especially among those who are unaware how prizes are chosen. I can’t think of a single American critic to whom one now turns for ideas…

Except for insulting Internet culture, this reads like something that was probably in-date at some point in the 1980s. Academia has long been Bastilled, there are plenty of “powerful” critics writing for a popular audience (Tim Parks, Ruth Franklin, Daniel Mendelsohn, Adam Kirsch, Adam Thirlwell, James Wood, Geoff Dyer, etc.), and of course there are other “frequent periodicals of criticism” much more interesting than the NYRB.

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2 comments to Yet Another Crisis

  • Eliot Weinberger

    Thanks, Scott! But I was describing the situation, not complaining about it. (And these sentences are excerpted from a longer statement.)

    This was written for El País in Spain. European and Latin American countries have lots of serious weekly/biweekly cultural/literary supplements and magazines. The USA has only one that is similar– the NYRB– regardless of what one thinks about it. (The NYTBR hardly qualifies as serious; magazines like The Nation and the New Republic are, of course, not devoted largely to culture.)

    I wrote “American” critics. More than half of those you name are Brits (though often appearing in US publications). Whatever their worth, none of them have the kind of “power” once held by Edmund Wilson, Alfred Kazin, Lionel Trilling, et al., and none of them are discussing literature in a larger social/political context. Whether this is good or bad is another topic– again, I was merely describing.

    Far from “insulting internet culture,” I have, from the beginning, promoted the internet as a vehicle for literature, especially poetry. In 1994, I was more or less laughed off the stage of the “Revolution” conference at St. Mark’s Church for saying that, in the future, the internet was going to be a tremendously powerful political force.

    In literary matters, it is completely untrue that I believe that “everything once good has turned bad.” In the world outside of literature, it seems safe to say that everything once bad has turned worse.

  • l

    Scott-
    I’m interested in your comment that “and of course there are other “frequent periodicals of criticism” much more interesting than the NYRB.” Would you mind providing a list? I am always looking for additional book criticism recommendations.

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