Quantcast

The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

For low prices on Las Vegas shows visit LasVegas.ShowTickets.com

You Say

Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

Shop though these links = Support this site


Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • A Treatise on Shelling Beans by Wiesław Myśliwski March 9, 2014
    A man enters a house and asks to buy some beans, but we aren’t given his question, only the response: humble surprise from the narrator and an invitation inside. This modesty, though it remains at the core of the narrator throughout, is quickly overwhelmed when his questions, his welcoming explanations, flow into an effort to tell his whole life story, from […]
  • The Gorgeous Nothings by Emily Dickinson, edited by Marta Werner and Jen Bervin March 9, 2014
    The Gorgeous Nothings, the dedicated work of visual artist Jen Bervin and author Marta Werner, presents in large format the first full-color publication of all fifty-two of Emily Dickinson’s envelope writings. As such, it opens up an aspect of her craft that suggests she was, in the so-called late ecstatic period of her career, experimenting with creating te […]
  • The Mehlis Report by Rabee Jaber March 9, 2014
    The Mehlis Report follows the architect Saman Yarid on his daily perambulations around Lebanon's capital, where his memories of the city's past and his observations of the high-rises that have emerged from the ruins of the nation's civil war dominate the faint plot. But the book transcends Beirut: Jaber writes about what is left behind when pe […]
  • The Fiddler of Driskill Hill by David Middleton March 9, 2014
    Middleton’s sensibility as poet and man is thoroughly Christian, Southern (or rather, Louisianan), and traditional, but he’s no unreconstructed romantic Rebel reliving the Civil War. His manner is meditative and elegiac, not rancorous or redneck. In a rare useful blurb on the back of the book, the North Carolina poet and novelist Fred Chappell describes Midd […]
  • The Fata Morgana Books by Jonathan Littell March 9, 2014
    After The Kindly Ones, the nine hundred-page long Goncourt Prize-winning “autobiography” of a Nazi, fans of the Franco-American writer Jonathan Littell may heave an inward sigh of relief at the sight of The Fata Morgana Books. A slim collection of “studies” (as some of these stories were called in their original French incarnations), The Fata Morgana Books n […]
  • Novelty: A History of the New by Michael North March 9, 2014
    There is no better way to ensure the early demise of a form or a style than to proclaim its newness; fewer epithets are as old as “new.” A well-known work by Italian artist Maurizio Nannucci reads, “All art has been contemporary”—we may wish to amend it, for present purposes, and have it read, “All art has been new.” Yet surely this is something of a truism. […]
  • A Life Among Invented Characters: A Tribute to Mavis Gallant March 9, 2014
    Two things immediately come to mind when remembering Mavis Gallant: her unique sense of humor—stories always told with a wry half-smile—and her near-comical stonewalling when confronted with leading questions about her craft in interviews and with audiences. The first time I was in her simple three-room apartment on rue Jean Ferrandi, a mere three blocks fro […]
  • The Guy Davenport Reader March 9, 2014
    Poet-critic. Think of that word, made of two—what a beaux construction. The first is wild, hair mussed, looking at a bird in a tree—yet the follower is practical, urbane, and seemingly obeisant to word counts. Together they bleach out the fusspot academic and appeal to logos—Davenport once said that he was “not writing for scholars or critics, but for people […]
  • [SIC] by Davis Schneiderman March 9, 2014
    In 2011 Andrew Gallix, in the Guardian, wrote a piece on unread difficult books, and mentioned “an anthology of blank books [edited by Michael Gibbs] entitled All Or Nothing,” and we can consider Blank as continuing that line. Kenneth Goldsmith’s prefatory essay “Why Conceptual Writing? Why Now?” in Against Expression: An Anthology of Conceptual Writing (201 […]
  • The Ben Marcus Interview March 9, 2014
    I do tend to generate a lot of pages when I’m drafting something, and I cut as I go. I make strange noises out of my face, on the page, and they are for the most part not worth keeping. Some of the stories don’t take shape until I overwrite and pursue every cursed dead-end I can think of, which clarifies everything I don’t want the story to become. But I don […]

YFTS: A Dance to the Music of Time

(We continue our reader responses to Your Face Tomorrow with Maylin Scott, who made quite a few comments during out read. Here she talks about the pivotal scene where Deza stands up and dances, and how it refracts throughout all three volumes of YFT.)

Dark Back of TImeHaving now finished Your Face Tomorrow (and read All Souls and Dark Back of Time for good measure–fascinating and complimentary reads both), I keep coming back to one pivotal section that seems to encapsulate many of the resonating thoughts and themes of the novel.

The scene takes place right in the middle of YFT (Volume II pages 185-201) which I don’t think is at all coincidental, and it is the one where Deza looks out his window at his neighbour dancing with the two women, then starts to dance himself, eventually realizing the trio are in turn observing him and copying his dance with the newspaper. They signal to Deza to join them and he, embarrassed, backs away. At first I was in the spell of how breathtakingly beautiful the image was–that section contains some of the best writing in the whole novel–but I think it serves a much more important narrative function. And it’s all to do with the fact that Deza refuses to join in the dance.

As the novel progressed, I’m sure I wasn’t the only reader frustrated (but still intrigued) by Deza’s character–his brooding aloofness and apathy, both in his initial response to his job (and its possible sinister implications) but also particularly in his relationships with women. Marias never lets us glimpse Deza when his love life is flourishing. In YFT, he’s separated from Luisa and we don’t get a sense of how they met or their early courtship and marriage. In All Souls, he is brooding over the absence of his lover Claire and the eventual end of that affair. And there couldn’t be a colder, more dispassionate and mechanical sexual encounter than the one Deza has with Perez Nuix, made all the more sad and horrifying by Deza’s competitive obsession with whether Tupra has also slept with her. Marias has created a main character who muses intelligently and philosophically over life but stands outside it as a reluctant participant. And this dancing scene is a crucial narrative turning point. Deza is invited to join in, to participate, to engage with his neighbours and he refuses. He needs to remain the passive outsider. But this is also the midway point of the novel when Deza turns from being the observer–of the clients he makes reports on, of Tupra’s horrifying actions with the sword in the washroom, and his subsequent viewing of Tupra’s videotapes–to becoming the active instigator of violence in the episode with Custardoy, forcing him to act in a way contrary to his previous beliefs as to what he is morally and physically capable of.

So why does Marias create this distant outsider? This personality suits Deza for his spying duties, but it curiously distances the reader from engaging more emotionally with the character. Reading Dark Back of Time–a sort of philosophical meditation on the blend of fiction/reality that resulted in Marias’s life as result of having published All Souls–illuminated a number of aspects of Marias’ style and intellectual concerns, a key one being the fine line between fiction and reality, or the perception of how closely they can become intertwined, mostly through strange coincidences. (These can be as slim or amusingly innocuous as the one experienced by myself–reading in Dark Back of Time about Melville’s treatment at the hands of his stingy publishers while in a hotel room located on Melville St .) Marias likes to explore how literature, consciously or not, affects people’s subsequent actions and in YFT, he seems to be challenging his readers to put themselves in Deza’s position in terms of being either a passive observer of the novel, or to actively engage with its ideas (as we’ve been doing in this forum), and let it continue to influence and reverberate through your own life. And there couldn’t be a better metaphor for this notion than inviting one to dance with a newspaper, to dance with words as your partner.

A Dance to the Music of TimeThis “dance” is also a dance with literary tradition, fascinated as Marias is with notions of time and memory, both historical and cultural. Readers here have compared him in style to Sebald, Bernhard and Proust in particular. But where Proust takes a submerged moment in time and, from a different temporal perspective, examines how that memory can change, Marias almost suspends time. He freeze frames the episode, has his narrator walk around it, ponder it from all angles, and then turns the projector on again so that the event loops concurrently alongside the narrative present, with frequent inescapable incursions into it. As such, I’d like to suggest that, thematically at least (and definitely not in terms of writing style), the novel that YFT reminded me the most of is Anthony Powell’s A Dance to the Music of Time, though this comparison didn’t hit me until I’d finished the book. Marias’s novel is a dance with the music of time, or a dance with time itself, with an accompanying narrative movement and use of language that is graceful, sensual and elegant. And so back to that key episode and the end of that section and Deza’s summation of himself: “That is what I will be, what was and has never been. That is, I will be time, which has never been seen, and which no one ever can see.”

But Marias has made us see, giving us an imaginative vision of time in this extraordinary novel.

You Might Also Like:

More from Conversational Reading:

  1. YFTS: The Perils of Dancing So a few more comments about last week's section, pp. 122 - 201. I'd like to draw everyone's attention to page 194, which I think...
  2. YFTS: Turning Points The first thing I'd like to remark about on our current section of Your Face Tomorrow (we're in Week 13) is this was the first...
  3. YFTS: A Confession, Deza's Descent, and Shadow I must begin this with a confession: as I suspect many of you have already, I went drastically ahead of schedule in my YFTS reading....
  4. YFTS: Cleaning House I also think that now is an appropriate time to talk about the covers, which, frankly, at first mystified me but now I believe I...
  5. YFTS: The Redemption of Sympathy In my reading, the point of Deza recalling that awful story his father told him about Ronda--where the fascists baited a man like a bull...

Related posts brought to you by Yet Another Related Posts Plugin.

Leave a Reply

  

  

  

You can use these HTML tags

<a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>