The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

For low prices on Las Vegas shows visit LasVegas.ShowTickets.com

You Say

Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

Shop though these links = Support this site


Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • Those Who Leave and Those Who Stay by Elena Ferrante September 16, 2014
    Few novelists have captured the rhythms and flow of life with the veracity of Elena Ferrante in her Neapolitan Novels. Following the friendship between Elena Greco and Lila Cerullo from childhood to old age, the tetralogy spans fifty years; over the course of that time, no emotion is too small, too dark, too banal to be recorded. No expense, so to speak, is […]
  • Trieste by Daša Drndić September 15, 2014
    As Drndić reiterates throughout the novel, “Behind every name there is a story.” And Haya Tedeschi’s story is draped in death. Born to a Jewish family that converted to Catholicism and tacitly supported the Fascists in Italy, Haya was a bystander to the Holocaust. She attended movies while Jews and partisans were transported to concentration camps; she pored […]
  • The Tree With No Name by Drago Jančar September 15, 2014
    At the opening of chapter 87—the first chapter found in The Tree with No Name—Janez Lipnik finds himself up a tree, shoeless, and lost in the Slovenian countryside. He makes his way to a house where he is taken in by a woman teacher who is waiting for her lover, a soldier. It becomes clear we are at the height of World War II. Soon after, we follow Lipnik […]
  • Kjell Askildsen, Selected Stories September 15, 2014
    Here, at the midpoint of his narrative, Bernhard, the affectless and purposeless protagonist of "The Unseen," experiences existential near-emancipation at dusk. This retreat toward obscurity in terse, direct language—thematic and stylistic markers of each work in the collection—comes immediately after Bernhard’s sister mentions her plans to enterta […]
  • Berlin Now by Peter Schneider September 15, 2014
    In his new book of essays, Berlin Now, Peter Schneider reveals himself as a gnarled Cold Warrior who has been stricken with many of the maladies common to his generation. With the specter of Communism exorcized, his new enemy is Islam. The book is a collection of short interlocking pieces introducing Anglophone readers to Berlin; it is not being published in […]
  • Paris by Marcos Giralt Torrente September 15, 2014
    In 1999, Marcos Giralt Torrente’s debut novel, Paris, was awarded the XVII Premio Herralde de Novela prize. Despite his success, it took fourteen years for Giralt’s work to appear in English, with the story collection The End of Love arriving in 2013. Now, this year sees the publication of two more books by Giralt: Paris, translated by Margaret Jull Costa, a […]
  • 10:04 by Ben Lerner September 15, 2014
    “It seemed that the [New Yorker] story—which was in part the result of my dealing with the reception of my novel—had been much more widely received than the novel itself,” says the narrator of Ben Lerner’s second novel, 10:04. Perhaps this narrator is Lerner himself—at one point he describes 10:04, within its own pages, as “neither fiction nor nonfiction but […]
  • Theories of Forgetting by Lance Olsen September 15, 2014
    Lance Olsen’s Theories of Forgetting is a masterful work structured around Robert Smithson’s earthwork “The Spiral Jetty.” Olsen’s novel is comprised of three narrations, written each by a separate member of a family. The husband’s and wife’s texts progress in opposite directions across the book, with each page divided among these two inverted texts; though […]
  • An Interview with Lance Olsen September 15, 2014
    The most substantial may be that innovative fiction knows what it is, that someone like me could define it in any productive way, that innovative fiction might somehow be one thing, or somehow consistent through time and space. None of these is the case. That’s exactly what I find most exciting about writing it, reading it, thinking about it. Innovative fict […]
  • The Ants by Sawako Nakayasu September 15, 2014
    In The Ants, we receive a study of existence through ants. That is, there are ants everywhere, ants substituted in every segment of the landscape, yet their behavior seems to reveal something altogether human. Too human. The ants are crushed and disappointed. They are warm and many. They are involved in gang wars and live inside carrot cake. The unique quali […]

YFTS: Immersion

(Wrapping up Your Face This Spring, we have a guest post from Neil Griffin, another prolific commenter. Here he articulates why he found the world of Your Face Tomorrow uncommonly absorbing.)

Like Scott guessed in a previous YFTS post, there were readers other than him who skipped ahead and read the book quicker than our planned time-line, and I was one of these book-club-rule-breaking offenders. I didn’t start cheating right away. The first few weeks I assumed that I would stick to the schedule, since I had eased into the book leisurely and enjoyed reading 50 or so pages a week and soaking in the consciousness of Deza in all its anxious and wise glory, and then exiting after the prescribed pages with no symptoms of withdrawal. I was even able to read other unrelated books in between assignments and then pick up from where I left off rather painlessly.

Then Tupra came into the story.

I threw the syllabus into the slow-moving river as soon as Deza was swept into Tupra’s world of shifting identities, translation, interpretation, fever, spears, and, ultimately, poison. There’s a section in the first book, when Deza describes his surveillance where I did indeed feel like I was under some feverish spell, from which I didn’t recover–if indeed I am recovered–until the final page of the third book.

So why did I enter this book so thoroughly?

When I tried to explain the book to my friends they thought me strange for being drawn into this world, which I articulated rather on the nose. In Fever and Spear, for example, I explained the plot, as follows: “There’s a Spaniard living in London who gets invited to a party, where he meets an interesting person, whom he eventually works for. He also finds a spot of blood on the stairs and speaks to his old mentor about the atmosphere during the great war.”

Cue looks of confusion and empty words: oh, sounds like an interesting read.

And my friends’ indifference makes sense on a plot level; there really isn’t much going on externally. But Marias makes the book stick to the reader by bringing up universal thoughts, worries, and anxieties through the medium of Deza’s mind. The thoughts colliding into one another create phenomenal images and wordplay that still circulate through my consciousness, even though I finished this two months ago: the ephemeral snow on shoulders, the slow river, the fever, the scratch, farewell my friends, the dancer, the bathroom of bare legs and brutal assaults, the sword, the murdered baby, baiting the man like a bull, Custardoy’s eyes, and the dormant silence always ready to erupt, while the shadow of the 1930s and 40s remains splattered in the present like the rim of blood, which is the hardest part to remove from my memory.

This is the best way I can articulate the magic of this book: through assorted fragments, gestures, thoughts, and insinuations that have been poured into my mind’s eye like an ecstatic poison.

You Might Also Like:

More from Conversational Reading:

  1. YFTS: Some Thoughts on the First 90 Pages of Your Face Tomorrow and the Perils of Talking Now that we've gotten our feet wet with the first 90 pages or so of Your Face Tomorrow, some initial thoughts. For those who aren't...
  2. YFTS: Turning Points The first thing I'd like to remark about on our current section of Your Face Tomorrow (we're in Week 13) is this was the first...
  3. YFTS: I am Myself My Own Fever and Pain, and Dogs Have 18 Toes Before we get started on this week’s discussion, a few housekeeping items. First off, remember that on Monday we’ll be joined by Margaret Jull Costa,...
  4. YFTS: The Redemption of Sympathy In my reading, the point of Deza recalling that awful story his father told him about Ronda--where the fascists baited a man like a bull...
  5. YFTS: The Perils of Dancing So a few more comments about last week's section, pp. 122 - 201. I'd like to draw everyone's attention to page 194, which I think...

Related posts brought to you by Yet Another Related Posts Plugin.

4 comments to YFTS: Immersion

  • Richard

    Neil: I’m so glad to find someone found this novel as all-immersing as I did. I’m curious about your statement that, during the first batch of page-assignments, you were able to read other things in between without a problem, and then able to return to YFT without a problem. I experienced the same strange thing. And the same thing that happened to you did me: once we got through half of Volume II, I literally could not stop myself from continuing to read. As I mentioned back towards the end of the assigned Vol. II reading, I literally FORCED myself to not begin Vol. III, but to keep the Marias fix working (which I desperately needed to do), I went and read All Souls and Dark Back of Time, which was a very curious and wonderful experience as there are so many links between those two books and the three volumes of YFT, but then once we started Vol. III, I literally finished it in three nights.

    I’m also happy to hear from someone who does not seem to dislike Deza, find him weak or annoying or whatever…I was fascinated with his character, and very much related to him in all his weakness and strength, in all his rumination and drifting, and in all his doubt, fear, fever, the word, pain, sleep and dream…

    Thanks for a great post!

  • RJH (formerly Richard)

    THE POSTERS!!!! Take a look at this link (I hope it will take here in comments): http://www.nydailynews.com/news/ny_crime/2010/07/16/2010-07-16_82yearold_14_others_arrested_in_80_million_medicare_scheme_cops.html

    It’s from today’s NY Daily News–look at the photo at the top of the article–it’s an old poster warning people not to talk–almost exactly like some of those Marias included in YFT–this has to do with a health clinic scam, but I was so stunned to see the photo of this poster so prominently…I love it when a book I read suddenly begins echoing for me across the culture’s present moment…

  • RJH: Interesting that you mention this. A number of times since we began our group read of YFT, I’ve remarked on how our posters from our “war” on terror contrast those from WWII. All the ones I see exhort you to talk at the least provocation . . . be it a bag sitting unaccompanied, some shady person glancing around, or just a sensation you have that all is not right, these signs always call on you to tell someone in authority immediately. Speak! they say, where Marias’ signs tell you, Silence!

  • RJH (formerly Richard)

    Scott–I know exactly what you mean. Here in NYC the word around town since 9/11 has been the ubiquitous “if you see something, say something,” which in my darker moods makes me think it’s turned all of us into paranoid Pynchon characters…So I was of course doubly shocked to see the image about keeping mum, staying silent, in the Daily News…It was just such a shocking image to see, precisely because of the “speak!” culture we’re in now, as you note, and also because of the proximity of my reading of YFT with its “Silence”…On the other hand, I do find myself wondering if the whole “Speak” culture is not really the exact opposite of the “Silence” campaigns of WWII, but rather their evil twin…encouraging us to inform on each other, while in the meantime our governments are clandestinely spying on our e-mail and cell phone calls, tracking our library lists and our credit card receipts, looking for the least hint that we may have engaged in some way with “the enemy”–the equivalent of Tupra’s videos of people’s dark behavior being saved for some future use…But alas, this space is too small for an extended conversation of such!

Leave a Reply

  

  

  

You can use these HTML tags

<a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>