The End of Oulipo? The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide.
Lady Chatterley’s Brother Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series,  called “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.
Available now from Amazon, Barnes & Noble, and direct from this site:
Translate This Book! Ever wonder what English is missing? Called "a fascinating  read" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.
|
Shop though these links = Support this site
|
You All Read the Incomplete Edition of 2666
The Literary Saloon informs me that they've discovered two new Bolano manuscripts–and a sixth section to the already massive 2666:
Two new novels by the Chilean author Roberto Bolaño have reportedly been found in Spain among papers he left behind after his death. The previously unseen manuscripts were entitled Diorama and The Troubles of the Real Police Officer, reported La Vanguardia.
The newspaper said the documents also included what is believed to be a sixth section of Bolaño's epic five-part novel 2666.
So, everyone read the wrong book.
Seriously speaking, the fact that there was another volume of 2666 found with these papers just underscores the fact that, well, they weren't meant to be published. Obviously if Bolano wanted part 6 in 2666 he would have said so, and if he wanted to publish these new manuscripts, as well as the so-called "The Third Reich," he probably would have let someone know before he died.
And with La Vanguardia reporting a "sea" of material still to be sifted through, I'm sure we'll be seeing lots more Bolano manuscripts on the market:
El futuro del archivo, un mar de libretas y cuadernos de todos los
tamaños, una vez inventariado, será seguramente una universidad.
Adentrarse en sus páginas requiere la paciencia del paleólogo o del
domador de pulgas.
You Might Also Like:
More from Conversational Reading: - First 2666 Review Adam Kirsch in Slate has the first review I’ve seen for 2666. I imagine this kind of opening will become pretty standard fare in the...
- 2666 An Unanticipatable Success Picador in the UK has bought big on Bolano, snapping up the rights to 11 of his works. That's good to hear, but one wonders...
- 2666 The Literary Saloon and others report that there’s now an Amazon pub date for Bolaño’s opus, in English. I’m a little divided as to whether...
- 2666–The Big Book of BEA? Chad Post is declaring 2666 the "big book" of BEA Jeff’s comments about how they marketed The Savage Detectives and what they’re doing for 2666...
- 2666 Review at Open Letters Sam Sacks has one of the better reviews of 2666 that I’ve read. This is a nice observation: An indescribable amount of things happen to...
Related posts brought to you by Yet Another Related Posts Plugin.
Leave a Reply
|
Recommended Books DeLillo's major work before White Noise is probably his most underrated novel. Its all right here--the politics of paranoia, terrorism, the unnamable--set in an evocative, timeless Greece.
The most bizarre Abe novel I've yet read, which is indeed saying something. About a subclass of Japanese men who go around wearing boxes from the waist up (and then use them as domiciles in the evening), the book is also an experiment in perspective shifts, a highly unstable, metafictional first-person narrative, and an exploration of voyeurism, consumerism, and aberrant sexuality.
Charting the path to three gunshots--the one that killed filmmaker Theo Van Gogh, the one that disabled his Islamic extremist assassin, Mohammed Bouyeri, and the one that led to Vincent Van Gogh’s one hundred years earlier--Olsen tells three separate stories that resonate with one another on numerous levels: the logic of extremism, the role of the dissident in Dutch society, the limits of tolerance, the purpose of the artist, the feeling of the most important five minutes of your life. Read my interview with the author.
Creatively structured, well-executed epic novel of rural South Africa from 1950 - 2000. Takes on a lot and lives up to it magnificently. Highly recommended.
A book that's an interview about the book you're supposedly holding in your hands. Creative, potent, and full of life. Just what metafiction should be. Read my post on it.
|
Amen. It surprised me to read people on a Bolaño listserv that i lurk on had people declaring that since Part 5 was there favorite, then Part 6 of 2666 must be even better. These didn’t seem to be facetious posts, but then again, my irony meter is lousy.
Ha. I was actually the first dissenting voice on that listerv conversation. I think I can chalk that attitude up to supreme optimism.
I’m just as uncomfortable with the DFW novel that’s being shoved in our faces. If it was done, he would have said so to his editor, or at least there would have been a record of his editor saying, “Come on, buddy, you’re done. Let’s get it out there…”
I remember reading in high school a Hemingway biography that contained a couple of unpublished early stories and thinking, “Why isn’t this in the Complete Stories?” A few years later I saw that biography again on a shelf in a bookstore, paged through those unpublished stories, and saw them for the flawed things they were. I immediately went home to pitch out several of my own earliest attempts at writing a story.
(Not that I’m really expecting a literary executor to be muddling around in my stuff when I shuffle off, but just in case…)