The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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    I'm surprised to learn Andres Newman is so young. Also, great overview of his books in English. Andrés Neuman is... »
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    The Complete Review has the details of the future Englishing of our most recent Nobel laureate. And also, sales figures. For... »
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    Issue 38 right here. or TOC after the jump. Features Readings, Fragments,... »
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    Rivka Galchen on the new Kafka bio by Reiner Stach. I have come to the conclusion that anyone who thinks about Kafka for... »
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Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

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Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • [[there.]] by Lance Olsen December 15, 2014
    Lance Olsen is the author of two recent works, [[there.]] and Theories of Forgetting (FC2). The second presents three narratives in a clearly fictional mode while the first offers day-to-day thoughts on living in another country. We rightly suspect that any artist’s memoir or diary ought to be viewed as written with a prospective public in mind, no matter ho […]
  • Noir and Nihilism in True Detective December 15, 2014
    "It’s just one story. The oldest. . . . Light versus dark." Spanning 8 episodes between January and March of 2014, HBO’s runaway hit True Detective challenged the status quo of contemporary crime drama. The show has been widely celebrated for its philosophy, complexity, and visual aesthetic. Co-starring actors Matthew McConaughey as Rustin "Ru […]
  • The Colonel’s World December 15, 2014
    Mahmoud Dowlatabadi (born 1940) is considered by many the living Iranian novelist, a perennial Nobel Prize candidate. Dowlatabadi wrote The Colonel some thirty years ago, because in his own words he had been “afflicted.” The subject forced him to sit at the desk and write nonstop for two years. “Writing The Colonel I felt a strong sense of indignation and pa […]
  • Mr Gwyn and Three Times at Dawn by Alessandro Baricco December 15, 2014
    Alessandro Baricco’s well-crafted, elegant prose seems as though it should create the impression of distance, or of abstraction; instead, the reader of Mr. Gwyn and Three Times at Dawn becomes wholly implicated and immersed, drawn into a dreamy and idiosyncratic world that blurs the division between reader, character and writer. As readers, we expect that th […]
  • The Walls of Delhi by Uday Prakash December 15, 2014
    "The paan shop leads to the opening of a tunnel, full of the creatures of the city, and the tears and spit of a fakir." In a single opening line, Uday Prakash sets the scene for the politically incisive, yet intimately human stories of The Walls of Delhi (translated brilliantly from the Hindi by Jason Grunebaum). Lest the fakir suggest otherwise, t […]
  • The Man Between: Michael Henry Heim and a Life in Translation December 15, 2014
    In a speech reprinted in the book, Heim makes a self-deprecating joke about whether the life of a translator is worth reading: “What does a translator do? He sits and translates!” The Man Between serves as a book-length retort by laying bare all the things Heim did: these include persuading the academy that translation is a scholarly (in addition to a creati […]
  • The Prabda Yoon Interview December 15, 2014
    Yes, I think people are not comfortable anymore to write in this straightforward, traditional way, especially the younger, more progressive writers. So it’s interesting—you have social commentary, and you also get a little bit of structural experiment. You have themes that are very, very Thai. I’m actually very interested to see what new writers will come up […]
  • The End of Days by Jenny Erpenbeck December 15, 2014
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  • In the Heart of the Heart of the Country by William H. Gass December 15, 2014
    Once, at a writers symposium, William Howard Gass remarked that to substitute the page for the world is a form of revenge for the recognition that "you are, in terms of the so-called world, an impotent nobody." There is inarguably no contemporary writer of American stock in whose work one might locate a more ambitious war of attrition between innov […]
  • Faces in the Crowd by Valeria Luiselli December 15, 2014
    Luiselli’s first novel, Faces in the Crowd, translated into fluid English by Christina MacSweeney, is the perfect illustration of this attitude toward fiction writing. Narrated in short sections spanning multiple storylines and the better part of one hundred years, it uses "[d]eep excavations" to expose the empty spaces in two lives, those of a you […]

You Really Want to Be an eBook-Only Author?

You try telling Jonathan Franzen his next novel isn’t actually being printed:

What also gets squeezed, or I should say what gets squeezed the most, is the ability of publishers to continue printing books on paper. As Crain says, “It may not be possible for a single company to publish e-books at that price and also retain the infrastructure necessary to publish ink-on-paper books.” I added the emphasis, but I think it’s pretty obvious that it has to be there: as I noted above, one of the forms of control at stake in this haggling over price points is the publisher’s ability to determine how or even whether to release eBook versions alongside the printed product. If Amazon is committed to wresting control over price points for eBooks, it’s also exerting indirect control over what the profit margins have to be for printed books to compensate for the losses incurred over eBooks. Being print-first (organizing one’s whole production chain from acquisition to fulfillment around the print copies of a book) may end up being a luxury no publisher can afford.

Granted, there’s a lot of sense here (in fact, it’s a great post), but given that it took a generation for authors to even warm up to the idea of having their books done in paperback original, I’m guessing it’ll be a while before the idea of only being in electronic print sits well.

Beyond the very real, very sensible cultural reasons for keeping print alive (remember how Amazon disappeared everyone’s copy of 1984?), with POD technology and printing advances in general it’s become cheaper and cheaper to do a print run, which also makes me think publishers won’t be ditching those printed books any time soon. If publishers really want to stay in print–even at a highly symbolic 2,000-copy print run–I’m sure they can find ways to do it. After all, how cool would it be to have a $50, author signed, gold-plated, personally numbered, anti-Kindle edition of . . . you get the idea.

And then there’s this:

Mass culture hooked us on stockpiling: units cheap enough to buy without regard to need, constant advertising and prods to purchase for the sake of purchasing, a huge but barely differentiated menu of products—all these factors, the basic DNA of the culture industry in the classic sense, are now playing out under new circumstances as a desire to fill our hard drive with more music than we will ever listen to, television shows or films that we may never watch, and now with text files we’ll probably never read.

Jacques Attali’s bizarre little study Noise details some of the more abstract consequences of the economics of stockpiling (e.g.), but the concrete point that is somewhere in his analysis is that stockpiling is pleasurable in a way that even purchasing is not. The very process of searching for and acquiring difficult-to-find media—whether that is in the bowels of a used bookstore or on a bitTorrent site—is inherently pleasurable and does not diminish very much with repetition, or even with failure. You might always find it tomorrow, and if you find it today, there will be something else to find tomorrow.

This may be the salvation of the publishing industry, although generally we’re wont to fill our hard drives with electronic media because when you download it from iTunes it costs a good deal less than comparable physical versions. (And we’ve just learned publishers don’t really like really low price points for their books.) Perhaps subscription download systems, which seem to be working out well for audiobooks, are workable model for ebooks in the future.

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More from Conversational Reading:

  1. Amazon Is Losing Money on Each $9.99 Ebook Publishers Weekly confirms something I've long suspected: Currently, publishers make as much money on Kindle editions as print editions, since Amazon, the largest e-book...
  2. eBook Prices: Can They Fall Further? Continuing the ebook pricing conversation, Rich Mintz (from Obama’s online campaign) has this to say: As a heavy consumer of books (and a former independent...
  3. The Hidden Costs of eBooks The Harper Studio Blog makes the case for why ebooks shouldn’t be dirt cheap: There seems to be a common refrain in many discussions of...
  4. eBook Market Expanding The New York Times reports that Amazon’s Kindle is currently out of stock, letting some of the other players in the field move in. The...
  5. Publishers Making Dumb ebook Mistakes In this post, Chad mocks ebook distributor ScrollMotion and publishers Hachette and Random House for their mania about ebook piracy and their eagerness to price...

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